 | | Travis Tritt was one of the leading new country singers of the early '90s, holding his own against Garth Brooks, Clint Black, and Alan Jackson. |
 | | After Garth Brooks, Alan Jackson was the most popular male country singer of the '90s. An heir to the new traditionalist movement of the '80s, Jackson's approach was rooted in classic honky tonk yet remained comfortably within the contemporary mainstream. |
 | | Out of all the new country singers to emerge in the early '80s, George Strait stayed the closest to traditional country. |
 | | Garth Brooks is a pivotal figure in the history of country music, no matter how much some country purists would like to deny it. |
 | | The undisputed kings of the '90s line-dancing craze, Brooks & Dunn are not only the biggest-selling duo in country music history, they've also sold more records than any other duo period, including Simon & Garfunkel. |
 | | Before Alabama, bands were usually relegated to a supporting role in country music. In the first part of the century, bands were popular with audiences across the country, but as recordings became available, nearly every popular recording artist was a vocalist, not a group. |
 | | Like the Beatles in rock, Randy Travis marks a generational shift in country music. When his Storms of Life came out in 1986, country music was still wallowing in the post-urban cowboy recession, chasing elusive crossover dreams. |
 | | Neo-honky tonker Mark Chesnutt parlayed a solid grounding in classic country into chart-topping stardom during the '90s. |
 | | Trace Adkins helped keep country's traditionalist flame burning during the crossover-happy late '90s, mixing classic honky tonk with elements of gospel, blues, and rock & roll. |
 | | Toby Keith spent the '90s as a solid, workmanlike country star who met with considerable chart success, yet never quite broke free of the neo-traditionalist pack to become a household name like Garth Brooks or Alan Jackson. |
 | | Part of the commercial rise of rock-tinged honky tonk in the early '90s, Tracy Lawrence was one of the decade's most reliable country hitmakers. |
 | | Part of the '90s wave of honky tonk hitmakers that brought country to new commercial heights, John Michael Montgomery made his name primarily as a romantic balladeer. |
 | | When Tim McGraw debuted in the early '90s, few would have predicted that he would eventually take over Garth Brooks' position as the most popular male singer in country music. |
 | | Vince Gill paid nearly a decade-and-a-half of dues en route to becoming one of the most popular country stars of the '90s. |
 | | One of those rare acts who actually became stars directly from winning Star Search, country-rockers Sawyer Brown wound up enjoying a long, hit-filled career and remained commercially viable into the new millennium. |
 | | Contemporary country star Kenny Chesney didn't have the immediate breakout success that many of his peers enjoyed upon signing with major labels, but gradually built up a significant following via hard work, pop-friendly ballads, and a likable, "Average Joe" persona. |
 | | Sammy Kershaw rode in on the new traditionalist wave in the early '90s, finding success with a penchant for ballads and a blend of updated honky tonk (especially the vocal stylings of George Jones), Southern rock, and a hint of Cajun flavor. |
 | | Diamond Rio found major commercial success in the '90s by playing an eclectic hybrid of modern country, traditional bluegrass (especially in their harmony singing), and a hint of rock & roll. |
 | | Tracy Byrd's brand of new traditionalist country made him a star in the '90s, particularly his playful, good-time party singalongs (though he also turned in the occasional ballad success). |
 | | Aaron Tippin was part of the commercial explosion of new traditionalist country in the early '90s, making his name with a mixture of macho, rowdy honky tonkers, sentimental ballads, and patriotic working-man's anthems. |
 | | With his first two singles reaching number one upon their release, Clay Walker immediately established himself as a commercial success. |
 | | Joe Diffie was regarded by many of his peers as one of the better vocalists in contemporary country, and lent his traditional sensibilities to humorous, rock-tinged novelties and plaintive ballads. |
 | | Country duo Montgomery Gentry evokes the sound and spirit of Southern rockers like Lynyrd Skynyrd, the Marshall Tucker Band, and Charlie Daniels, painting themselves as rowdy redneck rebels who still hold small-town values. |
 | | Reba McEntire was the most successful female recording artist in country music in the 1980s and 1990s, during which time she scored 22 number one hits and released five gold albums, six platinum albums, two double-platinum albums, four triple-platinum albums, a quadruple-platinum album, and a quintuple-platinum album, for certified album sales of 33. |
 | | With his stripped-down approach to traditional honky tonk and Bakersfield country, Dwight Yoakam helped return country music to its roots in the late '80s. |
 | | Gary Allan hit the honky tonk circuit in his native Southern California at the seasoned age of 12. Playing in and out of the smoky, sweaty bars with his dad's band led Allan to follow in his father's footsteps and start his own band. |
 | | Contemporary country singer/songwriter Brad Paisley was born October 28, 1972, in Glen Dale, West Virginia; given his first guitar at age eight, he delivered his first public performance at church two years later. |
 | | Though their name might lead you to believe that Lonestar was formed in Texas, the quintet actually hails from Tennessee. |
 | | Contemporary country singer Martina McBride rose to stardom in the late '90s, starting out with a more traditionalist approach and later moving into more pop-friendly territory. |
 | | One of the most popular country bands of the early '90s, Little Texas was influenced by modern country outfits like Alabama and Restless Heart, as well as country-rock groups like the Eagles. |
 | | Oklahoma native Blake Shelton moved to Nashville in 1994, two weeks after his high school graduation, to launch a songwriting career that would eventually make him one of the leading males in contemporary country music. |
 | | Neo-honky tonker John Anderson was born in Apopka, FL, in 1955 and grew up listening to rock & roll, until he discovered country music at age 15 through Merle Haggard. |
 | | Tanya Tucker had her first country hit in 1972, when she was just 13 years old. Over the succeeding decades, Tucker became one of the few child performers to mature into adulthood without losing her audience, and during the course of her career, she notched a remarkable streak of Top Ten and Top 40 hits. |
 | | The offspring of famous musicians often have a hard time creating a career for themselves, yet Hank Williams, Jr. |
 | | One of the biggest female country stars of the '90s and 2000s, Faith Hill also took advantage of the inroads Shania Twain made into pop territory, becoming an enormous crossover success by the end of the millennium. |
 | | Contemporary country star Collin Raye burned up the sales charts in the '90s, thanks to a blend of country-rock and smooth balladry, and a willingness to record socially conscious material in between the dance and romance tunes. |
 | | Part of country music's late-'90s crop of female crossover stars, Jo Dee Messina's appeal nonetheless remained more with country fans than pop audiences. |
 | | By most accounts, George Jones was the finest vocalist in the recorded history of country music. Initially, he was a hardcore honky tonker in the tradition of Hank Williams, but over the course of his career he developed an affecting, nuanced ballad style. |
 | | One of the most popular female country singers of the '90s, Trisha Yearwood initially rose to fame as a protégée of Garth Brooks but quickly staked out her own identity as an assertive yet vulnerable modern woman. |
 | | Growing up in a non-musical family in Phoenix, Arizona, country singer Dierks Bentley got his country music education on his own, listening to recordings. |
 | | Neal McCoy's brand of neo-traditionalist honky tonk brought him a string of hits in the mid-'90s. McCoy was born Hubert Neal McGaughey, Jr. |
 | | Zac Brown is a country singer, songwriter, and bandleader, one of the brightest stars in a generation of performers set on changing the paradigm of the country music business. |
 | | Originally a '50s rock & roll singer, Conway Twitty became the reigning country superstar of the '70s and '80s, racking up a record 40 number one hits over the course of two decades. |
 | | Country singer/songwriter Billy Currington was raised in Rincon, GA. Following high school, he made a couple attempts at relocating to Nashville in the hopes of getting a career in music off the ground, finally landing a job there at a concrete company, while still finding time to play at clubs on the side and work on song demos. |
 | | Most country groups of the '80s favored a commercial pop-oriented approach that alienated many traditional listeners but captured the ear of the mainstream. |
 | | If any one performer personified the outlaw country movement of the '70s, it was Waylon Jennings. Though he had been a professional musician since the late '50s, it wasn't until the '70s that Waylon, with his imposing baritone and stripped-down, updated honky tonk, became a superstar. |
 | | Country singer and guitarist Jason Aldean was born in Macon, Georgia, in 1977. His parents separated when he was three years old, and he spent his childhood with his mother in Macon through the school year while spending the summers with his father in Homestead, Florida. |
 | | Up until the rise of Brooks & Dunn in the '90s, the Judds were the most commercially successful duo in country music history. |
 | | Prior to becoming a successful independent country artist, Chris LeDoux was a rodeo champion known for his bareback-riding skill and made his name in music by writing countless songs about the rodeo life. |
 | | Although born in New Zealand and raised in nearby Australia, Keith Urban made his biggest splash in Nashville, where he helped rewrite the rules of contemporary country music. |