 | | Six-string wizard Steve Vai, along with his one-time teacher Joe Satriani, set the standard for rock guitar virtuosity in the '80s. |
 | | Along with teaching some of the top rock guitar players of the '80s and '90s, Joe Satriani is one of the most technically accomplished and widely respected guitarists to emerge in recent times. |
 | | Very few musical artists achieve a true signature style -- one that makes comparisons to other musicians impossible. |
 | | Composer, guitarist, singer, and bandleader Frank Zappa was a singular musical figure during a performing and recording career that lasted from the 1960s to the '90s. |
 | | Buckethead is one of the most bizarre and enigmatic figures in American underground and experimental music since Parliament-Funkadelic birthed their bevy of cosmic characters in the mid-'70s. |
 | | Metal guitar virtuoso Paul Gilbert was born November 6, 1966 in Carbondale, IL and raised primarily in Greenburg, PA; he began playing music at age five, and by age 15 was not only touring local clubs with his band Tau Zero but was even spotlighted in Guitar Player magazine alongside fellow up-and-comer Yngwie Malmsteen. |
 | | Steve Morse has enjoyed a healthy following particularly among guitar players, he has scored highly in readers' polls held annually by musicians' magazines. |
 | | Vinnie Moore is one of the most influencial and important guitarists to emerge out of the virtuoso boom in the mid to late eighties. |
 | | Progressive metal guitar virtuoso Tony MacAlpine began his musical education as a classically-trained pianist and violinist; his subsequent rock recordings retained a pronounced classical influence, incorporating elements of jazz and fusion as well. |
 | | Bassist Stuart Hamm made a name for himself largely due to his work in the ‘80s, when he accompanied two of hard rock's leading guitarists, Joe Satriani and Steve Vai. |
 | | While he was as innovative as Jimmy Page, as tasteful as Eric Clapton, and nearly as visionary as Jimi Hendrix, Jeff Beck never achieved the same commercial success as any of those contemporaries, primarily because of the haphazard way he approached his career. |
 | | Guitar virtuoso Richie Kotzen burst onto the heavy metal scene as a teenager with a lightning-fast guitar technique. |
 | | Yngwie Malmsteen is arguably the most technically accomplished hard rock guitarist to emerge during the '80s. |
 | | Often called "the Eddie Van Halen of the bass," Billy Sheehan just happened to catch his big break playing with former Van Halen frontman David Lee Roth. |
 | | Not all hard rock 'guitar heroes' that emerged during the late '80s-early '90s were instrumental solo artists, as evidenced by Dream Theater's John Petrucci. |
 | | Just as alternative rock was signaling the death knell for many of the "guitar shredders' of the late '80s, a few instrumentalists were able to sneak in under the radar, such as Gary Hoey -- who attracted some attention via his 1993 debut, Animal Instinct. |
 | | One of the most popular guitarists to emerge from '80s-era heavy metal was Dokken's George Lynch. With an arsenal of snazzy-looking guitars and speedy solos, Lynch helped propel Dokken toward the top of the charts for a spell (before interband tension broke up the group), and later, launched a solo career. |
 | | Guitarist Al di Meola first rose to prominence as a blazing jazz fusion player before his playing matured and he began to conquer other styles, such as acoustic Latin music. |
 | | One of the ultimate '80s guitar shredders, Marty Friedman first made his name with the speed-burning virtuoso outfit Cacophony, but landed his most widely renowned gig as the lead guitarist of Megadeth during the thrash legends' greatest period of popularity. |
 | | Known for his reliability and optimism, session wiz Andy Timmons is one of the most well-respected and talented musicians to have worked the sideman circuit. |
 | | As the lead guitarist of Living Colour and a co-founder of the Black Rock Coalition, Vernon Reid has done a great deal to undermine stereotypical expectations of what music black artists ought to play; his rampant eclecticism encompasses everything from hard rock and punk to funk, R&B and avant-garde jazz, and his anarchic, lightning-fast solos have become something of a hallmark as well. |
 | | Jason Becker is an American hard rock guitarist who formed the band Cacophony in the late '80s with fellow guitarist Marty Friedman and recorded two albums with it, Speed Metal Symphony (1987) and Go Off! (1988). |
 | | Connecticut's Blues Saraceno was a discovery of Guitar for the Practicing Musician magazine, which helped him put out independent instrumental recordings and gave him publicity in the musical community. |
 | | Although Adrian Belew has played with some of rock's biggest names over the years (Frank Zappa, David Bowie, the Talking Heads, King Crimson, etc. |
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 | | The technically proficient guitar playing of John Petrucci elevated Dream Theater to the upper echelons of contemporary heavy metal. |
 | | Second to only Jimi Hendrix, Eddie Van Halen was undoubtedly one of the most influential, original, and talented rock guitarists of the 20th century. |
 | | One of rock's most underrated guitarists (both from a technical and compositional point of view), Gary Moore remains relatively unknown in the U. |
 | | After taking more than three years off to study the physical performance and technical compositional techniques of his father, Frank Zappa, Dweezil Zappa began his search to create a combo that could, according to Dweezil, "accurately execute Frank's music in the most authentic way humanly possible. |
 | | A sort of instrumental prog-rock/prog-metal supergroup, Liquid Tension Experiment features Dream Theater's John Petrucci (guitar) and Mike Portnoy (drums), keyboardist Jordan Rudess (who has worked with the Dixie Dregs and has since joined Dream Theater), and bassist extraordinaire Tony Levin (King Crimson, Peter Gabriel, and many others). |
 | | Easton, PA's Greg Howe was a breath of fresh air amidst the seemingly never-ending stream of harmonic minor guitar virtuosos pouring forth from the Shrapnel Records label in the late '80s. |
 | | The 'guitar shredder' genre of the late '80s was comprised almost entirely of males, but one exception was the fleet-fingered Jennifer Batten. |
 | | The longtime guitarist for arena rockers Journey, Neal Schon was born February 27, 1954 in San Mateo, CA; a child prodigy, he joined Santana at age 17, making his debut on 1971's III LP. |
 | | This Los Angeles band earned a reputation for melodic, technical, incredibly high-speed rock. Their original lineup featured Paul Gilbert (guitar), Jeff Martin (vocals), John Alderete (bass), and Harry Gschoesser (drums). |
 | | Although the all-star power trio of guitarist Jeff Beck, bassist Tim Bogert, and drummer Carmine Appice discussed a potential collaboration as early as 1970, the project went on indefinite hiatus after Beck suffered a fractured skull in an automobile wreck. |
 | | Guitarist Allan Holdsworth is widely considered to be one of the finest instrumentalists in all of jazz fusion, yet has never truly received the recognition that he so rightfully deserves. |
 | | One of the top jazz-rock fusion ensembles ever, the Dixie Dregs combined virtuoso technique with eclecticism and a sense of humor and spirit too frequently lacking in similar projects. |
 | | After Dokken broke up in 1989, George Lynch formed his own band, the Lynch Mob, with Dokken drummer Mick Brown. |
 | | With his astonishingly accomplished guitar playing, Stevie Ray Vaughan ignited the blues revival of the '80s. |
 | | He may have appeared on only a pair of albums with Ozzy Osbourne, but guitarist Jake E. Lee helped Osbourne score two of the most commercially successful releases of his long and illustrious career. |
 | | In his brief four-year reign as a superstar, Jimi Hendrix expanded the vocabulary of the electric rock guitar more than anyone before or since. |
 | | Few hard rock bands are as widely respected yet criminally overlooked as King's X. The trio (bassist/vocalist Doug Pinnick, guitarist/vocalist Ty Tabor, and drummer/vocalist Jerry Gaskill) seemed destined for the big time with their irresistible blend of melodic Beatlesque harmonies, metallic riffing, and prog rock detours, yet for reasons unknown, never truly broke through to a mainstream audience. |
 | | Throughout his long and winding solo career, guitarist Robin Trower has had to endure countless comparisons to Jimi Hendrix, due to his uncanny ability to channel Hendrix's bluesy/psychedelic, Fender Strat-fueled playing style. |
 | | Swedish guitarist Mattias "IA" Eklunch was originally a drummer when he saw Frank Zappa at the tender age of 11. |
 | | Best known for his long stint in support of Ozzy Osbourne, guitarist Zakk Wylde was born and raised in New Jersey; although he began studying music at age eight, he soon quit, not returning to his lessons until his mid-teens. |
 | | Born Don Vliet, Captain Beefheart was one of modern music's true innovators. The owner of a remarkable four-and-a-half-octave vocal range, he employed idiosyncratic rhythms, absurdist lyrics, and an unholy alliance of free jazz, Delta blues, latter-day classical music, and rock & roll to create a singular body of work virtually unrivaled in its daring and fluid creativity. |
 | | Over the course of their decades-spanning career, Canadian power trio Rush emerged as one of hard rock's most highly regarded bands; although typically brushed aside by critics and rarely the recipients of mainstream pop radio airplay, Rush nonetheless won an impressive and devoted fan following, while their virtuoso performance skills solidified their standing as musicians' musicians. |
 | | Born in Grosse Pointe, Michigan and picking up a guitar at the tender age of seven, John Lowery was given the nickname John 5 the day he joined Marilyn Manson's band. |
 | | Mr. Big were one of the few "shredder" pop metal bands (translation: the bandmembers were highly proficient at their instruments) that prized songcraft as highly as virtuosity. |
 | | One of fusion's most virtuosic guitar soloists, John McLaughlin placed his blazing speed in the service of a searching spiritual passion that has kept his music evolving and open to new influences. |