 | | New Edition's early, Jackson 5-inspired material made them the forerunners of two generations of teen pop (most of which was geared to white audiences). |
 | | Few celebrity siblings can emerge from the shadows of their already famous relations to become superstars in their own right and with their own distinct personalities. |
 | | Keith Sweat, a Harlem-born R&B singer/songwriter known for his distinctive "whining" vocal style, co-produced 1984/1985 singles by GQ and Roberta Gilliam and issued independent singles of his own ("Lucky Seven" and "My Mind Is Made Up"), but he didn't release his debut full-length, Make It Last Forever, until November 1987. |
 | | Few artists have created a body of work as rich and varied as Prince. During the '80s, he emerged as one of the most singular talents of the rock & roll era, capable of seamlessly tying together pop, funk, folk, and rock. |
 | | A singer behind eight solo and duet Top Ten R&B hits, as well as a member of New Edition since 1987, Johnny Gill was born in Washington, D. |
 | | Michael Jackson was unquestionably the biggest pop star of the '80s, and certainly one of the most popular recording artists of all time. |
 | | According to no less an authority than the RIAA, Boyz II Men are the most commercially successful R&B group of all time. |
 | | Formed as a jazz ensemble in the mid-'60s, Kool & the Gang became one of the most inspired and influential funk units during the '70s, and one of the most popular R&B groups of the '80s after their breakout hit "Celebration" in 1979. |
 | | First formed in the early '50s, the Isley Brothers enjoyed one of the longest, most influential, and most diverse careers in the pantheon of popular music -- over the course of nearly a half century of performing, the group's distinguished history spanned not only two generations of Isley siblings but also massive cultural shifts which heralded their music's transformation from gritty R&B to Motown soul to blistering funk. |
 | | In the late '70s, when the fortunes of Motown Records seemed to be flagging, Rick James came along and rescued the company, providing funky hits that updated the label's style and saw it through into the mid-'80s. |
 | | Earth, Wind & Fire were one of the most musically accomplished, critically acclaimed, and commercially popular funk bands of the '70s. |
 | | One of the most underrated funk groups of the 1980s, Zapp revolutionized the computer pop of electro with their trademark vocoder talk boxes and bumping grooves, emulating the earthier side of Prince and Cameo, with a leader in Roger Troutman who was more than efficient at polished production. |
 | | The Gap Band, centered around brothers Charlie, Ronnie, and Robert Wilson, toiled in obscurity for several years prior to becoming one of the most popular funk groups of the late '70s and 1980s. |
 | | As a singer, producer, and songwriter, Babyface was an inescapable presence in virtually every major facet of pop music during the '90s. |
 | | To urban contemporary listeners, Freddie Jackson was one of the biggest stars of the latter half of the '80s, dominating the R&B charts seemingly at will. |
 | | One of the most gifted, visionary, and enduring talents ever launched into orbit by the Motown hit machine, Marvin Gaye blazed the trail for the continued evolution of popular black music. |
 | | The Jackson 5 were one of the biggest phenomenons in pop music during the early '70s, and the last great group to come out of the Motown hitmaking machine before Marvin Gaye and Stevie Wonder shifted the label's focus to more individual visions. |
 | | Whitney Houston was inarguably one of the biggest female pop stars of all time. Her accomplishments as a hitmaker were extraordinary; just to scratch the surface, she became the first artist ever to have seven consecutive singles hit number one, and her 1993 Dolly Parton cover "I Will Always Love You" became nothing less than the biggest hit single in rock history. |
 | | Stevie Wonder is a much-beloved American icon and an indisputable genius not only of R&B but popular music in general. |
 | | Luther Vandross was one of the most successful R&B artists of the 1980s and '90s. Not only did he score a series of multi-million-selling albums containing chart-topping hit singles and perform sold-out tours of the U. |
 | | Toni Braxton was one of the most popular and commercially successful female R&B singers of the '90s, thanks to her ability to straddle seemingly opposite worlds. |
 | | Al Green was the first great soul singer of the '70s and arguably the last great Southern soul singer. |
 | | Thanks to their fine-tuned choreography -- and even finer harmonies -- the Temptations became the definitive male vocal group of the 1960s; one of Motown's most elastic acts, they tackled both lush pop and politically charged funk with equal flair, and weathered a steady stream of changes in personnel and consumer tastes with rare dignity and grace. |
 | | The O'Jays were one of Philadelphia soul's most popular and long-lived outfits, rivaled only by the Spinners as soul's greatest vocal group of the '70s. |
 | | Renowned for the R&B hits "Just to Be Close to You," "Easy," and "Brickhouse," to name but a few, Commodores were one of the top bands during their long tenure at Motown. |
 | | Atlantic Starr was among the top urban contemporary acts of the '80s and fared well in the adult contemporary market as well, but their roots were '70s soul and funk. |
 | | Say the name Barry White and you'd be hard pressed to follow it with the name of any other recording artist with such a huge, cross-sectional following. |
 | | Groomed to be the heirs to the Jackson 5 throne in the early '80s, DeBarge mirrored the Jacksons early success with a string of hits, but were unable to sustain their winning streak. |
 | | The synth-funk unit Midnight Star scored several times on the charts during the mid-'80s, led by their double-platinum album No Parking on the Dance Floor in 1983. |
 | | An outlandish, in-your-face stage presence, a strange sense of humor, and a hard-driving funk sound that criss-crossed a few musical boundaries earned Cameo countless comparisons to Parliament/Funkadelic in their early days. |
 | | A contemporary soul singer whose smooth yet robust vocals brought energy and emotion to even his most serene recordings, Gerald LeVert grew up in the shadows of his father, Eddie LeVert, Sr. |
 | | Long-running funk outfit L.T.D. -- Love, Togetherness and Devotion -- was formed in Greensboro, NC in 1968 by keyboardist Jimmie "J. |
 | | No white artist sang R&B more convincingly than Teena Marie, whose big, robust vocals were so black-sounding that when she was starting out, some listeners wondered if she was a light-skinned African-American. |
 | | R&B producer/vocalist/multi-instrumentalist/songwriter R. Kelly and his supporting band Public Announcement began recording in 1992 at the tail-end of the new jack swing era, yet he was able to keep much of its sound alive while remaining commercially successful. |
 | | The son of O'Jays founder Eddie Levert, R&B vocalist Gerald Levert launched his own recording career in the mid-'80s as the leader of the group LeVert. |
 | | Completely cosmopolitan with international grooves to spare, Heatwave emerged as one of the disco era's funkiest dance groups. |
 | | A Michigan funk band with slight rock leanings, Ready for the World parlayed Melvin Riley's whining vocals and some trendy production into a pair of number one R&B hits in the mid-'80s for MCA. |
 | | After leaving the Commodores, Lionel Richie became one of the most successful male solo artists of the '80s, arguably eclipsed during his 1981-1987 heyday only by Michael Jackson and Prince. |
 | | Best known in the mainstream for her superb 1984 cover of Prince's "I Feel for You," R&B singer Chaka Khan enjoyed solo success as well as popularity as a member of the group Rufus. |
 | | If Boyz II Men are portrayed as a clean-cut, wholesome R&B vocal group, then Jodeci's wild, sexual, bad-boy image represents the other side of the coin. |
 | | Shalamar was the creation of Dick Griffey, the booking agent for the television R&B program Soul Train, and British R&B producer Simon Soussan. |
 | | With her classy, refined brand of romantic soul, Anita Baker was one of the definitive quiet storm singers of the '80s. |
 | | Brothers Dwayne and Raphael Wiggins and cousin Timothy Christian have proven themselves durable guardians of the soul and funk tradition, while also infusing their music with enough contemporary devices to remain popular. |
 | | Aretha Franklin is one of the giants of soul music, and indeed of American pop as a whole. More than any other performer, she epitomized soul at its most gospel-charged. |
 | | Teddy Pendergrass started singing gospel music in Philadelphia churches, becoming an ordained minister at ten years old. |
 | | Combining a Philadelphia soul sound with a strong appreciation of Marvin Gaye, Maze featuring Frankie Beverly was among the top R&B acts of the late '70s and '80s. |
 | | Stephanie Mills first came to fame as "the little girl with the big voice" as the star of the hit Broadway play, The Wiz, an adaptation of L. |
 | | From their origins as Prince's first pet project to their self-produced funk-rock oeuvre, the Time has been a fascinating and outrageous congregation. |
 | | After the Spinners and the O'Jays, the Stylistics were the leading Philly soul group produced by Thom Bell. |
 | | Scoring over 40 hits in the R&B Top 40 charts, the Miracles started out as the Five Chimes in the mid-'50s while the members were still in high school. |