 | | Hailing from the suburbs of Chicago, the punk-pop outfit Plain White T's began taking shape in 1997, a full ten years before the acoustic ballad "Hey There Delilah" made them Grammy-nominated stars. |
 | | Formed in 1999 in Amityville, New York, Taking Back Sunday modeled their interpretation of melodic hardcore after bands like Lifetime, Endpoint, and Sunny Day Real Estate, as well as guitarist Ed Reyes' emo outfit the Movielife. |
 | | Vocalist/bassist Tyson Ritter and guitarist Nick Wheeler both hail from Stillwater, OK, where the pair first embraced music as an appealing diversion from the ho-hum life of small-town America. |
 | | By pitching their music somewhere between the arena-friendly style of U2 and the mature pop/rock of bands like Maroon 5 and Counting Crows, the Fray rose to commercial prominence with their 2005 debut, How to Save a Life. |
 | | Once a trailblazing name in the mid-'90s emocore scene, Jimmy Eat World eventually found a larger audience by embracing a blend of alternative rock and power pop that targeted the heart as well as the head. |
 | | Hailing from Coral Springs, Florida, punk-pop band New Found Glory were formed in mid-1997 by vocalist Jordan Pundik, bassist Ian Grushka, drummer Joe Moreno (replaced by longtime drummer Cyrus Bolooki after the band's first release), and guitarists Chad Gilbert (previously the vocalist for Shai Hulud) and Steve Klein. |
 | | After failing to secure an international audience for nearly ten years, Snow Patrol broke into the mainstream with 2003's Final Straw, a mega-selling album that showcased the band's fondness for epic, melancholic rock. |
 | | The punk-inspired quintet Yellowcard formed in Jacksonville, Florida, in 1997 but didn't solidify their lineup until a move to Southern California in early 2000. |
 | | The new-school punk trio blink-182 were formed in the suburbs of San Diego, California around guitarist/vocalist Tom DeLonge, bassist/vocalist Mark Hoppus, and drummer Scott Raynor. |
 | | Initially embraced as "the Southern Strokes" for their resurrection and reinvention of Dixie-styled rock & roll, Kings of Leon steadily morphed themselves into an experimental rock outfit during the 2000s. |
 | | The members of Panic! at the Disco had barely graduated high school when their full-length debut, A Fever You Can't Sweat Out, transformed the suburban Las Vegas teens into national emo-pop stars. |
 | | Fall Out Boy rose to the forefront of emo pop in the mid-2000s, selling more than four million albums thanks to the band's tabloid-grabbing bassist, able-voiced frontman, and handful of Top 40 hits. |
 | | Although their blend of emo-pop and slick, anthemic rock & roll eventually made them stars on both sides of the Atlantic, Paramore began humbly enough in Franklin, Tennessee, where Hayley Williams met brothers Josh and Zac Farro after moving to town from Mississippi. |
 | | Although often lumped into the post-grunge category, Third Eye Blind sported a brighter sound than many of their late-'90s peers, taking as much influence from classic pop/rock traditions as the angst-ridden music that dominated the decade. |
 | | Upon the release of their debut album, Yourself or Someone Like You, in fall 1996, Matchbox Twenty was pigeonholed as one of the legions of post-grunge guitar bands that roamed the American pop scene in the middle of that decade. |
 | | After surfacing in 2000 with the breakthrough single "Yellow," Coldplay quickly became one of the biggest bands of the new millennium, honing a mix of introspective Brit-pop and anthemic rock that landed the British quartet a near-permanent residence on record charts worldwide. |
 | | Few bands in the early 2000s rose so quickly to the forefront of pop music as the Killers. With a mix of '80s-styled synth pop and fashionista charm, the band's street-smart debut, Hot Fuss, became one of 2004's biggest releases, spawning four singles and catapulting the group -- particularly their dandyish, 22-year-old frontman, Brandon Flowers -- into the international spotlight. |
 | | The members of the Used had to overcome poverty, homelessness, and substance abuse, not to mention the straitlaced attitudes of their hometown of Orem, Utah, to bring their screamo-tinged brand of post-hardcore to life. |
 | | With their emo-punk songwriting, theatrical vocals, and neo-goth appearance, My Chemical Romance rose from the East coast underground to the forefront of modern rock during the early 2000s. |
 | | Early in their career, the Goo Goo Dolls were frequently dismissed by critics as mere imitators of the Replacements; however, they refined and mainstreamed their sound to become one of the most popular adult alternative rock bands of the 1990s, selling millions of records to audiences largely unfamiliar with their influences. |
 | | One of the few screamo bands to land a Top 40 pop hit, the Red Jumpsuit Apparatus formed in 2003 in Middleburg, Florida. |
 | | As one of the most popular groups to emerge in the post-grunge alternative rock aftermath, Weezer received equal amounts of criticism and praise for their hook-heavy guitar pop. |
 | | A leading light in the punk-pop genre, Motion City Soundtrack includes members Joshua Cain (guitar), Tony Thaxton (drums), Justin Pierre (vocals/guitar), Jesse Johnson (Moog), and Matthew Taylor (bass). |
 | | Jason Mraz hails from Mechanicsville, Virginia, where the singer/songwriter grew up amidst the sounds of the Dave Matthews Band and local roots musicians the Agents of Good Roots. |
 | | With their angst-filled hybrid of Van Morrison, the Band, and R.E.M., Counting Crows became an overnight sensation in 1994. |
 | | Formed in 1998 by frontman Jared Leto and his older brother, 30 Seconds to Mars found success in the 2000s with a mix of post-grunge, screamo, and hard rock. |
 | | The East Coast post-grunge/pop-punk outfit Good Charlotte was founded in 1996 by identical brothers Joel and Benji Madden. |
 | | Much like Five for Fighting or Dashboard Confessional, Secondhand Serenade is the project name for a solo artist, singer/songwriter John Vesely. |
 | | O.A.R. (an acronym for the band's full moniker, Of a Revolution) transformed itself from an independent college band to a Billboard chart-topper over the course of a long, varied career. |
 | | Led by the pop-minded prowess of their namesake frontman, Ben Folds Five dispelled any misgivings about a band's ability to rock without guitars. |
 | | Say Anything are the pop-punk brainchild of Max Bemis, who founded the band while its initial members were still attending high school in Los Angeles. |
 | | Although the members of Brand New cut their teeth in various hardcore bands, the group took a more melodic approach to its own work, embracing punk-pop on the debut album Your Favorite Weapon and incorporating aspects of indie rock during future projects. |
 | | Punky emo-pop quintet Hawthorne Heights came to life in the summer of 2001. Originally called A Day in the Life, the Ohio-based band saw numerous lineup changes and shifting musical styles before settling on a permanent formation. |
 | | Before Jack Johnson became the 21st century kingpin of beachside pop/rock, he was a champion surfer on the professional route. |
 | | Death Cab for Cutie's rise from small-time solo project to Grammy-nominated rock band is one of indie rock's greatest success stories. |
 | | Five for Fighting is the one-man band of John Ondrasik, who rose to fame in 2001 on the strength of the pop/rock ballad "Superman (It's Not Easy). |
 | | Led by singer/songwriter Jason Wade, Lifehouse emerged in the early 2000s with a commercial blend of pop/rock melody and throaty, post-grunge vocals. |
 | | As part of the mid-'90s revival of roots-rock, the Wallflowers held a special connection to one of the original inspirations: vocalist/songwriter/guitarist Jakob Dylan. |
 | | Boston-based emo-pop turned country-tinged pop outfit Boys Like Girls features singer/guitarist Martin Johnson, bassist Bryan Donahue, drummer John Keefe, and guitarist Paul DiGiovanni (the last two members being cousins). |
 | | After making his introduction as a sensitive, acoustic-styled songwriter on 2001's Room for Squares, John Mayer steadily widened his approach over the subsequent years, encompassing everything from blues-rock to adult contemporary in the process. |
 | | Sum 41 hit worldwide radar in 1996 after tiny Ajax, Ontario, proved unable to fully contain the foursome's blathering mixture of punk-pop riffing, hip-hop poses, and toilet-bowl humor. |
 | | With the hiatus of pop-punk superstars blink-182 in full effect by the fall of 2005, singer/guitarist Tom DeLonge revealed the formation of his new band -- one he'd already been working with for six months -- called Angels & Airwaves. |
 | | A group of quirky, fun-loving emo-rockers from California, Hellogoodbye seem to take as much influence from modern pop-punk as they do from the original Nintendo sound bleeps that held children captive in the late '80s. |
 | | Augustana's music is the heartland equivalent of Coldplay and Keane, with a touch of mid-'90s adult alternative throwback (think Counting Crows or the Wallflowers) also peppering the band's rootsy, piano-based rock. |
 | | Formed in the early '90s by South African vocalist/guitarist Dave Matthews, the Dave Matthews Band presented a more pop-oriented version of the Grateful Dead crossed with elements of jazz, funk, and the worldbeat explorations of Paul Simon and Sting. |
 | | Story of the Year took root in the late '90s under a different name, Big Blue Monkey, in St. Louis, MO. |
 | | By combining humor with an eclectic mix of folk and pop/rock, the Barenaked Ladies enjoyed considerable popularity in their native Canada before rising to international status with 1998's "One Week. |
 | | Launched in 1991 as a folk-based acoustic duo, Vertical Horizon gradually molded itself into a slick pop/rock outfit, culminating in the band's brief (but significant) heyday at the turn of the 21st century. |
 | | Oasis shot from obscurity to stardom in 1994, becoming one of Britain's most popular and critically acclaimed bands of the decade in the process. |
 | | Formed in the early '90s by South African vocalist/guitarist Dave Matthews, the Dave Matthews Band presented a more pop-oriented version of the Grateful Dead crossed with elements of jazz, funk, and the worldbeat explorations of Paul Simon and Sting. |