 | | Mountain music revivalists Old Crow Medicine Show spin traditional folk and bluegrass yarns with a rock & roll attitude. |
 | | In the strictest sense, Steve Earle isn't a country artist; he's a roots rocker. Earle emerged in the mid-'80s, after Bruce Springsteen had popularized populist rock & roll and Dwight Yoakam had kick-started the neo-traditionalist movement in country music. |
 | | A band with as turbulent an existence as Whiskeytown was bound to implode sooner or later, but by the time they did, they had one of the largest cult followings of any alt-country band. |
 | | Although they became one of the most enduring bands in the alternative country-rock catalog, Old 97's drew inspiration from a broad range of genres, including the twangy stomp of cowpunk and the melodies of power pop. |
 | | Among the large contingent of talented songwriters who emerged in Texas in the 1980s and '90s, Robert Earl Keen struck an unusual balance between sensitive story-portraits ("Corpus Christi Bay") and raucous barroom fun ("That Buckin' Song"). |
 | | Cross Canadian Ragweed established themselves as a relentless touring band throughout the Texas/Oklahoma area and then broadened their reach, nationally releasing several albums of rabble-rousing alt-country. |
 | | After touring in support of their 1993 masterpiece, Anodyne, the seminal alternative country band Uncle Tupelo split up over long-simmering creative differences between co-leaders Jay Farrar and Jeff Tweedy. |
 | | The only son of country legends Waylon Jennings and Jessi Colter, Shooter Jennings literally spent his childhood on a tour bus. |
 | | With the release of their 1990 debut LP, No Depression, the Belleville, IL, trio Uncle Tupelo launched more than simply their own career -- by fusing the simplicity and honesty of country music with the bracing fury of punk, they kick-started a revolution which reverberated throughout the American underground. |
 | | Townes Van Zandt's music doesn't jump up and down, wear fancy clothes, or beat around the bush. Whether he was singing a quiet, introspective country-folk song or a driving, hungry blues, Van Zandt's lyrics and melodies were filled with the kind of haunting truth and beauty that you knew instinctively. |
 | | Americana singer/songwriter Ryan Bingham was raised in rural Texas, where years of hardscrabble ranch work and rodeo competitions would later lend a sense of authenticity to his music. |
 | | A leading figure of the progressive country movement of the 1970s, singer/songwriter Ray Wylie Hubbard remains best known for authoring the perennial anthem "Up Against the Wall, Redneck Mother. |
 | | Shelton Hank Williams III was born December 12, 1972, in Nashville, Tennessee. As the grandson of Hank Williams and the son of Hank Jr. |
 | | Led by brothers Willy (vocals/guitar) and Cody Braun (vocals/fiddle/mandolin/harmonica), alternative country-rock outfit Reckless Kelly formed in Bend, OR, before relocating to Austin, TX, in January 1997. |
 | | Singer/songwriter Todd Snider first garnered attention for his timely alt-rock satire "Talkin' Seattle Grunge Rock Blues," a folk-rock song that struck a chord with younger people fed up with angry alternative rock bands, and at the same time, appealed to aging rockers who grew up with the folk revival of the 1960s. |
 | | Festus, Missouri's Bottle Rockets ranked as one of the leading lights of the 1990s roots rock revival, thanks to a sound that bypassed the punk heritage proudly upheld by most of the band's contemporaries in favor of a redneck fusion of Southern boogie, country-folk, and crunching rock & roll. |
 | | Wilco rose from the ashes of the seminal roots rock band Uncle Tupelo, which disbanded in 1994. While Jay Farrar, one of the group's two singer/songwriters, went on to form Son Volt, his ex-partner Jeff Tweedy established Wilco along with the remaining members of Tupelo's final incarnation, which included drummer Ken Coomer as well as part-time bandmates John Stirratt (bass) and Max Johnston (mandolin, banjo, fiddle, and lap steel). |
 | | An acclaimed singer/songwriter whose literate work flirted with everything from acoustic folk to rockabilly to straight-ahead country, John Prine was born October 10, 1946, in Maywood, IL. |
 | | Texas singer/songwriter James McMurtry, known for his hard-edged character sketches, comes from a literary family; his father, novelist and screenwriter Larry McMurtry, gave James his first guitar at age seven, and his mother, an English professor, taught him how to play it. |
 | | Jerry Jeff Walker is strongly associated with the progressive ("outlaw") country scene that centered around Austin, TX, in the 1970s and included such figures as Willie Nelson, Guy Clark, Billy Joe Shaver, the Lost Gonzo Band, Waylon Jennings, and Townes Van Zandt. |
 | | Billy Joe Shaver never became a household name, but his songs -- including "Good Christian Soldier," "Willie the Wandering Gypsy and Me," and "I Been to Georgia on a Fast Train" -- became country standards during the '70s and his reputation among musicians and critics didn't diminish in the ensuing decades. |
 | | The object of cultish adoration for years, singer/songwriter Lucinda Williams was universally hailed as a major talent by both critics and fellow musicians, but it took quite some time for her to parlay that respect into a measure of attention from the general public. |
 | | Formed in Austin, TX, the Band of Heathens became a band totally by accident. Songwriters Colin Brooks, Gordy Quist, and Ed Jurdi were all doing regular sets at Momo's in Austin when they began sitting in with each other, eventually making the whole thing one big show that they called the Good Time Supper Club, which was essentially three singer/songwriters in the round backed by a solid rhythm section of John Chipman on drums and Seth Whitney on bass. |
 | | Country-rock singer/songwriter/guitarist Joe Ely was born Earle R. Ely on February 9, 1947, in Amarillo, Texas. |
 | | Chris Knight is a singer/songwriter from the tiny mining town of Slaughters, KY, whose self-titled debut album invited comparisons to Steve Earle and John Prine. |
 | | Born Joshua Hayes Carll, Texas singer and songwriter Hayes Carll received his first guitar at the age of 15 and almost immediately began writing songs, influenced by the likes of Bob Dylan, John Prine, Kris Kristofferson, Dead Poets Society, and the Beat novels and writings of Jack Kerouac, all of which continued to reverberate in his mature songwriting style. |
 | | Johnny Cash was one of the most imposing and influential figures in post-World War II country music. |
 | | Lyle Lovett was one of the most distinctive and original singer/songwriters to emerge during the '80s. |
 | | Guy Clark doesn't just write songs, he crafts them with the kind of hands-on care and respect that a master carpenter (a favorite image of his) would have when faced with a stack of rare hardwood. |
 | | Mixing the heartfelt angst of a singer/songwriter with the cocky brashness of a garage rocker, Ryan Adams is at once one of the few artists to emerge from the alt-country scene to achieve mainstream commercial success and the one who most strongly refused to be defined by the genre, leaping from one spot to another stylistically while following his increasingly prolific muse. |
 | | Texas singer/songwriter Charlie Robison was born in Houston and raised on his family's ranch in the town of Bandera; absorbing the music he heard on the local honky tonk scene, he and brother Bruce -- later an acclaimed performer in his own right -- were also brought up on artists ranging from Black Sabbath to Gram Parsons to Bruce Springsteen. |
 | | The son of maverick Texas songwriter Steve Earle (and carrying the middle name of his dad's mentor, Townes Van Zandt), Justin Townes Earle shares just a hint of his father's vocal style in his voice, and like the elder Earle, he writes his own songs, but aside from the fact that both Earles fall to the country side of the Mason-Dixon Line, there are probably far more differences in their musical approaches than there are similarities. |
 | | With his stripped-down approach to traditional honky tonk and Bakersfield country, Dwight Yoakam helped return country music to its roots in the late '80s. |
 | | The Gourds are a good-time, honky tonkin' band with enough quirk and underground appeal to justify the "alternative" tag in "alternative country-rock. |
 | | Led by frontman Micky (Michael) Braun and his guitarist brother Gary Braun, along with childhood friends Travis Hardy on drums and Mark McCoy on bass, Micky & the Motorcars rolled out of the Sawtooth Mountains of Stanley, Idaho in a cloud of Americana dust. |
 | | Making the sort of neo-traditionalist country that brings to mind the rowdy glory of David Allan Coe, Jason Boland and his band uprooted from their Oklahoma home and made their splash in Texas. |
 | | Stoney LaRue plays music that combines the rootsy, emotionally honest sound of country with the beer-drinking swagger of heartland rock and a dash of the moody undercurrents of the blues. |
 | | One of the most critically acclaimed alternative country bands of the '90s, BR5-49's sound, style, and even look were unabashedly retro. |
 | | Led by the gifted songwriting, impeccable playing, and honeyed harmonies of vocalists/guitarists Mark Olson and Gary Louris, the Jayhawks' shimmering blend of country, folk, and bar band rock made them one of the most widely acclaimed artists to emerge from the alternative country scene. |
 | | If any one performer personified the outlaw country movement of the '70s, it was Waylon Jennings. Though he had been a professional musician since the late '50s, it wasn't until the '70s that Waylon, with his imposing baritone and stripped-down, updated honky tonk, became a superstar. |
 | | A life-long renegade, singer/songwriter David Allan Coe was one of the most colorful and unpredictable characters in country music history. |
 | | The Avett Brothers' music has roots in traditional folk and bluegrass, but also captures the high spirits and no-boundaries attitude of rock & roll -- which is appropriate, since rock is where Scott Avett and Seth Avett first cut their teeth as musicians. |
 | | John Hiatt's sales have never quite matched his reputation. Hiatt's songs were covered successfully by everyone from Bonnie Raitt, Ronnie Milsap, and Dr. |
 | | As a songwriter and a performer, Willie Nelson played a vital role in post-rock & roll country music. |
 | | From an early age, music was an important part of Randy Rogers' life. Rogers was raised in Cleburne, Texas, and his great-grandmother taught him how to play the piano at age six; by 11 he was writing his own songs and learning chords on the guitar. |
 | | When Rodney Crowell first gained widespread recognition as a leader of the new traditionalist movement of the mid-'80s, he was, in fact, a singer, songwriter, and producer with roots and ambitions extending far beyond the movement's parameters. |
 | | A honky tonk band following the tradition set by Buck Owens, Austin, TX's Derailers were led by vocalist/rhythm guitarist Tony Villanueva and lead guitarist Brian Hofeldt, longtime friends who grew up together in Oregon. |
 | | A singer and demon guitarist whose raucous blend of country and rock & roll helped make him a successful crossover act, Junior Brown was born in 1952 and raised in the backwoods of Kirksville, IN. |
 | | The Bastard Sons of Johnny Cash, who came together in 1995, play modern country with an "outlaw" edginess, with some of the attitude and some of the swagger of artists we've come to expect from the man in black himself, Johnny Cash, or from Waylon Jennings, Merle Haggard, and Kris Kristofferson, to name a few others. |
 | | As a performer and a songwriter, Merle Haggard was the most important country artist to emerge in the 1960s, and he became one of the leading figures of the Bakersfield country scene in the '60s. |