 | | The object of cultish adoration for years, singer/songwriter Lucinda Williams was universally hailed as a major talent by both critics and fellow musicians, but it took quite some time for her to parlay that respect into a measure of attention from the general public. |
 | | After touring in support of their 1993 masterpiece, Anodyne, the seminal alternative country band Uncle Tupelo split up over long-simmering creative differences between co-leaders Jay Farrar and Jeff Tweedy. |
 | | With the release of their 1990 debut LP, No Depression, the Belleville, IL, trio Uncle Tupelo launched more than simply their own career -- by fusing the simplicity and honesty of country music with the bracing fury of punk, they kick-started a revolution which reverberated throughout the American underground. |
 | | Although they became one of the most enduring bands in the alternative country-rock catalog, Old 97's drew inspiration from a broad range of genres, including the twangy stomp of cowpunk and the melodies of power pop. |
 | | In the strictest sense, Steve Earle isn't a country artist; he's a roots rocker. Earle emerged in the mid-'80s, after Bruce Springsteen had popularized populist rock & roll and Dwight Yoakam had kick-started the neo-traditionalist movement in country music. |
 | | Texas singer/songwriter James McMurtry, known for his hard-edged character sketches, comes from a literary family; his father, novelist and screenwriter Larry McMurtry, gave James his first guitar at age seven, and his mother, an English professor, taught him how to play it. |
 | | Boasting a mix of Southern pride, erudite lyrics, and a muscled three-guitar attack, Drive-By Truckers became one of the most well-respected alternative country-rock acts of the 2000s. |
 | | Singer/songwriter Todd Snider first garnered attention for his timely alt-rock satire "Talkin' Seattle Grunge Rock Blues," a folk-rock song that struck a chord with younger people fed up with angry alternative rock bands, and at the same time, appealed to aging rockers who grew up with the folk revival of the 1960s. |
 | | A band with as turbulent an existence as Whiskeytown was bound to implode sooner or later, but by the time they did, they had one of the largest cult followings of any alt-country band. |
 | | Among the large contingent of talented songwriters who emerged in Texas in the 1980s and '90s, Robert Earl Keen struck an unusual balance between sensitive story-portraits ("Corpus Christi Bay") and raucous barroom fun ("That Buckin' Song"). |
 | | Festus, Missouri's Bottle Rockets ranked as one of the leading lights of the 1990s roots rock revival, thanks to a sound that bypassed the punk heritage proudly upheld by most of the band's contemporaries in favor of a redneck fusion of Southern boogie, country-folk, and crunching rock & roll. |
 | | Led by the gifted songwriting, impeccable playing, and honeyed harmonies of vocalists/guitarists Mark Olson and Gary Louris, the Jayhawks' shimmering blend of country, folk, and bar band rock made them one of the most widely acclaimed artists to emerge from the alternative country scene. |
 | | John Hiatt's sales have never quite matched his reputation. Hiatt's songs were covered successfully by everyone from Bonnie Raitt, Ronnie Milsap, and Dr. |
 | | Townes Van Zandt's music doesn't jump up and down, wear fancy clothes, or beat around the bush. Whether he was singing a quiet, introspective country-folk song or a driving, hungry blues, Van Zandt's lyrics and melodies were filled with the kind of haunting truth and beauty that you knew instinctively. |
 | | An acclaimed singer/songwriter whose literate work flirted with everything from acoustic folk to rockabilly to straight-ahead country, John Prine was born October 10, 1946, in Maywood, IL. |
 | | The Gourds are a good-time, honky tonkin' band with enough quirk and underground appeal to justify the "alternative" tag in "alternative country-rock. |
 | | Country-rock singer/songwriter/guitarist Joe Ely was born Earle R. Ely on February 9, 1947, in Amarillo, Texas. |
 | | Lyle Lovett was one of the most distinctive and original singer/songwriters to emerge during the '80s. |
 | | Wilco rose from the ashes of the seminal roots rock band Uncle Tupelo, which disbanded in 1994. While Jay Farrar, one of the group's two singer/songwriters, went on to form Son Volt, his ex-partner Jeff Tweedy established Wilco along with the remaining members of Tupelo's final incarnation, which included drummer Ken Coomer as well as part-time bandmates John Stirratt (bass) and Max Johnston (mandolin, banjo, fiddle, and lap steel). |
 | | Gillian Welch first appeared on the folk scene as a young singer/songwriter armed with a voice and sensibility far beyond her years, earning widespread acclaim for her deft, evocative resurrection of the musical styles most commonly associated with rural Appalachia of the early 20th century. |
 | | Guy Clark doesn't just write songs, he crafts them with the kind of hands-on care and respect that a master carpenter (a favorite image of his) would have when faced with a stack of rare hardwood. |
 | | Mixing the heartfelt angst of a singer/songwriter with the cocky brashness of a garage rocker, Ryan Adams is at once one of the few artists to emerge from the alt-country scene to achieve mainstream commercial success and the one who most strongly refused to be defined by the genre, leaping from one spot to another stylistically while following his increasingly prolific muse. |
 | | The son of maverick Texas songwriter Steve Earle (and carrying the middle name of his dad's mentor, Townes Van Zandt), Justin Townes Earle shares just a hint of his father's vocal style in his voice, and like the elder Earle, he writes his own songs, but aside from the fact that both Earles fall to the country side of the Mason-Dixon Line, there are probably far more differences in their musical approaches than there are similarities. |
 | | The 1990 compilation of the Flatlanders' entire recorded history wasn't called More a Legend Than a Band for nothing. |
 | | A leading figure of the progressive country movement of the 1970s, singer/songwriter Ray Wylie Hubbard remains best known for authoring the perennial anthem "Up Against the Wall, Redneck Mother. |
 | | The music of Austin-based singer/songwriter and guitarist Slaid Cleaves is rooted in country and traditional folk songs, but it is unusual enough to have held interest in a sea of singer/songwriters across the 1990s, 2000s, and 2010s. |
 | | A honky tonk band following the tradition set by Buck Owens, Austin, TX's Derailers were led by vocalist/rhythm guitarist Tony Villanueva and lead guitarist Brian Hofeldt, longtime friends who grew up together in Oregon. |
 | | One of the most critically acclaimed alternative country bands of the '90s, BR5-49's sound, style, and even look were unabashedly retro. |
 | | Alternative country singer/songwriter Neko Case won a steadily growing cult audience for her smoky, sophisticated vocals and the downcast beauty of her music. |
 | | Gram Parsons is the father of country-rock. With the International Submarine Band, the Byrds, and the Flying Burrito Brothers, the songwriter pioneered the concept of a rock band playing country music, and as a solo artist he moved even further into the country realm, blending the two genres to the point that they became indistinguishable from each other. |
 | | Formed in Austin, TX, the Band of Heathens became a band totally by accident. Songwriters Colin Brooks, Gordy Quist, and Ed Jurdi were all doing regular sets at Momo's in Austin when they began sitting in with each other, eventually making the whole thing one big show that they called the Good Time Supper Club, which was essentially three singer/songwriters in the round backed by a solid rhythm section of John Chipman on drums and Seth Whitney on bass. |
 | | Americana singer/songwriter Ryan Bingham was raised in rural Texas, where years of hardscrabble ranch work and rodeo competitions would later lend a sense of authenticity to his music. |
 | | Mountain music revivalists Old Crow Medicine Show spin traditional folk and bluegrass yarns with a rock & roll attitude. |
 | | Billy Joe Shaver never became a household name, but his songs -- including "Good Christian Soldier," "Willie the Wandering Gypsy and Me," and "I Been to Georgia on a Fast Train" -- became country standards during the '70s and his reputation among musicians and critics didn't diminish in the ensuing decades. |
 | | With his warm, warbling tenor voice and folksy, friendly approach to both his music and his audiences, Jimmie Dale Gilmore is an easy guy to like. |
 | | The venerable Delbert McClinton is a legend among Texas roots music aficionados, not only for his amazing longevity, but for his ability to combine country, blues, soul, and rock & roll as if there were no distinctions between any of them in the best time-honored Texas tradition. |
 | | Texas singer/songwriter Charlie Robison was born in Houston and raised on his family's ranch in the town of Bandera; absorbing the music he heard on the local honky tonk scene, he and brother Bruce -- later an acclaimed performer in his own right -- were also brought up on artists ranging from Black Sabbath to Gram Parsons to Bruce Springsteen. |
 | | Chris Knight is a singer/songwriter from the tiny mining town of Slaughters, KY, whose self-titled debut album invited comparisons to Steve Earle and John Prine. |
 | | The Austin, TX-based singer/songwriter Bruce Robison issued his self-titled debut LP in 1995. He also attracted notice thanks to his inclusion on several compilations, including 1995's Austin Country Nights: Rising Stars From the Heart of Texas collection and True Sounds of the New West. |
 | | Born Joshua Hayes Carll, Texas singer and songwriter Hayes Carll received his first guitar at the age of 15 and almost immediately began writing songs, influenced by the likes of Bob Dylan, John Prine, Kris Kristofferson, Dead Poets Society, and the Beat novels and writings of Jack Kerouac, all of which continued to reverberate in his mature songwriting style. |
 | | When Rodney Crowell first gained widespread recognition as a leader of the new traditionalist movement of the mid-'80s, he was, in fact, a singer, songwriter, and producer with roots and ambitions extending far beyond the movement's parameters. |
 | | Cross Canadian Ragweed established themselves as a relentless touring band throughout the Texas/Oklahoma area and then broadened their reach, nationally releasing several albums of rabble-rousing alt-country. |
 | | Jerry Jeff Walker is strongly associated with the progressive ("outlaw") country scene that centered around Austin, TX, in the 1970s and included such figures as Willie Nelson, Guy Clark, Billy Joe Shaver, the Lost Gonzo Band, Waylon Jennings, and Townes Van Zandt. |
 | | Fusing traditional country with traditional rock & roll, the Mavericks became one of the most critically acclaimed and commercially successful groups of the early '90s. |
 | | Led by brothers Willy (vocals/guitar) and Cody Braun (vocals/fiddle/mandolin/harmonica), alternative country-rock outfit Reckless Kelly formed in Bend, OR, before relocating to Austin, TX, in January 1997. |
 | | Though other performers sold more records and earned greater fame, few had as profound an impact on contemporary music as Emmylou Harris. |
 | | Soulful Americana songwriter, singer, and producer Buddy Miller began his career in the early '60s as an upright bassist in high school bluegrass combos. |
 | | Singer/songwriter Tift Merritt seemingly appeared out of nowhere in the spring of 2002 with her acclaimed debut album Bramble Rose, but as is often the case, this triple-threat artist -- a gifted singer, superb songwriter, and skillful guitarist -- actually has plenty of experience under her belt. |
 | | After spending six years with Southern rock outfit Drive-By Truckers, singer/guitarist Jason Isbell left the group in 2007 to pursue a solo career. |
 | | The ultimate Tex-Mex supergroup, Texas Tornados were composed of some of the genre's most legendary figures: Doug Sahm, Augie Meyers (Sahm's bandmate in the groundbreaking Sir Douglas Quintet), Hispanic country star Freddy Fender, and accordion virtuoso Flaco Jimenez. |