 | | Over the course of more than a decade and seven increasingly accomplished albums, Chuck Schuldiner, the architect behind the ubiquitous Death, became a bona fide heavy metal icon. |
 | | Nevermore straddles the line between power metal, traditional heavy metal, and the contemporary hard rock scene, eschewing the silly theatrics of the "power scene" in favor of a darker tone, while reaping the rewards of melody and the high-flying vocal range of singer Warrel Dane. |
 | | Brought together in Stockholm by guitarists Peter Lindgren and Mikael Ã…kerfeldt in 1990, Opeth added progressive influences and acoustic instrumentation to their brand of Swedish death metal. |
 | | Another product of the prolific Florida death metal scene, Cynic distinguished themselves for their unique experiments in combining technically proficient death metal with progressive rock touches, bordering at times on jazz fusion. |
 | | Arguably the most influential and successful European thrash metal band ever, Germany's Kreator is also by far the most enduring. |
 | | Watchtower remains on the most over-the-top prog metal outfits of all-time. Their songs often came off as excuses to shred away and show off their member's instrumental prowess, and although the group remains quite obscure, they (along with Dream Theater) spawned countless musical offspring by the '90s -- Spock's Beard, Dali's Dilemma, Cairo, Ice Age, Royal Hunt, etc. |
 | | When prog rock first reared its head during the early '70s, it contained elements of hard rock, but few bands crossed the line into heavy metal. |
 | | The progressive metal band Crimson Glory formed in Florida in 1982. Vocalist Midnight, guitarists Jeff Drenning and Ben Jackson, bassist Jeff Lords and drummer Dana Burnell had played together for over three years before Roadrunner signed the band and released the Crimson Glory album in 1986. |
 | | Arguably the ultimate progressive metal band of their day, Atheist's impossibly Byzantine death-jazz proved too advanced even for committed metalheads to stomach. |
 | | Forming in the small German town of Krefeld, Blind Guardian perfected a fusion of gothic- and fantasy-tinged European power metal with the velocity and technical precision of speed metal. |
 | | The technically proficient guitar playing of John Petrucci elevated Dream Theater to the upper echelons of contemporary heavy metal. |
 | | Michael Romeo formed Symphony X in New Jersey in 1994. The original lineup of the group also included Thomas Miller (bass guitar), Rod Tyler (vocals), Jason Rullo (drums), and Michael Pinnella (keyboards). |
 | | Savatage formed in Florida in 1978 as Avatar, led by brothers Jon (vocals) and Criss (guitar) Oliva. |
 | | Set a course for Planet X, full speed ahead. No, Planet X is not the newest sci-fi film; it is actually a progressive rock/fusion band headed by keyboardist Derek Sherinian (Kiss, Alice Cooper, Dream Theater, Platypus). |
 | | Widely regarded as the finest vocalist in all of metal (who possesses a multi-octave range), theatrical rocker King Diamond first rose to prominence as a member of Mercyful Fate before launching a solo career on his own. |
 | | Perhaps best remembered for its musicians' later exploits with various bands, Norwegian power metal act Conception issued four very competent but not all that successful albums during its 1990s run. |
 | | Formed in 1990, German progressive metal band Vanden Plas combined the creativity of progressive rock with the aggression of metal. |
 | | Holland's Pestilence is generally regarded as one of the leaders of the late-'80s/early-'90s death metal scene, following closely behind Death as innovators in the genre. |
 | | Industrial metal singer/guitarist Devin Townsend was born May 5, 1972 in Vancouver, British Columbia; after picking up the banjo at age five, he moved to guitar at 12, and within a few years was leading the band Grey Skies, later known as Noisescapes. |
 | | Based in Sweden, Evergrey are specialists in dark progressive metal. They released their first album, The Dark Discovery, in 1998. |
 | | The progressive metal outfit Ayreon is essentially just Dutch multi-instrumentalist and songwriter Arjen Anthony Lucassen (formerly of the more mainstream metal band Vengeance), plus a revolving-door cast of collaborators and guest musicians that changes from project to project. |
 | | Often considered one of grindcore's founding fathers, Carcass were among the first bands of the extreme metal genre to try a different lyrical approach -- one that reflected a fascination with surgical gadgets and peculiar words straight out of a med student's textbook. |
 | | In 1984, Daniel Gildenlow formed the band Reality at the whopping age of 11. The group stayed together under that name for seven years, albeit not without personnel changes. |
 | | Shadow Gallery is a progressive rock band that stresses songwriting, production and performance in their music. |
 | | Atlanta-based sludge/stoner/alternative metal outfit Mastodon formed in 1999 around the talents of guitarist Bill Kelliher, drummer Bränn Dailor, bassist/vocalist Troy Sanders, and guitarist/vocalist Brent Hinds. |
 | | A combination side project and supergroup of the Norwegian black metal scene, Borknagar members Oystein G. |
 | | In a musical realm where scale of influence has little to do with commercial success, few originators of the extreme metal arts evoke as deep a sense of mystery, or incite such hushed, reverential tones of admiration, as Sweden's Bathory. |
 | | Offering a complex form of metal that combined the sweeping adventurism of math rock, the oddball tempos of experimental jazz, and the stunning brutality of thrash metal, Meshuggah raised the bar for metal bands everywhere upon their debut. |
 | | Green Carnation was formed in 1990 in Norway by X-Botteri, Cristopher Botteri, Tchort, and Anders Kobro. |
 | | Deriving from an early-'90s melodic metal quintet named Twilight, which issued just one album called Eye for an Eye before vanishing without a trace, Beyond Twilight were formed almost ten years later by keyboard player Finn Zierler. |
 | | Progressive metal outfit Zero Hour was formed in the San Francisco Bay area in 1993 by brothers Troy (bass) and Jasun Tipton (guitar), along with longtime friend Mike Guy (drums). |
 | | Fashion trends may come and go, but Florida's Iced Earth has remained steadfastly committed to championing the cause of heavy metal through thick and thin. |
 | | Five men united by a common musical goal formed Into Eternity in 1997. Those five musicians were Tim Roth, Daniel Nargang, Chris McDougall, Scott Krall, and Jim Austin. |
 | | The virtuoso showcase known as Ark were formed in the early '90s, when drummer John Macaluso and guitarist Tore Ostby became friends while sharing a rehearsal space. |
 | | Over the course of the 1990s, Sweden's Tiamat evolved from a typical death metal outfit into one of the leading lights in "symphonic" black metal. |
 | | Swedish death metal band Amon Amarth originally formed in 1988 under the name Scum; by the time the new moniker was adopted four years later, the line-up consisted of vocalist Johan Hegg, guitarists Olli Mikkonen and Anders Hansson, bassist Ted Lundstrom and drummer Niko Kaukinen. |
 | | From their modest beginnings as roadies for avant-garde Swiss metal legends Celtic Frost, the members of Coroner carved out one of the most unique careers in the European thrash metal scene. |
 | | Formed in 2003 by vocalist/guitarist Oddleif Stensland and drummer Tor Atle Andersen following the demise of their previous band, Scariot, and also featuring bassist Erik Mortensen, Norway's Communic are a heavy metal band with progressive nuances. |
 | | Threshold came into being in the greater London area in 1989. The lineup of the band was Damian Wilson, Karl Groom, Nick Midson, Jon Leary, Richard West, and Tony Grinham. |
 | | Possessed and Death may have brought death metal to life, but Obituary brought it to fruition. After releasing some demos as Xecutioner as far back as 1986, the five-man band debuted as Obituary on Roadrunner Records in 1989 with Slowly We Rot, and in a word, the album was landmark. |
 | | Taking their name from the original Japanese pronunciation of Godzilla, French heavy metal quartet Gojira have risen from utmost obscurity during the first half of their career to widespread global recognition in the second, including regular mention amongst the genre's leading new millennium upstarts. |
 | | San Francisco's Death Angel was a product of the bustling Bay Area thrash metal scene of the 1980s. Combining serious guitar crunch and speed with a fair amount of technical expertise, they created complex thrash metal filled with time changes and tricky arrangements that, although generally loved by critics, usually failed to translate beyond a very specialized buying public. |
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 | | Testament were the biggest thrash metal band never to reach the platinum plateau. In fact, the San Francisco quintet seemed on the verge of challenging Metallica (their most obvious influence) in the melodic thrash sweepstakes, but their run toward the top was eventually derailed by inconsistency, bad business decisions, and the genre's dwindling appeal. |
 | | Formed during the late '80s, Swedish death metal band Therion was led by vocalist, guitarist, and composer Christofer Johnsson. |
 | | Angra was formed in 1991, picking up where Viper had left off playing neo-classical progressive metal. |
 | | Formed Seattle in 1982, Metal Church consisted of vocalist David Wayne, guitarists Kurdt Vanderhoof and Craig Wells, bassist Duke Erickson, and drummer Kirk Arrington. |
 | | New York thrash quartet Overkill were formed in 1984 by vocalist Bobby "Blitz" Ellsworth and guitarist Bobby Gustafson, and also included bassist D. |
 | | Sweden's Candlemass helped reintroduce the lumbering power chords of Black Sabbath to an entire generation of post-New Wave of British Heavy Metal and post-thrash metalheads, almost single-handedly writing the handbook for the modern doom metal movement in the process. |
 | | Having been known for running his own label Hevy Devy Records, helping out with such acts as Steve Vai and Front Line Assembly and fronting two other bands (Infinity and Ocean Machine), Strapping Young Lad frontman Devin Townsend seems to keep himself busy with the rock & roll lifestyle. |