 | | Supertramp followed an unusual path to commercial success in the 1970s, fusing the stylistic ambition and instrumental dexterity of progressive rock with the wit and tuneful melodies of British pop, and the results made them one of the most popular British acts of the '70s and ‘80s, topping the charts and filling arenas around the world at a time when their style of music was supposed to have fallen out of fashion. |
 | | The J. Geils Band was one of the most popular touring rock & roll bands in America during the '70s. Where their contemporaries were influenced by the heavy boogie of British blues-rock and the ear-splitting sonic adventures of psychedelia, the J. |
 | | Peter Frampton was one of the biggest arena rock stars of the '70s, making his name largely on the double-LP concert set Frampton Comes Alive! Frampton was one of several '70s rock artists (Kiss, Cheap Trick, etc. |
 | | Pete Townshend was the guitarist and primary songwriter for the Who from 1964 to 1982, also participating in the group's occasional reunions after its formal breakup. |
 | | Following his 1970 departure from the Guess Who, guitarist Randy Bachman recorded a solo album (Axe) and planned a project with ex-Nice keyboardist Keith Emerson (later canceled due to illness) before forming Bachman-Turner Overdrive in 1972. |
 | | In 1968, a naïve young singer from the Black Country hills in England named Robert Plant was discovered wailing the blues by veteran session guitarist Jimmy Page and bassist/keyboardist John Paul Jones. |
 | | From his early hits with the James Gang through to his tenure with the Eagles -- as well as a successful solo career -- Joe Walsh remained one of the most colorful characters in rock & roll, lending his distinctively reedy vocals, off-the-wall lyrics, and expansive guitar leads to a series of AOR staples including "Funk #49," "Rocky Mountain Way," and "Life's Been Good. |
 | | Jefferson Starship was among the most successful arena rock bands of the 1970s and early '80s, an even greater commercial entity than its predecessor, Jefferson Airplane, the band out of which it evolved. |
 | | The Electric Light Orchestra's ambitious yet irresistible fusion of Beatles que pop, classical arrangements, and futuristic iconography rocketed the group to massive commercial success throughout the 1970s. |
 | | Best known in the U.S. for their hard rock material, Golden Earring have been the most popular homegrown band in the Netherlands since the mid-'60s, when they were primarily a pop group. |
 | | Most rock & roll bands are a tightly wound unit that developed their music through years of playing in garages and clubs around their hometown. |
 | | After starting out as an unsuccessful pop singer (working under the name Vance Arnold), Joe Cocker found his niche singing rock and soul in the pubs of England with his superb backing group, the Grease Band. |
 | | Although he's often skirted the edges of blues music, at heart, saxophonist, keyboardist and composer Edgar Winter is a blues musician. |
 | | As a solo artist, Steve Winwood is primarily associated with the highly polished blue-eyed soul-pop that made him a star in the '80s. |
 | | Originally a hard-driving rocker in the vein of fellow Michigan garage rockers the Rationals and Mitch Ryder, Bob Seger developed into one of the most popular heartland rockers over the course of the '70s. |
 | | As the lead singer for the Rolling Stones, Mick Jagger is one of the most popular and influential frontmen in the history of rock & roll. |
 | | Steve Miller's career has encompassed two distinct stages: one of the top San Francisco blues-rockers during the late '60s and early '70s, and one of the top-selling pop/rock acts of the mid- to late '70s and early '80s with hits like "The Joker," "Fly Like an Eagle," "Rock'n Me," and "Abracadabra. |
 | | John Cameron Fogerty achieved fame as the lead singer/songwriter and guitarist in Creedence Clearwater Revival and has since gone on to a chart-topping solo career. |
 | | Steve Miller's career has encompassed two distinct stages: one of the top San Francisco blues-rockers during the late '60s and early '70s, and one of the top-selling pop/rock acts of the mid- to late '70s and early '80s with hits like "The Joker," "Fly Like an Eagle," "Rock'n Me," and "Abracadabra. |
 | | Far and away the longest lasting and the most successful of the '70s progressive rock groups, Yes proved to be one of the lingering success stories from that musical genre. |
 | | One of the 1970s' most successful hard rock bands in spite of critical pans and somewhat reluctant radio airplay (at first), Grand Funk Railroad built a devoted fan base with constant touring, a loud, simple take on the blues-rock power trio sound, and strong working-class appeal. |
 | | Eddie Money arrived in the late '70s at the height of album rock's popularity. While Money didn't have a remarkable voice, he had a knack for catchy, blue-collar rock & roll, which he delivered with a surprising amount of polished, radio-friendly finesse. |
 | | Derek & the Dominos was a group formed by guitarist/singer Eric Clapton (born Eric Patrick Clapp, March 30, 1945, Ripley, Surrey, England) with other former members of Delaney & Bonnie & Friends, in the spring of 1970. |
 | | Unquestionably one of the all-time most influential, important, and versatile guitarists and songwriters in rock history is Jimmy Page. |
 | | Jefferson Airplane was the first of the San Francisco psychedelic rock groups of the 1960s to achieve national recognition. |
 | | Although they're best known today for their lush, lyrically and musically profound (some would say bombastic) psychedelic-era albums, the Moody Blues started out as one of the better R&B-based combos of the British Invasion. |
 | | Jethro Tull was a unique phenomenon in popular music history. Their mix of hard rock; folk melodies; blues licks; surreal, impossibly dense lyrics; and overall profundity defied easy analysis, but that didn't dissuade fans from giving them 11 gold and five platinum albums. |
 | | In his most obvious contribution to music as lead guitarist for the Beatles, George Harrison provided the band with a lyrical style of playing in which every note mattered. |
 | | Though it ultimately must be considered an interim vehicle for singer/songwriter/keyboardist/guitarist Steve Winwood, Traffic was a successful group that followed its own individual course through the rock music scene of the late '60s and early '70s. |
 | | Out of all of the Eagles, Don Henley had the most successful solo career. After the group initially broke up in 1982, Henley released his first solo album, I Can't Stand Still. |
 | | While the Guess Who did have several hits in America, they were superstars in their home country of Canada during the 1960s and early '70s. |
 | | Apart from the Byrds, no other American band had as great an impact on folk-rock and country-rock -- really, the entire Californian rock sound -- than Buffalo Springfield. |
 | | Despite a huge hit single in the mid-'70s ("The Boys Are Back in Town") and becoming a popular act with hard rock/heavy metal fans, Thin Lizzy are still, in the pantheon of '70s rock bands, underappreciated. |
 | | In the decades following his emergence on the national scene in 1975, Bruce Springsteen proved to be that rarity among popular musicians, an artist who maintained his status as a frontline recording and performing star, consistently selling millions of albums and selling out arenas and stadiums around the world year after year, as well as retaining widespread critical approbation, with ecstatic reviews greeting those discs and shows. |
 | | As one of the most popular California pop/rock bands of the '70s, the Doobie Brothers evolved from a mellow, post-hippie boogie band to a slick, soul-inflected pop band by the end of the decade. |
 | | A blues-rock guitarist who draws his inspiration from Elmore James, Hound Dog Taylor, and Chuck Berry, George Thorogood never earned much respect from blues purists, but he became a popular favorite in the early '80s through repeated exposure on FM radio and the arena rock circuit. |
 | | Foghat specialized in a simple, hard-rocking blues-rock, releasing a series of best-selling albums in the mid-'70s. |
 | | Fusing the complexity of British prog rock with an American heartland sound representative of their name, Kansas were among the most popular bands of the late '70s; though typically dismissed by critics, many of the group's hits remain staples of AOR radio play lists to this day. |
 | | With the emergence of Cream and the Jimi Hendrix Experience during the late '60s, the path was cleared for other hard-rockin' "trios. |
 | | Led by John Kay (born Joachim Krauledat, April 12, 1944), Steppenwolf's blazing biker anthem "Born to Be Wild" roared out of speakers everywhere in the fiery summer of 1968, John Kay's threatening rasp sounding a mesmerizing call to arms to the counterculture movement rapidly sprouting up nationwide. |
 | | Throughout his career, John Mellencamp has had to fight, whether it was for the right to record under his own name or for respect as an artist. |
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 | | Although they weren't as boldly innovative as the Beatles or as popular as the Rolling Stones or the Who, the Kinks were one of the most influential bands of the British Invasion. |
 | | Equal parts blue-eyed soul shouter and wild-eyed poet-sorcerer, Van Morrison is among popular music's true innovators, a restless seeker whose incantatory vocals and alchemical fusion of R&B, jazz, blues, and Celtic folk produced perhaps the most spiritually transcendent body of work in the rock & roll canon. |
 | | Many point to Billy Squier as early-'80s rock personified -- an era when he and many of his peers tempered hard rock with pop melodicism -- and by adding just the right amount of posing and posturing for the newly constructed MTV set, he scored a string of arena rock anthems and power ballads. |
 | | Blue Öyster Cult was the thinking man's heavy metal group. Put together on a college campus by a couple of rock critics, it maintained a close relationship with a series of literary figures (often in the fields of science fiction and horror), including Eric Von Lustbader, Patti Smith, Michael Moorcock, and Stephen King, while turning out some of the more listenable metal music of the early and mid-'70s. |
 | | A light folk-rock act of the early '70s, America had several Top Ten hits, including the number ones "A Horse with No Name" and "Sister Golden Hair. |
 | | The musical partnership of David Crosby (born August 14, 1941), Stephen Stills (born January 3, 1945), and Graham Nash (born February 2, 1942), with and without Neil Young (born November 12, 1945), was not only one of the most successful touring and recording acts of the late '60s, '70s, and early '80s -- with the colorful, contrasting nature of the members' characters and their connection to the political and cultural upheavals of the time -- it was arguably the only American-based band to approach the overall societal impact of the Beatles. |
 | | After Neil Young left the California folk-rock band Buffalo Springfield in 1968, he slowly established himself as one of the most influential and idiosyncratic singer/songwriters of his generation. |