 | | Like their West Coast contemporaries Sly and the Family Stone, the Chambers Brothers shattered racial and musical divides to forge an incendiary fusion of funk, gospel, blues, and psychedelia which reached its apex with the perennial 1968 song "Time Has Come Today. |
 | | Guitarist Les Dudek has played with some of rock and pop's biggest names (Stevie Nicks, Steve Miller, Dave Mason, Cher, Boz Scaggs, and the Allman Brothers Band, among others), in addition to issuing solo albums on his own. |
 | | His ferocious soul-drenched vocals belying his tender teenage years, Stevie Winwood powered the Spencer Davis Group's three biggest U. |
 | | One of the most interesting second-division California psychedelic musicians, keyboardist Lee Michaels was one of the most soulful white vocalists of the late '60s and early '70s. |
 | | San Francisco-based Blue Cheer was what, in the late '60s, they used to call a "power trio": Dickie Peterson (b. |
 | | Spirit was a highly regarded rock band that achieved modest commercial success, charting 11 albums in the U. |
 | | One of the best '60s San Francisco bands, Moby Grape were also one of the most versatile. Although they are most often identified with the psychedelic scene, their specialty was combining all sorts of roots music -- folk, blues, country, and classic rock & roll -- with some Summer of Love vibes and multi-layered, triple-guitar arrangements. |
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 | | The Blues Image was a one-hit wonder Latin-tinged pop/rock band, that one hit being "Ride Captain Ride," which made the Top Ten and sold a million copies in 1970. |
 | | Them forged their hard-nosed R&B sound in Belfast, Northern Ireland, moving to England in 1964 after landing a deal with Decca Records. |
 | | Inspired by a variety of British Invasion groups, from the omnipresent Beatles to cult favorites the Move, Todd Rundgren and his Woody's Truck Stop colleague Carson Van Osten formed the Nazz in 1967. |
 | | Vanilla Fudge was one of the few American links between psychedelia and what soon became heavy metal. |
 | | The unsung heart and soul of the Motor City rock & roll scene, Mitch Ryder & the Detroit Wheels' blue-eyed R&B attack boasted a gritty passion and incendiary energy matched by few artists on either side of the color line. |
 | | Small Faces were the best English band never to hit it big in America. On this side of the Atlantic, all anybody remembers them for is their sole stateside hit, "Itchycoo Park," which was hardly representative of their psychedelic sound, much less their full musical range -- but in England, Small Faces were one of the most extraordinary and successful bands of the mid-'60s, serious competitors to the Who and potential rivals to the Rolling Stones. |
 | | The band that became Quicksilver Messenger Service originally was conceived as a rock vehicle for folk singer/songwriter Dino Valente (b. |
 | | Guitarist Ron Wood has been a member of several "classic" British rock outfits, but the one that he's undoubtedly most associated with is the Rolling Stones, with whom he's been a member since 1976. |
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 | | Before joining Jefferson Airplane, Grace Slick sang lead and played various instruments for the Great Society, who were nearly as popular as Jefferson Airplane in the early days of the San Francisco psychedelic scene. |
 | | Though typically overshadowed by International Artists labelmates the 13th Floor Elevators, Bubble Puppy enjoyed arguably the greatest commercial success of all the Texas psychedelic bands, scoring a Top 20 pop hit with "Hot Smoke & Sasafrass. |
 | | Part of the early-'70s British hard rock scene, Spooky Tooth grew out of the bluesy VIPs and prog rock group Art and consisted of vocalist Mike Harrison, keyboardist/vocalist Gary Wright, guitarist Luther Grosvenor, bassist Greg Ridley, and drummer Mike Kellie. |
 | | Though they got considerable input from talented L.A. songwriters and producers, with their two big hits penned by outside sources, the Electric Prunes did by and large play the music on their records, their first lineup writing some respectable material of their own. |
 | | When Steve Marriott left the Small Faces in 1969, the three remaining members brought in guitarist Ron Wood and lead singer Rod Stewart to complete the lineup and changed their name to the Faces, which was only appropriate since the group now only slightly resembled the mod-pop group of the past. |
 | | Best remembered for their 1968 acid rock classic "Journey to the Center of the Mind," Detroit's Amboy Dukes also introduced the world to the Motor City Madman, guitarist Ted Nugent. |
 | | With Mott the Hoople, guitarist/vocalist Ian Hunter established himself as one of the toughest and most inventive hard rock songwriters of the early '70s, setting the stage for punk rock with his edgy, intelligent songs. |
 | | The mention of the name David Essex -- at least to Americans -- usually invokes a wave of '70s nostalgia, not just of his own monster hit "Rock On" and the movie That'll Be the Day, but also of such British pop/rock exports of the period such as Godspell, Rock Follies, color episodes of Doctor Who, and Rula Lenska. |
 | | Of all the original British Invasion groups, perhaps none were as underappreciated in the United States as the Pretty Things. |
 | | Strictly speaking, based on their raw talent, the Count Five wouldn't rate too much attention from music historians. |
 | | The Youngbloods could not be considered a major '60s band, but they were capable of offering some mighty pleasurable folk-rock in the late '60s, and produced a few great tunes along the way. |
 | | An R&B band that only played pop to get on the charts, Manfred Mann ranked among the most adept British Invasion acts in both styles. |
 | | Before he was under the wing of Neil Young and before he made a series of underappreciated solo albums, guitarist Nils Lofgren formed Grin, a trio that was devoted to simple, basic rock & roll, in 1969. |
 | | Much like Bruce Springsteen & the E Street Band or Southside Johnny & the Asbury Dukes, Joe Grushecky & the Houserockers have been making American blue-collar bar rock that draws on classic R&B from the 1970s on. |
 | | This US band was formed in Los Angeles, California, USA in 1967 when Elliot Ingber (guitar, ex-Mothers Of Invention) joined forces with three members of struggling aspirants the Factory: Warren Klein (guitar/sitar), Martin Kibbee (bass) and Richie Hayward (b. |
 | | Big Brother are primarily remembered as the group that gave Janis Joplin her start. There's no denying both that Joplin was by far the band's most striking asset, and that Big Brother would never have made a significant impression if they hadn't been fortunate enough to add her to their lineup shortly after forming. |
 | | If you mention the name Country Joe & the Fish to Americans born in 1955 or earlier, chances are that they'll know the band you're talking about, at least to the degree that they know their most widely played and quoted song, "I Feel Like I'm Fixin' to Die Rag. |
 | | The scion of a wealthy South African family, Manfred Lubowitz recognized while still a teenager that his real interests lay far from Johannesburg and its white-dominated culture -- rather, he wanted to play jazz and blues. |
 | | Although formed in Davis, CA, Kak were based in San Francisco for a good part of 1968, when they recorded their only album. |
 | | Procol Harum is arguably the most successful "accidental" group creation -- that is, a band originally assembled to take advantage of the success of a record created in the studio -- in the history of progressive rock. |
 | | As a member of the Rolling Stones for three decades, Bill Wyman established himself among the greatest bassists in rock & roll history; in tandem with drummer Charlie Watts, he belonged to one of the most stalwart rhythm sections in popular music, perfectly complementing the theatrics of Mick Jagger and the gritty guitar leads of Keith Richards. |
 | | Although he took a largely subordinate role to his brother Ray in the Kinks, Dave's fierce guitar work and hoarse but effective background (and occasional lead) vocals were key elements of the band's appeal. |
 | | A Bronx-based quintet, the Blues Magoos were formed in 1964 and were originally known as the Trenchcoats before changing their name to the Bloos Magoos and then subsequently adopting the more conventional spelling as they became fixtures on the Greenwich Village club scene. |
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 | | A Detroit-area rock & roll band formed in 1969 by guitarist Cub Koda, Brownsville Station's original members also included Mike Lutz (guitar), T. |
 | | The Easybeats occupy a unique place in the pantheon of 1960s British rock acts. For starters, they were Australian, except that they really weren't -- they met in Sydney alright, and being based in Australia with the talent they had gave them a leg-up over any of the local competition. |
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 | | While still in his teens, Billy Nicholls recorded one of the more sought-after rarities of British psychedelic pop, "Would You Believe. |
 | | When UK chart-toppers Brian Poole And The Tremeloes parted company in 1966, few would have wagered that the backing group would outdo the lead singer. |
 | | Like Cliff Richard, Chris Farlowe, Slade, Blur, and eel pie, Long John Baldry is one of those peculiarly British phenomena that doggedly resists American translation. |
 | | Formed in the Rhondda Valley, South Wales in 1975, Racing Cars comprised Graham Headley Williams (guitar), Gareth ‘Monty’ Mortimer (vocals/guitar), Ray ‘Alice’ Ennis (guitar), David Land (bass) and Robert Wilding (drums). |
 | | The Australian band Procession had a little more international exposure than most groups from their native country in the late 1960s, achieving an album release in Britain and the US, though without commercial success. |
 | | Best-known for his 1970 hit "Spirit in the Sky," singer/songwriter Norman Greenbaum was born November 20, 1942, in Malden, MA. |