 | | Rapper, DJ, and producer Pete Rock first emerged in 1991 as one half of a duo with C.L. Smooth, debuting with the All Souled Out EP. |
 | | The most influential MC-and-DJ tandem of the 1990s, Gang Starr set new standards for East Coast rap with a pair of early-'90s touchstones, Step in the Arena (1991) and Daily Operation (1992), whose appeal has only grown over the decades. |
 | | Hi-Tek played a major role in the highly admired golden-age revivalist sound affiliated with the Rawkus Records collective, crafting many of the label's initial breakthrough releases. |
 | | Common (originally Common Sense) was a highly influential figure in rap's underground during the '90s, keeping the sophisticated lyrical technique and flowing syncopations of jazz-rap alive in an era when commercial gangsta rap was threatening to obliterate everything in its path. |
 | | If skills sold, Talib Kweli would have been one of the most commercially successful rappers of his time. |
 | | Though popular success has largely eluded the Roots, the Philadelphia group showed the way for live rap, building on Stetsasonic's "hip-hop band" philosophy of the mid-'80s by focusing on live instrumentation at their concerts and in the studio. |
 | | Initially regarded as one of the most promising rappers to emerge in the late '90s, Mos Def turned to acting in subsequent years as music became a secondary concern for him. |
 | | Rapper/composer Guru (real name Keith Elam) first rose to prominence as the "lyrical half" of the hip-hop duo Gang Starr, one of the first outfits that attempted to fuse jazz with rap. |
 | | Mt. Vernon, New Yorkers Pete Rock (a producer/DJ) and rapper C.L. Smooth emerged in 1992 as both a powerhouse performance duo and as prolific producers. |
 | | Without question the most intelligent, artistic rap group during the 1990s, A Tribe Called Quest jump-started and perfected the hip-hop alternative to hardcore and gangsta rap. |
 | | As one of the original members of the seminal '90s rap crew the Wu-Tang Clan, Ghostface Killah (aka Tony Starks) made an impact before he released his debut album, Ironman, late in 1996. |
 | | Part of the new millennium resurgence of alternative rap, Little Brother drew from atypical inspirations for Southern hip-hop: classic Native Tongues outfits like De La Soul and A Tribe Called Quest, as well as more recent torch-bearers like the Roots and Black Star. |
 | | Marcus Garvey, founder of the united Negro Improvement Association manifested his ideas by creating the Black Star shipping line, designed to repatriate blacks to Africa. |
 | | Speaking out against what he saw as a decline in rap during the mid-'90s, Jeru the Damaja came to the fore as a self-proclaimed prophet and the savior of hip-hop, much as KRS-One had done almost ten years before. |
 | | The Genius, aka the GZA, was the most cerebral MC in the Wu-Tang Clan, as well as perhaps the most acclaimed. |
 | | While a member of the New York City duo Organized Konfusion, Pharoahe Monch developed a reputation as one of underground hip-hop's preeminent lyricists, crafting intricate and intelligent raps with partner Prince Poetry. |
 | | Raekwon may not have achieved the solo stardom of his fellow Wu-Tang Clan mates Method Man or Ol' Dirty Bastard, but along with Genius/GZA and frequent partner Ghostface Killah, he's done some of the most inventive, critically acclaimed work outside the confines of the group. |
 | | Growing up in Winston-Salem, North Carolina, the boy who would become producer 9th Wonder, Pat Douthit, performed in the school band and also played keyboards at home. |
 | | Beginning with his classic debut, Illmatic (1994), Nas stood tall for years as one of New York City's leading rap voices, outspokenly expressing a righteous, self-empowered swagger that endeared him to critics and hip-hop purists. |
 | | With just a few (mostly underground) releases, Dilated Peoples energized the rap underground in similar fashion to fellow West Coast crew Jurassic 5. |
 | | Although he never became a household name, Rakim is near-universally acknowledged as one of the greatest MCs -- perhaps the greatest -- of all time within the hip-hop community. |
 | | At the time of its 1989 release, De La Soul's debut album, 3 Feet High and Rising, was hailed as the future of hip-hop. |
 | | The Wu-Tang Clan's chief producer, the RZA (aka the Abbott, Prince Rakeem, the Rzarector, Bobby Steels, and Bobby Digital) was born Robert Diggs. |
 | | An underground Latino crew who moved from being strictly producers to make some action on the other side of the mixing board as well, the Beatnuts first hooked up in the late '80s, with Junkyard Ju-Ju (aka JuJu, born Jerry Tineo) and Psycho Les (born Lester Fernandez) being joined by Fashion (aka Kool Fashion, born Berntony Smalls). |
 | | Method Man was the first -- and biggest -- solo star to emerge from the groundbreaking Wu-Tang Clan. |
 | | Widely known initially for his work as a producer and MC with the rap group Main Source, Large Professor soon after became a full-time producer working with such acts as Big Daddy Kane and A Tribe Called Quest. |
 | | An influential alternative rap quartet from South Central Los Angeles, the Pharcyde was formed by MCs/producers Tre "Slimkid" Hardson, Derrick "Fatlip" Stewart, Imani Wilcox, and Romye "Booty Brown" Robinson. |
 | | Emerging in 1993, when Dr. Dre's G-funk had overtaken the hip-hop world, the Staten Island, New York-based Wu-Tang Clan proved to be the most revolutionary rap group of the mid-'90s -- and only partially because of their music. |
 | | Rising from the rugged streets and rich musical tapestry of Detroit, Slum Village were poised to carry on the old-school, funk, and soul-filled hip-hop torch of genre pioneers A Tribe Called Quest, De La Soul, and the Pharcyde. |
 | | With an impressive resume in rap that includes membership in the legendary Juice Crew (along with Marley Marl, MC Shan, Big Daddy Kane, Biz Markie, Roxanne Shante, and Craig G) and a verse on the 1988 classic posse cut "The Symphony," Brooklyn's Masta Ace is truly an underappreciated rap veteran and underground luminary. |
 | | Camp Lo is a rap group from the Bronx who melds hip-hop with jazz sensibilities and funk. After having a hit single, "Coolie High," from The Great White Hype soundtrack in early 1996, they released their debut album, Uptown Saturday Night, in February 1997. |
 | | KRS-One (born Kris Parker) was the leader of Boogie Down Productions, one of the most influential hardcore hip-hop outfits of the '80s. |
 | | A member of Fat Joe's DITC crew, rapper Big L was born Lamont Coleman on May 30, 1974. He made his solo debut with 1995's Lifestylez Ov Da Poor & Dangerous, scoring a series of underground hits including "No Endz, No Skinz," "Street Struck" and "Da Graveyard"; Big L's best-known effort, the single "Ebonics," followed on his own Flamboyant label in the summer of 1998. |
 | | Ignoring the coastal feuds that dominated hip-hop for most of the '90s, the Alchemist (born Alan Maman) began his career in L. |
 | | Describing himself as "a DJ first, producer second, and MC last," Madlib is one of the many aliases of Otis Jackson, Jr. |
 | | As a member of Brand Nubian, Sadat X (born Derek Murphy) was one of the key MCs who related messages inspired by the Five Percent Nation. |
 | | Although she was born in South Africa, Jean Grae (real name Tsidi Ibrahim) will always be a New Yorker by heart. |
 | | Lil' Fame and Billy Danzenie formed hardcore rap act M.O.P. The duo's debut single, "How About Some Hardcore," became popular and led to the release of their first album, To the Death, in the spring of 1994. |
 | | They didn't gain as much critical hype as other acts in the independent rap scene (perhaps due to a laid-back release schedule), but Black Moon has been one of its better acts. |
 | | Never quite a superstar, Redman was nonetheless one of the most off-the-wall, beloved, and enduring rappers of the '90s and 2000s. |
 | | On the surface, the sample-reliant productions and monotone rapping styles of Erick Sermon and Parrish Smith had little to recommend them, but the duo's recordings as EPMD were among the best in hip-hop's underground during the late '80s and early '90s. |
 | | Patterning his persona and logo after the Marvel Comics super villain Dr. Doom, the man behind MF (Metal Face) Doom's iron mask is actually Daniel Dumile, aka Zevlove X, a member of former Big Apple hip-hoppers K. |
 | | A longtime friend of Definitive Jux leader El-P, rapper Murs first appeared as a solo artist in 2003, after nearly a decade of working with various groups in the underground. |
 | | As golden age rap suddenly gave way to West Coast gangsta in the early '90s, an East Coast variety of hardcore rap arose in turn, with Mobb Deep initially standing tall as one of New York's hardcore figureheads on the basis of their epochal album The Infamous. |
 | | The Fugees translated an intriguing blend of jazz-rap, R&B, and reggae into huge success during the mid-'90s, when the trio's sophomore album The Score hit number one on the pop charts and sold over five million copies. |
 | | Part of Brooklyn's talented Boot Camp Clik, the powerful tandem of Smif-n-Wessun got their start on Black Moon's classic debut, Enta da Stage, in 1993. |
 | | One-half of the legendary hip-hop duo EPMD, Erick Sermon was also among the genre's most prominent producers, deservedly earning the alias "Funklord" with his trademark raw, bass-heavy grooves. |
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 | | Party rappers from the West Coast, tha Alkaholiks entered the hip-hop field by working with King Tee on his 1993 Tha Triflin' Album; after touring with KRS-One, Ice Cube, and Too Short, they found a major-label contract with Loud/RCA. |
 | | They never had a mainstream hit of their own, but during rap's so-called golden age in the late '80s, Eric B. |
