 | | The Bangles combined the chiming riffs and catchy melodies of British Invasion guitar pop with a hint of the energy of new wave. |
 | | Duran Duran personified new wave for much of the mainstream audience. And for good reason, too. Duran Duran's reputation was built through music videos, which accentuated their fashion-model looks and glamorous sense of style. |
 | | Wham! sparked something of a pop revival in the mid-'80s and could arguably be held responsible for sparking off the boy band trend of the '90s. |
 | | Few new wave groups were as popular as Culture Club. During the early '80s, the group racked up seven straight Top Ten hits in the U. |
 | | After stars reach a certain point, it's easy to forget what they became famous for and concentrate solely on their personas. |
 | | Pat Benatar's polished mainstream pop/rock made her one of the more popular female vocalists of the early '80s. |
 | | Phil Collins' ascent to the status of one of the most successful pop and adult contemporary singers of the '80s and beyond was probably as much of a surprise to him as it was to many others. |
 | | Men at Work were one of the more surprising success stories of the new wave era, rocketing out of Australia in 1982 to become the most successful artist of the year. |
 | | Nominally, the Police were punk rock, but that's only in the loosest sense of the term. The trio's nervous, reggae-injected pop/rock was punky, but it wasn't necessarily punk. |
 | | Along with Duran Duran, Billy Idol was one the first pop/rock artists to achieve massive success in the early '80s due to a then brand-new U. |
 | | Genesis started life as a progressive rock band, in the manner of Yes and King Crimson, before a series of membership changes brought about a transformation in their sound, into one of the most successful pop/rock bands of the 1980s and 1990s. |
 | | Blondie may have had a string of number one hits and Talking Heads may have won the hearts of the critics, but the Cars were the most successful American new wave band to emerge in the late '70s. |
 | | During their initial 14 years of existence (1973-1987), Journey altered their musical approach and their personnel extensively while becoming a top touring and recording band. |
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 | | INXS hailed from the pubs of Australia, which is part of the reason the band never comfortably fit in with new wave. |
 | | Eurythmics were one of the most successful duos to emerge in the early '80s. Where most of their British synth pop contemporaries disappeared from the charts as soon as new wave faded away in 1984, Eurythmics continued to have hits until the end of the decade, making vocalist Annie Lennox a star in her own right, as well as establishing instrumentalist Dave Stewart as a successful, savvy producer and songwriter. |
 | | Blondie was the most commercially successful band to emerge from the much-vaunted punk/new wave movement of the late '70s. |
 | | Sisters Ann and Nancy Wilson are the creative spark behind Heart, a hard rock group who initially found success in the mid-'70s only to reach greater heights after engineering a major comeback a decade later. |
 | | Tears for Fears were always more ambitious than the average synth pop group. From the beginning, the duo of Roland Orzabal and Curt Smith were tackling big subjects -- their very name derived from Arthur Janov's primal scream therapy, and his theories were evident throughout their debut, The Hurting. |
 | | Huey Lewis & the News were a bar band that made good. With their simple, straightforward rock & roll, the San Francisco-based group became one of America's most popular pop/rock bands of the mid-'80s. |
 | | Although Billy Joel never was a critic's favorite, the pianist emerged as one of the most popular singer/songwriters of the latter half of the '70s. |
 | | From their first hit in 1974 through their heyday in the '80s, Daryl Hall and John Oates' smooth, catchy take on Philly soul brought them enormous commercial success -- including six number one singles and six platinum albums -- yet little critical success. |
 | | According to Billboard chart statistics, Chicago is second only to the Beach Boys as the most successful American rock band of all time, in terms of both albums and singles. |
 | | In the wake of Madonna's success, many dance-pop divas filled the charts, but out of them all, Paula Abdul was the only one who sustained a career. |
 | | The Go-Go's were the most popular all-female band to emerge from the punk/new wave explosion of the late '70s and early '80s, becoming one of the first commercially successful female groups that wasn't controlled by male producers or managers. |
 | | After ushering in the era of pop-metal with their 1986 blockbuster Slippery When Wet and its hit singles “You Give Love a Bad Name,” “Wanted Dead or Alive,” and “Living on a Prayer,” Bon Jovi wound up transcending the big-haired ‘80s, withstanding changes in style and sound to become one of the biggest American rock bands of their time, selling over 120 million albums worldwide, and sustaining their popularity well into the new millennium. |
 | | George Michael was the biggest British pop star of the 1980s, spinning a series of infectiously catchy pop singles into global stardom that saw him sell over 100 million albums worldwide. |
 | | Through a combination of zealous righteousness and post-punk experimentalism, U2 became one of the most popular rock & roll bands of the '80s. |
 | | While most bands undergo a number of changes over the course of their careers, few groups experienced such radical stylistic changes as Fleetwood Mac. |
 | | While quite a few arena rock acts of the '70s found the transformation into the '80s quite difficult, several acts continued to flourish and enjoyed some of their biggest commercial success: Journey, Styx, REO Speedwagon, and especially Foreigner. |
 | | Few artists have created a body of work as rich and varied as Prince. During the '80s, he emerged as one of the most singular talents of the rock & roll era, capable of seamlessly tying together pop, funk, folk, and rock. |
 | | Famed for her mystical chanteuse image, singer/songwriter Stevie Nicks enjoyed phenomenal success not only as a solo artist but also as a key member of Fleetwood Mac. |
 | | Over the course of his career, Rod Stewart has had it all. He's been lauded as the finest singer of his generation, he's written several songs that turned into modern standards, he sang with the Faces, who rivaled the Rolling Stones in their prime, he had massive commercial success. |
 | | Pal Waaktaar and Magne Furuholmen, formerly of Bridges formed a-ha in the early '80s. Morten Harket joined the duo, and they left for the now "legendary London flat" (so called because of its state of disrepair) to make it. |
 | | Michael Jackson was unquestionably the biggest pop star of the '80s, and certainly one of the most popular recording artists of all time. |
 | | The most successful British girl group in pop history, Bananarama formed in London in late 1981. Drawing equal inspiration for their name from the children's television program The Banana Splits and the Roxy Music song "Pyjamarama," the trio was comprised of lifelong friends Keren Woodward and Sarah Dallin along with Siobhan Fahey, whom Dallin befriended at the London College of Fashion. |
 | | Aerosmith were one of the most popular hard rock bands of the '70s, setting the style and sound of hard rock and heavy metal for the next two decades with their raunchy, bluesy swagger. |
 | | Although Rick Springfield's music was frequently dismissed as vapid teen idol fare, his best moments have actually withstood the test of time far better than most critics would ever have imagined, emerging as some of the best-crafted mainstream power pop of the 1980s. |
 | | The first of many acts to cement the college town of Athens, GA, as a hotbed of alternative music, the B-52's took their name from the Southern slang for the mile-high bouffant wigs sported by singers Kate Pierson and Cindy Wilson, a look emblematic of the band's campy, thrift-store aesthetic. |
 | | Originally a product of Britain's new romantic movement, Depeche Mode went on to become the quintessential electro-pop band of the 1980s. |
 | | Postmodern ironists cloaked behind a veil of buoyantly melodic and lushly romantic synth pop confections, Pet Shop Boys established themselves among the most commercially and critically successful groups of their era with cheeky, smart, and utterly danceable music. |
 | | The cliché about David Bowie says he's a musical chameleon, adapting himself according to fashion and trends. |
 | | Synth pop's first international superstars, the Human League were among the earliest and most innovative bands to break into the pop mainstream on a wave of synthesizers and electronic rhythms, their marriage of infectious melodies and state-of-the-art technology proving enormously influential on countless acts following in their wake. |
 | | Before he became a pop/rock heavyweight during the late '80s (and an adult contemporary balladeer throughout the following two decades), Richard Marx sang on commercials and performed as a backing vocalist for Lionel Richie, Whitney Houston, and Julio Iglesias. |
 | | Best known in the U.S. for their 1985 number one hit "Don't You (Forget About Me)" from the film The Breakfast Club, Scotland's Simple Minds evolved from a post-punk art rock band influenced by Roxy Music into a grand, epic-sounding pop band along the lines of U2. |
 | | Throughout his career, John Mellencamp has had to fight, whether it was for the right to record under his own name or for respect as an artist. |
 | | In many ways, Def Leppard were the definitive hard rock band of the '80s. There were many bands that rocked harder (and were more dangerous) than the Sheffield-based quintet, but few others captured the spirit of the times quite as well. |
 | | As one of the biggest new stars to emerge during the mid-'80s, singer Gloria Estefan predated the coming Latin pop explosion by a decade, scoring a series of propulsive dance hits rooted in the rhythms of her native Cuba before shifting her focus to softer, more ballad-oriented fare. |
 | | As the leader of Genesis in the early '70s, Peter Gabriel helped move progressive rock to new levels of theatricality. |
 | | In the decades following his emergence on the national scene in 1975, Bruce Springsteen proved to be that rarity among popular musicians, an artist who maintained his status as a frontline recording and performing star, consistently selling millions of albums and selling out arenas and stadiums around the world year after year, as well as retaining widespread critical approbation, with ecstatic reviews greeting those discs and shows. |