 | | Resisting the musical trends in New York City, vocalist/guitarist Craig Finn (ex-Lifter Puller) formed the Hold Steady after moving from Minneapolis in 2000. |
 | | Boasting a mix of Southern pride, erudite lyrics, and a muscled three-guitar attack, Drive-By Truckers became one of the most well-respected alternative country-rock acts of the 2000s. |
 | | The Gaslight Anthem rose out of the fertile punk scene of New Brunswick, NJ, flaunting a unique style that melded the influence of Bruce Springsteen, Wilson Pickett, and various Motown groups with the rough, emotional grit of Hot Water Music and Jawbreaker. |
 | | Although formed during the post-punk revival of the late '90s, the National took inspiration from a wider set of influences, including country-rock, Americana, indie rock, and Brit-pop. |
 | | Blitzen Trapper's music went through various genres with each record, bouncing from indie folk to art rock to experimental folk before settling into a rich, dusty brand of Neil Young-inspired alt country. |
 | | The White Stripes formed on Bastille Day in 1997, aiming to create simple, vigorous rock & roll with little more than Meg White's percussion and Jack White's guitar-and-vocal attack. |
 | | A self-described "new band made up of old friends," the Raconteurs feature the White Stripes' Jack White and power pop maestro Brendan Benson on vocals, keyboards, and guitars, and the Greenhornes' drummer Patrick Keeler and bassist Jack Lawrence as the group's rhythm section. |
 | | With the release of their 1990 debut LP, No Depression, the Belleville, IL, trio Uncle Tupelo launched more than simply their own career -- by fusing the simplicity and honesty of country music with the bracing fury of punk, they kick-started a revolution which reverberated throughout the American underground. |
 | | After touring in support of their 1993 masterpiece, Anodyne, the seminal alternative country band Uncle Tupelo split up over long-simmering creative differences between co-leaders Jay Farrar and Jeff Tweedy. |
 | | LCD Soundsystem debuted with "Losing My Edge," a single that became one of the most talked-about indie releases of 2002. |
 | | The Replacements initially formed in 1979, when Paul Westerberg joined a garage punk band formed by brothers Bob (guitar) and Tommy Stinson (bass) and drummer Chris Mars. |
 | | Formed in Seattle by a group of northwestern transplants, the Head and the Heart is an indie folk band whose influences include Americana, country-rock, and classic Beatlesque pop. |
 | | Wilco rose from the ashes of the seminal roots rock band Uncle Tupelo, which disbanded in 1994. While Jay Farrar, one of the group's two singer/songwriters, went on to form Son Volt, his ex-partner Jeff Tweedy established Wilco along with the remaining members of Tupelo's final incarnation, which included drummer Ken Coomer as well as part-time bandmates John Stirratt (bass) and Max Johnston (mandolin, banjo, fiddle, and lap steel). |
 | | Formed in 1998 in Austin, TX, Okkervil River find the middle ground between indie rock and folk-rock, placing slightly more emphasis on the former. |
 | | A folk-pop duo made up of guitarist John Paul White and vocalist Joy Williams, the Civil Wars made a quick name for themselves with the release of a digital album, Live at Eddie's Attic, in 2009. |
 | | Led by Montana native Colin Meloy, the Decemberists craft theatrical, hyper-literate pop songs that draw heavily from late-'60s British folk acts like Fairport Convention and Pentangle and the early-'80s college rock grandeur of the Waterboys and R. |
 | | A band with as turbulent an existence as Whiskeytown was bound to implode sooner or later, but by the time they did, they had one of the largest cult followings of any alt-country band. |
 | | Although they became one of the most enduring bands in the alternative country-rock catalog, Old 97's drew inspiration from a broad range of genres, including the twangy stomp of cowpunk and the melodies of power pop. |
 | | The Avett Brothers' music has roots in traditional folk and bluegrass, but also captures the high spirits and no-boundaries attitude of rock & roll -- which is appropriate, since rock is where Scott Avett and Seth Avett first cut their teeth as musicians. |
 | | Formed in 2007 by Ima Robot frontman Alex Ebert after a brief period of existential crisis, the cultish 11-piece indie rock outfit Edward Sharpe & the Magnetic Zeros draw their inspiration from the communal musical communities that peppered Southern California (specifically Laurel Canyon) with positive vibrations during the '60s and early '70s. |
 | | It’s too facile to call the Black Keys counterparts of the White Stripes: they share several surface similarities -- their names are color-coded, they hail from the Midwest, they’re guitar-and-drum blues-rock duos -- but the Black Keys are their own distinct thing, a tougher, rougher rock band with a purist streak that never surfaces in the Stripes. |
 | | Hailing from South London, Florence Mary Leontine Welch writes songs that occupy the same confessional territory as gossip-loving, genre-bending contemporaries like Amy Winehouse, Kate Nash, Adele, and Lily Allen and the moody, classic art rock of Kate Bush, blending pop, soul, and baroque arrangements into a sound that earned the young artist considerable buzz in 2007. |
 | | Few of rock & roll's great misanthropes were as talented, as charming, or as committed to their cynicism as Warren Zevon. |
 | | Although many musicians joined the band's rotating lineup, Bright Eyes was primarily the songwriting vehicle of Conor Oberst, a quivery-voiced Nebraska native who first attracted attention in 1994 -- when he was only 14 years old -- as the singer and guitarist for Commander Venus. |
 | | Singer/pianist Ben Folds (born September 12, 1966, in Winston-Salem, North Carolina) is best known as the leader of the power pop trio Ben Folds Five, but has also struck out on his own as a solo artist. |
 | | Though Broken Bells featured two of the bigger names in indie and alternative music -- the Shins’ singer/guitarist James Mercer and producer/multi-instrumentalist Brian Burton, aka Danger Mouse -- the duo managed to keep their project secret for a relatively long time. |
 | | The Sex Pistols may have been the first British punk rock band, but the Clash were the definitive British punk rockers. |
 | | Combining jagged, roaring guitars and stop-start dynamics with melodic pop hooks, intertwining male-female harmonies and evocative, cryptic lyrics, the Pixies were one of the most influential American alternative rock bands of the late '80s. |
 | | Inspired by folk, rock, country, and bluegrass, the London-based Mumford & Sons feature singer/guitarist/drummer Marcus Mumford, vocalist and banjo/Dobro player Winston Marshall, vocalist/keyboardist Ben Lovett, and vocalist/bassist Ted Dwane. |
 | | Brian Aubert (guitar/vocals), Nikki Monninger (bass), Christopher Guanlao (drums), and Joe Lester (keyboards) comprise the swarthy indie rock stylings of Silversun Pickups. |
 | | Like their West Coast contemporaries in Death Cab for Cutie, Rilo Kiley steadily gained traction in indie pop circles throughout the late '90s and early 2000s before the record industry (and public at large) officially took note. |
 | | As part of the mid-'90s revival of roots-rock, the Wallflowers held a special connection to one of the original inspirations: vocalist/songwriter/guitarist Jakob Dylan. |
 | | Few bands in the early 2000s rose so quickly to the forefront of pop music as the Killers. With a mix of '80s-styled synth pop and fashionista charm, the band's street-smart debut, Hot Fuss, became one of 2004's biggest releases, spawning four singles and catapulting the group -- particularly their dandyish, 22-year-old frontman, Brandon Flowers -- into the international spotlight. |
 | | Vocalist and guitarist Chris McCaughan is known to most as one-third of Chicago punk rockers the Lawrence Arms, the less snotty voice complementing the drunken rasp of co-frontman Brendan Kelly. |
 | | A former member of punk rock band Million Dead, Frank Turner turned his attention to folkier, acoustic "musics" after the demise of the aforementioned hardcore outfit. |
 | | After disbanding the Replacements in 1991, singer/songwriter Paul Westerberg resurfaced the following year with two songs on the Singles soundtrack. |
 | | In the decades following his emergence on the national scene in 1975, Bruce Springsteen proved to be that rarity among popular musicians, an artist who maintained his status as a frontline recording and performing star, consistently selling millions of albums and selling out arenas and stadiums around the world year after year, as well as retaining widespread critical approbation, with ecstatic reviews greeting those discs and shows. |
 | | Singer/songwriter Mark Lind spent the first seven years of his life in Melrose, MA, and following his parents' divorce, relocated from the suburbs to the predominantly Irish Catholic area of Charlestown, a borough of Boston. |
 | | Guitarist/singer/songwriter Bob Mould was initially a member of Hüsker Dü, one of the most influential American bands of the '80s. |
 | | Tommy Stinson's first attempt at a post-Replacements band of his own, the short-lived Bash & Pop, never quite lived up to their promise. |
 | | Singer/songwriter Rocky Votolato was born in 1978 and spent his childhood on a 50-acre horse farm in rural Frost, TX (population 647), located 100 miles south of Dallas. |
 | | Born and raised in Los Angeles, Steve Wynn, as founder of the Dream Syndicate, almost single-handedly tuned the ears of college age rock fans in the early '80s to the two prior decades of guitar-drenched rock that inspired him. |
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 | | With his emotional and gravel-coated bellow, vocalist/guitarist Chuck Ragan made a name for himself as one-fourth of the much loved Gainesville post-hardcore outfit Hot Water Music before releasing his first solo album in 2007. |
 | | One of the most celebrated and idiosyncratic American songwriters of his generation, Mark Eitzel is best known as the leader of the iconic indie rock band American Music Club, who spun beautifully chaotic webs of guitar from Eitzel's gloomy but compassionate studies of lost souls and alcohol; since striking out on his own, Eitzel has embraced a number of different musical approaches, while his witty but downcast lyrical style has remained constant. |
 | | Singer and guitarist Dave Hause made a name for himself in the early 2000s as the frontman of Philadelphia punk band the Loved Ones. |
 | | Born Matthew Thomas Skiba, Matt Skiba was originally born in Chicago but relocated to a suburb at the age of three. |
 | | The first incarnation of the Milwaukee, WI-based Modern Machines was a punk band from nearby Washington County called the Shrubbers, which consisted of singer/guitarist Nato Paisano, bassist Dan Z, drummer Jon Hands-On, and at the beginning, guitarist Ben J. |
 | | Jonah Sonz Matranga (born Jonah Rzadzinski Matranga in Brookline, MA) is a singer/songwriter best known for fronting the band Far and recording solo under the name Onelinedrawing. |
 | | Raised in Florida, Georgia, and Maryland, indie rock innovator John Vanderslice grew up listening to a mix of Led Zeppelin, Creedence Clearwater Revival, the Kinks, and Southern rock, which instilled an eclectic musical vocabulary that informed his own songwriting. |