 | | One of the last and most popular in a long line of traditional male vocalists who emerged before the rock-dominated 1960s, Johnny Mathis concentrated on romantic readings of jazz and pop standards for the ever-shrinking adult contemporary audience of the '60s and '70s. |
 | | One of the most popular vocalists between the end of World War II and the rise of rock & roll in the mid-'50s, Perry Como perfected the post-big-band approach to pop music by lending his own irresistible, laid-back singing -- influenced by Bing Crosby and Russ Columbo -- to the popular hits of the day on radio, TV, and LP. |
 | | For a mild-mannered man whose music was always easy on the ear, Nat King Cole managed to be a figure of considerable controversy during his 30 years as a professional musician. |
 | | Enjoying great success in music, film, television, and the stage, Dean Martin was less an entertainer than an icon, the eternal essence of cool. |
 | | Frank Sinatra was arguably the most important popular music figure of the 20th century, his only real rivals for the title being Bing Crosby, Elvis Presley, and the Beatles. |
 | | Tony Bennett's career has enjoyed three distinct phases, each of them very successful. In the early '50s, he scored a series of major hits that made him one of the most popular recording artists of the time. |
 | | Bing Crosby was, without doubt, the most popular and influential media star of the first half of the 20th century. |
 | | There's been considerable discussion about whether Bobby Darin should be classified as a rock & roll singer, a Vegas hipster cat, an interpreter of popular standards, or even a folk-rocker. |
 | | With very few exceptions, the career of Harry Connick, Jr., can be divided in half -- his first two albums encompassed straight-ahead New Orleans jazz and stride piano while his later career (which paralleled his rising celebrity status) alternated between more contemporary New Orleans music and pop vocals with a debt to Frank Sinatra. |
 | | Doris Day has packed four careers into one lifetime, two each in music and movies. The pity is that all most people remember are her movies, from Teacher's Pet (1957) onward, as the quintessential all-American girl, the perpetually virginal screen heroine, cast opposite such icons of masculinity as Clark Gable and, rather ironically, Rock Hudson. |
 | | Peggy Lee's alluring tone, distinctive delivery, breadth of material, and ability to write many of her own songs made her one of the most captivating artists of the vocal era, from her breakthrough on the Benny Goodman hit "Why Don't You Do Right" to her many solo successes, singles including "Mañana," "Lover" and "Fever" that showed her bewitching vocal power, a balance between sultry swing and impeccable musicianship. |
 | | Before the rock & roll revolution, Rosemary Clooney was one of the most popular female singers in America, rising to superstardom during the golden age of adult pop. |
 | | Elvis Presley may be the single most important figure in American 20th century popular music. Not necessarily the best, and certainly not the most consistent. |
 | | Recognized throughout much of his career as "the world's greatest living entertainer," Sammy Davis, Jr. |
 | | With their light, airy melodies and meticulously crafted, clean arrangements, the Carpenters stood in direct contrast with the excessive, gaudy pop/rock of the '70s; yet they became one of the most popular artists of the decade, scoring 12 Top Ten hits, including three number one singles. |
 | | Mel Tormé was a jazz-oriented pop singer who worked at his craft steadily from the '40s to the '90s, primarily in nightclubs and concert halls. |
 | | "The First Lady of Song," Ella Fitzgerald was arguably the finest female jazz singer of all time (although some may vote for Sarah Vaughan or Billie Holiday). |
 | | The Andrews Sisters were the most successful female vocal group of the first half of the 20th century in the U. |
 | | Louis Armstrong was the first important soloist to emerge in jazz, and he became the most influential musician in the music's history. |
 | | With his grandfatherly image, Burl Ives parlayed his talent as a folksinger into a wide-ranging career as a radio personality and stage and screen actor. |
 | | Singer/actress Judy Garland had a varied career that began in vaudeville and extended into movies, records, radio, television, and personal appearances. |
 | | One of the biggest teen idols of the late '50s, Paul Anka moved to the adult sphere several years later and became a successful performer, songwriter, music businessman, and recording artist, remaining so well into the new millennium. |
 | | Michael Bublé's introduction to the music of the swing era came to him through his grandfather, who filled his grandson's ears with the sounds of the Mills Brothers, Ella Fitzgerald, Frank Sinatra, and others. |
 | | Percy Faith was one of the most popular easy listening recording artists of the '50s and '60s. Not only did he have a number of hit albums and singles under his own name, but Faith was responsible for arranging hits by Tony Bennett, Doris Day, Johnny Mathis, and Burl Ives, among others, as the musical director for Columbia Records in the '50s. |
 | | Glenn Miller's reign as the most popular bandleader in the U.S. came relatively late in his career and was relatively brief, lasting only about three and a half years, from the spring of 1939 to the fall of 1942. |
 | | Singer/actress Lena Horne's primary occupation was nightclub entertaining, a profession she pursued successfully around the world for more than 60 years, from the 1930s to the 1990s. |
 | | One of the biggest pop stars of the early '60s, Brenda Lee hasn't attracted as much critical respect as she deserves. |
 | | The so-called Rat Pack wasn't a group in the normal sense, but consisted of a loose confederation of actors, comedians, and singers lumped together by the media under that name in the early '60s. |
 | | Barbra Streisand's status as one of the most successful singers of her generation was remarkable not only because her popularity was achieved in the face of a dominant musical trend -- rock & roll -- which she did not follow, but also because she used her vocal skills as a mere stepping stone to other careers, as a stage and film actress and as a film director. |
 | | The man who popularized wordless vocal choruses and light orchestral accompaniment on a mix of popular standards and contemporary hits of the 1960s, Ray Conniff was a trombone player for Bunny Berigan's Orchestra and Bob Crosby's Bobcats before being hired as an arranger by Mitch Miller for Columbia Records in 1954. |
 | | An astonishing vocal group that grew into one of the longest-lasting oldies acts in American popular music, the Mills Brothers quickly moved from novelty wonders to pop successes and continued amazing audiences for decades. |
 | | Every era needs its crooner, and in the early '60s, it was Bobby Vinton. Vinton's sentimental balladeering and orchestral, middle-of-the-road arrangements were a throwback to a decade earlier, before rock & roll had found its mass market. |
 | | An actor, humanitarian, and the acknowledged "King of Calypso," Harry Belafonte ranked among the most seminal performers of the postwar era. |
 | | Pop and classical singer Josh Groban made his debut in the seventh grade, but then put music aside for a few years until he enrolled at the Interlochen Arts Program. |
 | | Ray Charles was the musician most responsible for developing soul music. Singers like Sam Cooke and Jackie Wilson also did a great deal to pioneer the form, but Charles did even more to devise a new form of black pop by merging '50s R&B with gospel-powered vocals, adding plenty of flavor from contemporary jazz, blues, and (in the '60s) country. |
 | | In terms of record sales and career longevity, Barry Manilow is one of the most successful adult contemporary singers ever. |
 | | One of the prototypical Italian-American crooners, Vic Damone parlayed a smooth, mellow baritone into big-time pop stardom during the '40s and '50s. |
 | | The first popular jazz singer to move audiences with the intense, personal feeling of classic blues, Billie Holiday changed the art of American pop vocals forever. |
 | | The Platters started out as a Los Angeles-based doo wop group with little identity of their own to make them stand out from the pack. |
 | | As a solo artist and in a duo with his wife Eydie Gorme, Steve Lawrence enjoyed a successful singing career that stretched well past half a century. |
 | | Dancer, actor, and singer Fred Astaire worked steadily in various entertainment media during nine decades of the 20th century. |
 | | Benny Goodman was the first celebrated bandleader of the Swing Era, dubbed "The King of Swing," his popular emergence marking the beginning of the era. |
 | | Possessor of one of the most wondrous voices of the 20th century, Sarah Vaughan ranked with Ella Fitzgerald and Billie Holiday in the very top echelon of female jazz singers. |
 | | Ultrasmooth balladeer Engelbert Humperdinck was often billed as "the King of Romance," and for millions of fans around the world, he more than lived up to that title. |
 | | At the commercial height of her career in the '60s, actress/singer Julie Andrews could claim to be the primary performer associated with the longest-running musical in Broadway history, the highest-grossing Hollywood film ever made, and the biggest-selling album of all time. |
 | | Though he might have been ranked second at any given moment to Benny Goodman, Artie Shaw, Glenn Miller, or Harry James, Tommy Dorsey was overall the most popular bandleader of the swing era that lasted from 1935 to 1945. |
 | | Gene Autry was more than a musician. His music, coupled with his careers in movies and on radio and television, made him a part of the mythos that has made up the American identity for the past hundred years -- John Wayne with a little bit of Sam Houston and Davy Crockett all rolled into one, with a great singing voice and an ear for music added on. |
 | | If any performer can truly be said to have carved out his own comedic turf, made a huge success out of it lasting over several decades, while completely owning that piece of turf lock, stock, and barrel, then that performer would have to be Jimmy Durante. |
 | | Duke Ellington was the most important composer in the history of jazz as well as being a bandleader who held his large group together continuously for almost 50 years. |
 | | Johnny Mercer's main claim to immortality is his incredible songwriting output, penning the lyrics or music and lyrics to roughly 1,500 songs. |