 | | Picking up the pieces from At the Drive-In, Cedric Bixler-Zavala and Omar Rodriguez-Lopez formed the Mars Volta and wasted little time branching out into elements of hardcore, psychedelic rock, and free jazz that expanded on the boundaries of their previous work. |
 | | When At the Drive-In announced a hiatus in March 2001, co-founder Jim Ward (vocals/guitar) immediately started working with bandmates Paul Hinojos (guitar) and Tony Hajjar (drums) under the Sparta moniker. |
 | | Considering their relatively brief existence, Sunny Day Real Estate racked up enough dramatic twists and turns to rank with some of the great rock soap operas. |
 | | A significant player in the early 21st century's post-hardcore scene, Thursday formed in 1997 in New Brunswick, NJ. |
 | | Modest Mouse were one of the most surprising commercial success stories of the new millennium -- while their music was by turns taut and elliptical, and the lyrics sometimes cryptic and introspective, the band broke through to the mainstream audience with the platinum-selling Good News for People Who Love Bad News, and they became genuine rock stars at a time when their musical peers remained cult figures. |
 | | If history is kind to Fugazi, their records won't be overshadowed by their reputation and methods of operation. |
 | | With catchy song titles like "Hey, Wanna Throw Up? Get Me Naked," "Monkey!!! Knife!!! Fight!!!," and "Lemurs, Man, Lemurs," it's hard not to be at least a little bit curious about this Seattle-based quintet. |
 | | Although the members of Brand New cut their teeth in various hardcore bands, the group took a more melodic approach to its own work, embracing punk-pop on the debut album Your Favorite Weapon and incorporating aspects of indie rock during future projects. |
 | | ...And You Will Know Us by the Trail of Dead were formed in late 1994 by singers/guitarists/drummers Jason Reece and Conrad Keely, longtime friends who originally met in Hawaii before settling in the perennial indie hotbed of Olympia, Washington, where Reece drummed for the notorious Mukilteo Fairies. |
 | | Long Island, NY-based progressive hardcore band Glassjaw was formed by singer Daryl Palumbo and guitarist Justin Beck in 1994, longtime friends who began collaborating as teens. |
 | | Radiohead were one of the few alternative bands of the early '90s to draw heavily from the grandiose arena rock that characterized U2's early albums. |
 | | Kansas City's Get Up Kids play melodic, pop-inflected emo similar to the Promise Ring and Braid, with whom the band released a split single in 1998. |
 | | As early as 1995, the original members of Cursive -- Tim Kasher on guitar and vocals, Clint Schnase on drums, Matt Maginn on bass, and Stephen Pederson on guitar -- began work on their newly christened project, experimenting with elements of indie rock and eclectic post-hardcore to fashion a unique sound. |
 | | The post-hardcore quartet Thrice formed in 1998 in Irvine, California. Guitarist/vocalist Dustin Kensrue, guitarist Teppei Teranishi, bassist Eddie Breckenridge, and drummer Riley Breckenridge all knew each other from high school and the neighborhood skate park, and the usual round of practices, music competitions, and local gigs helped hone their new band's sound. |
 | | Philadelphia's Circa Survive were formed by former Saosin vocalist Anthony Green with guitarist Colin Frangicetto -- both of them veterans of the local emo and hardcore scenes looking to indulge in the rule-breaking freedom of the neo-progressive movement of the mid-2000s. |
 | | Although originally forming as a rock trio in 1995, New York's Coheed and Cambria officially took root in 2001, shedding their former name of Shabutie and embracing a fusion of progressive rock, emocore, and highly conceptual album themes. |
 | | Formed by ex-Jerkwater and Traitors drummer Matt Skiba (vocals/guitar), former 88 Fingers Louie percussionist Glenn Porter, and Rob Doran (bass/vocals), Alkaline Trio was brought together in 1997 by heartbreak, angst, and the companionship of drinking. |
 | | The Gainesville, Florida-based post-hardcore quartet Hot Water Music were formed in 1994 by bassist Jason Black, drummer George Rebelo, and singer/guitarists Chuck Ragan and Chris Wollard. |
 | | A combination of indie rock muscle and theatrical, unapologetic bombast turned Arcade Fire into indie royalty in the early 2000s. |
 | | Although formed during the late '90s, Interpol rose to international attention in 2002 as part of New York City's post-punk revival. |
 | | Perfecting their power pop rock since the mid-'90s, New Jersey's Saves the Day call it like it is. They refrain from characteristic pogo-bouncing anthems for their own quirky post-punk and energetic live shows, influencing a new school of emo/punk bands along the way. |
 | | Formed in 1999 in Amityville, New York, Taking Back Sunday modeled their interpretation of melodic hardcore after bands like Lifetime, Endpoint, and Sunny Day Real Estate, as well as guitarist Ed Reyes' emo outfit the Movielife. |
 | | Death Cab for Cutie's rise from small-time solo project to Grammy-nominated rock band is one of indie rock's greatest success stories. |
 | | Built to Spill were one of the most popular indie rock acts of the '90s, finding the middle ground between postmodern, Pavement-style pop and the loose, spacious jamming of Neil Young. |
 | | Combining jagged, roaring guitars and stop-start dynamics with melodic pop hooks, intertwining male-female harmonies and evocative, cryptic lyrics, the Pixies were one of the most influential American alternative rock bands of the late '80s. |
 | | Equally inspired by classic tunesmiths like Buddy Holly and John Lennon and the street-smart attitude and angular riffs of fellow New Yorkers Television and the Velvet Underground, the Strokes were also equally blessed and cursed with an enormous amount of hype -- particularly from the U. |
 | | Equally inspired by Sonic Youth, Joy Division, Gang of Four, and the Cure, East London art punkers Bloc Party mix angular sonics with pop structures. |
 | | Named for the courier service that allowed them to trade song ideas while living in different locales, the Postal Service were a short-lived supergroup featuring Jimmy Tamborello (leader of the electronica bands Dntel and Figurine) and Death Cab for Cutie's Ben Gibbard. |
 | | Once a trailblazing name in the mid-'90s emocore scene, Jimmy Eat World eventually found a larger audience by embracing a blend of alternative rock and power pop that targeted the heart as well as the head. |
 | | Formed from the ashes of stoner rock icons Kyuss, Queens of the Stone Age reunited the group's singer/guitarist Josh Homme, drummer Alfredo Hernandez, and bassist Nick Oliveri along with new guitarist/keyboardist Dave Catching. |
 | | The White Stripes formed on Bastille Day in 1997, aiming to create simple, vigorous rock & roll with little more than Meg White's percussion and Jack White's guitar-and-vocal attack. |
 | | The Brooklyn-based group TV on the Radio mix post-punk, electronic, and other atmospheric elements in such a creative way that it only makes sense that their core duo, vocalist Tunde Adebimpe and multi-instrumentalist/producer David Andrew Sitek, are both visual artists as well as musicians. |
 | | Although many musicians joined the band's rotating lineup, Bright Eyes was primarily the songwriting vehicle of Conor Oberst, a quivery-voiced Nebraska native who first attracted attention in 1994 -- when he was only 14 years old -- as the singer and guitarist for Commander Venus. |
 | | Sonic Youth were one of the most unlikely success stories of underground American rock in the '80s. Where contemporaries R. |
 | | Discovered in the wake of the Strokes' popularity and the subsequent garage rock revival, New York's art punk trio the Yeah Yeah Yeahs are comprised of singer Karen O, guitarist Nicolas Zinner, and drummer Brian Chase. |
 | | Independently minded and adhering to the old-school D.I.Y. punk mentality, West Coast punk-pop trio Jawbreaker's street-smart -- yet poetic -- lyrics, spirited musicality, and marathon live shows put them a cut above contemporaries like Green Day and blink-182. |
 | | A classic guitar pop group almost nine years in the making, Albuquerque, New Mexico's the Shins began in 1997 as the side project of singer/songwriter and guitarist James Mercer's primary band, Flake. |
 | | Deftones were one of the first groups to alternate heavy riffs and screamed vocals with more ethereal music and hushed singing -- spawning a fair amount of imitators in their wake. |
 | | Dinosaur Jr. were largely responsible for returning lead guitar to indie rock and, along with their peers the Pixies, they injected late-'80s alternative rock with monumental levels of pure guitar noise. |
 | | Post-hardcore trio the Fall of Troy formed in Mukilteo, WA, in 2002. Singer/guitarist Thomas Erak, singer/bassist Tim Ward, and drummer Andrew Forsman previously collaborated in 30 Years War, a screamo outfit they formed with fellow high school classmate Mike Munro on guitar. |
 | | As one of the most popular groups to emerge in the post-grunge alternative rock aftermath, Weezer received equal amounts of criticism and praise for their hook-heavy guitar pop. |
 | | Even within the eclectic world of alternative rock, few bands were so brave, so frequently brilliant, and so deliciously weird as the Flaming Lips. |
 | | The influential Swedish hardcore band Refused was formed in 1991 by vocalist Dennis Lyxzén, guitarists Jon Brännström and Kristofer Steen, bassist Magnus Höggren, and drummer David Sandström. |
 | | While a rotating cast of instrumentalists find loose assembly under the Pinback name, the partnership of Armistead Burwell Smith IV and Rob Crow is at the heart of the some of the most complex, postmodern indie pop happening on the West Coast. |
 | | Before becoming a full-fledged punk band, Against Me! was an acoustic solo project spearheaded by Tom Gabel, who began playing shows as a 17-year-old in Gainesville, Florida. |
 | | Rebellious and nasty, the Blood Brothers defined their own punk-soaked angst rock when they came together in 1997. |
 | | Muse's fusion of progressive rock, glam, electronica, and Radiohead-influenced experimentation is crafted by guitarist/vocalist Matthew Bellamy, bassist Chris Wolstenholme, and drummer Dominic Howard. |
 | | With their fractured songs, unexpected blasts of feedback, laconic vocals, cryptic literate lyrics, and defiant low-fidelity, Pavement were one of the most influential and distinctive bands to emerge from the American underground in the '90s. |
 | | It’s too facile to call the Black Keys counterparts of the White Stripes: they share several surface similarities -- their names are color-coded, they hail from the Midwest, they’re guitar-and-drum blues-rock duos -- but the Black Keys are their own distinct thing, a tougher, rougher rock band with a purist streak that never surfaces in the Stripes. |
 | | Out of all of the Southern Californian hardcore punk bands of the early '80s, Bad Religion stayed around the longest. |