 | | Young gospel phenom, gritty Stax/Volt soulster, lady-killing balladeer, chart-topping disco king, Southern soul-blues stalwart -- Johnnie Taylor somehow always managed to adapt to the times, and he parlayed that versatility into a recording career that lasted nearly four decades. |
 | | The king of romantic Chicago soul, Tyrone Davis' warm, aching vulnerability and stylish class made him especially popular with female soul fans during a lengthy hitmaking run that lasted throughout the '70s. |
 | | Born January 6, 1947, in West Memphis, the Browns moved to St. Louis, MO, when Shirley was very young. |
 | | Singer Clarence Carter exemplified the gritty, earthy sound of Muscle Shoals R&B, fusing the devastating poignancy of the blues with a wicked, lascivious wit to create deeply soulful music rooted in the American South of the past and the present. |
 | | Despite a lack of attention from most print sources and other common avenues of publicity in the blues world, Marvin Sease has turned his smooth, X-rated ladies' man persona into a cottage industry complete with merchandising in the Deep South. |
 | | Deep-voiced Latimore's sultry mid-'70s output for Miami's Glades label was a steamy marriage of soul and blues. |
 | | Singer/songwriter Shirley Murdock is best known for the ethereal ballad "As We Lay," which was produced by Roger Troutman. |
 | | A veteran who paid his dues for over a decade before getting his shot at solo stardom, Bobby Womack persevered through tragedy and addiction to emerge as one of soul music's great survivors. |
 | | Unlike so many other blues vocalists who just reinterpret material given to them by songwriters, Denise LaSalle is a seriously talented songwriter. |
 | | R&B singer Mel Waiters was born and raised in San Antonio, TX, where in 1974 he began his performing career at local teen clubs; after a stint as a radio deejay, he was awarded a government contract to entertain at military bases across the southwest. |
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 | | Texas-born singer Z.Z. Hill managed to resuscitate both his own semi-flagging career and the entire genre at large when he signed on at Jackson, MS-based Malaco Records in 1980 and began growling his way through some of the most uncompromising blues to be unleashed on black radio stations in many a moon. |
 | | A gifted Southern soul singer who has never had a breakout vehicle, Willie Clayton has been performing since the late '60s. |
 | | Al Green was the first great soul singer of the '70s and arguably the last great Southern soul singer. |
 | | Bobby Bland earned his enduring blues superstar status the hard way: without a guitar, harmonica, or any other instrument to fall back upon. |
 | | Millie Jackson's first taste of singing in front of an audience occurred one night at the famed nightclub Smalls Paradise. |
 | | One of the most gifted, visionary, and enduring talents ever launched into orbit by the Motown hit machine, Marvin Gaye blazed the trail for the continued evolution of popular black music. |
 | | He may not be a household name, but die-hard blues fans know Little Milton as a superb all-around electric bluesman -- a soulful singer, an evocative guitarist, an accomplished songwriter, and a skillful bandleader. |
 | | One of the greatest lead singers the Motown stable ever had, David Ruffin became one of the artistic cornerstones of the Temptations after his lead vocal on "My Girl" (1965) paved the way for such majestic follow-ups as "Since I Lost My Baby" (1965), "Beauty Is Only Skin Deep" (1966), "All I Need" (1967), and "I Wish It Would Rain" (1968). |
 | | First formed in the early '50s, the Isley Brothers enjoyed one of the longest, most influential, and most diverse careers in the pantheon of popular music -- over the course of nearly a half century of performing, the group's distinguished history spanned not only two generations of Isley siblings but also massive cultural shifts which heralded their music's transformation from gritty R&B to Motown soul to blistering funk. |
 | | The former Peggy Scott, who toured with Ben E. King as a teenager and hit the Top 40 three times as a duet act with Jo Jo Benson in the 1960s, came back strong in the late '90s after decades of inactivity with "Bill," a wildly popular contemporary blues song about a woman whose man has been fooling around -- with another man. |
 | | Some folks still get them mixed up, so to get it straight from the outset, Little Johnny Taylor was best known for his scorching slow blues smashes "Part Time Love" (for Bay Area-based Galaxy Records in 1963) and 1971's "Everybody Knows About My Good Thing" for Ronn Records in Shreveport, LA. |
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 | | The creator of a singular sound which he dubbed "folk-funk," multi-instrumentalist Bobby Rush was among the most colorful characters on the contemporary chitlin circuit, honing a unique style which brought together a cracked lyrical bent with elements of blues, soul, and funk. |
 | | Teddy Pendergrass started singing gospel music in Philadelphia churches, becoming an ordained minister at ten years old. |
 | | Although Lenny Williams has had a long solo career, he is still best-known for his three years as the lead singer of Tower of Power, one of the top funk/soul bands of the '70s. |
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 | | Thanks to their fine-tuned choreography -- and even finer harmonies -- the Temptations became the definitive male vocal group of the 1960s; one of Motown's most elastic acts, they tackled both lush pop and politically charged funk with equal flair, and weathered a steady stream of changes in personnel and consumer tastes with rare dignity and grace. |
 | | The O'Jays were one of Philadelphia soul's most popular and long-lived outfits, rivaled only by the Spinners as soul's greatest vocal group of the '70s. |
 | | Sam Cooke was the most important soul singer in history -- he was also the inventor of soul music, and its most popular and beloved performer in both the black and white communities. |
 | | One of the most influential soul singers of the 1960s, Otis Redding exemplified to many listeners the power of Southern "deep soul" -- hoarse, gritty vocals, brassy arrangements, and an emotional way with both party tunes and aching ballads. |
 | | One of the great soul singers, Gladys Knight was a performer from her childhood years, forming the Pips with her brother Merald and a couple cousins. |
 | | Percy Sledge will forever be associated with "When a Man Loves a Woman," a pleading, soulful ballad he sang with wrenching, convincing anguish and passion. |
 | | Blues guitarist and bandleader Theodis Ealey is a Mississippi native who first learned to play the instrument when he was four years old, thanks to instruction from big brother Y. |
 | | Perhaps because he didn't cross over to the pop audience as heavily as Motown's stars, it may be that the scope of Curtis Mayfield's talents and contributions have yet to be fully recognized. |
 | | Berry Gordy founded Motown Records, but one could argue that Smokey Robinson was the man who first pushed America's most iconic soul music label toward greatness. |
 | | Combining a Philadelphia soul sound with a strong appreciation of Marvin Gaye, Maze featuring Frankie Beverly was among the top R&B acts of the late '70s and '80s. |
 | | Before assuming the name the Dramatics, the vocal sextet comprised of Rob Davis, Ron Banks, Larry Reed, Robert Ellington, Larry "Squirrel" Demps, and Elbert Wilkens initially released two singles as the Dynamics on the Wingate imprint that saw no chart action. |
 | | One of the most popular smooth soul groups of the early '70s didn't hail from Philadelphia or Memphis, the two cities known for sweet, string-laden soul. |
 | | The Whispers are a veteran R&B quintet with an impressive 23-year legacy of R&B hits. Formed in Los Angeles by twins Walter and Wallace Scott, Nicholas Caldwell, Marcus Hutson, and Gordy Harmon (who left in 1973), the Whispers turned up on the Dore label in 1964 with "I Was Born When You Kissed Me. |
 | | Born John Colbert, J. Blackfoot was the lead singer of the Soul Children, the Memphis-based group that scored 15 R&B hits between 1968 and 1978. |
 | | Soul diva Patti LaBelle enjoyed one of the longest-lived careers in contemporary music, notching hits in a variety of sounds ranging from girl group pop to space-age funk to lush ballads. |
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 | | The son of O'Jays founder Eddie Levert, R&B vocalist Gerald Levert launched his own recording career in the mid-'80s as the leader of the group LeVert. |
 | | After the Spinners and the O'Jays, the Stylistics were the leading Philly soul group produced by Thom Bell. |
 | | The Manhattans were one of those classic R&B vocal groups who manage to achieve incredible career longevity by adapting their style to fit changing times. |
 | | Aretha Franklin is one of the giants of soul music, and indeed of American pop as a whole. More than any other performer, she epitomized soul at its most gospel-charged. |
 | | His plaintive baritone equally conversant with R&B and country phrasing, Joe Simon married the two genres with startling success during the late '60s, adapting Nashville material to the soul sound and repeatedly coming up a winner. |
 | | Of the major '60s soul stars, Wilson Pickett was one of the roughest and sweatiest, working up some of the decade's hottest dancefloor grooves on hits like "In the Midnight Hour," "Land of 1000 Dances," "Mustang Sally," and "Funky Broadway. |
 | | Harold Melvin was one of the driving forces behind Philadelphia soul, leading his group the Blue Notes to the top of the charts during their stint on Kenny Gamble and Leon Huff's Philadelphia International label. |