 | | In similar company with new-school French progressive dance artists such as Motorbass, Air, Cassius, and Dimitri from Paris, Parisian duo Daft Punk quickly rose to acclaim by adapting a love for first-wave acid house and techno to their younger roots in pop, indie rock, and hip-hop. |
 | | The production duo of Simon Ratcliffe and Felix Buxton released several of Britain's most respected and enjoyable progressive house anthems of the '90s and early 2000s from their base in South London. |
 | | The act with the first arena-sized sound in the electronica movement, the Chemical Brothers united such varying influences as Public Enemy, Cabaret Voltaire, and My Bloody Valentine to create a dance-rock-rap fusion which rivaled the best old-school DJs on their own terms -- keeping a crowd of people on the floor by working through any number of groove-oriented styles featuring unmissable samples, from familiar guitar riffs to vocal tags to various sound effects. |
 | | Paul Oakenfold is the DJ, remixer, and producer who did more than anyone else to break house music in Britain during the late '80s. |
 | | L.A.'s Crystal Method have been referred to as America's answer to the Chemical Brothers. A dance-based electronic duo with a definite rock band feel, the comparison would seem appropriate, although it tends to erase what makes the group distinct: a solid base in American hip-hop, rock, soul, and pop. |
 | | The fashionable, fun, and sometimes freaky sound of DJ/producer Benny Benassi first hit the dancefloor in 2001 with the single I Feel So Fine. |
 | | From early Berlin techno and house through to progressive trance, producer/DJ Paul van Dyk has soundtracked the German electronic dance scene ever since he moved to the city and began mixing in 1988. |
 | | Highly regarded by both DJ Magazine and fans of electronic dance music, DJ Tiƫsto launched his career as one of the world's foremost trance DJs, due in part to his legendary six-hour live sets. |
 | | Following in the footsteps of crossover groups like Underworld, the South London trio Dirty Vegas took electronica up the pop charts with their hit single "Days Go By. |
 | | Born Joel Zimmerman on January 5, 1981, Deadmau5 rose to prominence when his track "Faxing Berlin" found its way onto the playlist of legendary DJ/producer Pete Tong's radio show. |
 | | Norman "Jack-of-All-Genres" Cook, in addition to his former occupations as bassist for the Housemartins and one-third of acid house hitmakers Pizzaman, is also the man behind one of the most popular of the new flock of English "Brit-hop" producers, Fatboy Slim. |
 | | MSTRKRFT (pronounced "master kraft") are the Daft Punk-loving alter ego of Death from Above 1979's Jesse F. |
 | | The Prodigy navigated the high wire, balancing artistic merit and mainstream visibility with more flair than any electronica act of the 1990s. |
 | | London dance duo Groove Armada consist of Tom Findlay and Andy Cato. The group formed in the mid-'90s after Findlay and Cato were introduced by the latter's girlfriend and soon started their own club, also named Groove Armada (after a '70s discotheque), which featured their spinning. |
 | | Until he began branching out in 1996 with a barrage of album productions and remix classics (several of which were heard by more people than the originals), Armand Van Helden was one of the best-kept secrets in house music, recording for such labels as Strictly Rhythm, Henry St. |
 | | His concept of epic house inspired by the classical training he received from an early age, Brian Transeau revitalized the British dance community in the mid-'90s and provided a point of entry for later dream house merchants like Robert Miles, Sash!, and BBE (though Transeau had, for the most part, left the style behind by the time of its pop success during 1997-1998). |
 | | Moby was one of the most controversial figures in techno music, alternately praised for bringing a face to the notoriously anonymous electronic genre and scorned by hordes of techno artists and fans for diluting and trivializing the form. |
 | | Though he was born in Chicago, the DJ, A&R director, record store owner, and producer known as Kaskade found his spiritual and musical home in San Francisco by way of Salt Lake City and New York. |
 | | A progressive trance DJ and producer whose cinematic sound is influenced by synth pioneers like Klaus Schulze and Jean-Michel Jarre, Armin van Buuren enjoys worldwide recognition and a frantic schedule that takes him all over the globe. |
 | | Swedish DJ and producer Eric Prydz releases singles and EPs under a variety of project names, including Pryda, Cirez D, Sheridan, Dirty Funker, Moo, A and P Project, Axer, Hardform, Dukes of Sluca, and Groove System. |
 | | DJ Shadow's Josh Davis is widely credited as a key figure in developing the experimental instrumental hip-hop style associated with the London-based Mo' Wax label. |
 | | ATB was the alias of DJ Andre Tanneberger, a native of Freilberg, Germany, born in 1973. In the wake of remixes for acts including the Outhere Brothers, Technotronic, and Haddaway, he scored a European club hit with 1999's "9 PM (Till I Come)," releasing the full-length Movin' Melodies later that same year. |
 | | Otherwise known as System F, in addition to using nearly 30 other (less prolific) pseudonyms, Rotterdam, Netherlands-born DJ and producer Ferry Corsten rose to prominence in the late '90s as one of Europe's top trance jocks, highlighted by an anthem-filled appearance on Ministry of Sound's first Trance Nation album. |
 | | Finnish DJ/Producer Darude (born Ville Virtanen) started experimenting with music and DJing while still attending school, adopting the nickname of "the Rude" (later Darude) after Swedish rap star Leila K. |
 | | DJ Icey's breakbeat funk helped jump-start the increasingly fertile dance scene in and around Orlando, FL, during the '90s. |
 | | Orbital became one of the biggest names in techno during the mid-'90s by solving the irreconcilable differences previously inherent in the genre: to stay true to the dance underground and, at the same time, force entry into the rock arena, where an album functions as an artistic statement -- not a collection of singles -- and a band's prowess is demonstrated by the actual performance of live music. |
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 | | Big-beat electronica project Junkie XL was largely the work of Amsterdam-based remixer Tom Holkenborg, previously known for his work with acts like Nerve and Fear Factory. |
 | | Norwegian duo Röyksopp compensated for the cold climes of their native Tromsø by making some of the warmest, most inviting downbeat electronica of the new millennium, exemplified by early tracks like "Eple" and "Poor Leno. |
 | | A Dutch-born DJ, Fedde Le Grand (born in Utrecht in 1977) is best known for hitting the top of the U. |
 | | Fusing low-res electronic noise and pop hooks so effortlessly that it can seem accidental, Crystal Castles began as producer/multi-instrumentalist Ethan Kath's solo project in late 2003. |
 | | The pioneering force behind the rise of trip-hop, Massive Attack were among the most innovative and influential groups of their generation; their hypnotic sound -- a darkly sensual and cinematic fusion of hip-hop rhythms, soulful melodies, dub grooves, and choice samples -- set the pace for much of the dance music to emerge throughout the 1990s, paving the way for such acclaimed artists as Portishead, Sneaker Pimps, Beth Orton, and Tricky, himself a Massive Attack alumnus. |
 | | Mining Israelian Goa trance of its hottest intensities, Infected Mushroom remain one of the Middle East's biggest international cult successes. |
 | | Underworld became one of the most crucial electronic acts of the 1990s via an intriguing synthesis of old and new. |
 | | Swedish computer nerd Jonas Altberg (aka Basshunter) became an Internet phenomenon in the early 2000s with geek-friendly dance singles like "Boten Anna" (Anna Bot) and "Vi Sitter i Ventrilo och Spelar DotA" (We Sit in Ventrilo and Play DotA). |
 | | Electro-funk duo Chromeo formed in Montreal in the early 21st century, a project of former hip hop producers Dave One and Pee Thug (news flash: not their given names). |
 | | A prime house-pop group and consistent club act, Faithless is at its core a duo of producers Rollo and Sister Bliss. |
 | | Initially pigeon-holed as deep-house producers though their blueprint for house music sweeps across trance, techno, and sub-basement dub, the Iranian-American duo known as Deep Dish produced a multitude of club staples during the 1990s while harvesting a stellar series of productions for their labels (Deep Dish, Yoshitoshi, Fast Food, and Middle East) by members of the ever-growing Washington, D. |
 | | France's David Guetta belongs to the sparkling wave of DJs who combine Daft Punk's sleek house music with a pinch of electroclash's punch. |
 | | Exploring the experimental possibilities inherent in acid and ambience, the two major influences on home-listening techno during the late '80s, Richard D. |
 | | Swedish House Mafia is a house music supergroup comprised of DJ/producers Axwell, Steve Angello, and Sebastian Ingrosso, each of whom is an accomplished DJ/producer and label owner in his own right. |
 | | The man behind such productions as the Mighty Bop (downtempo hip-hop), Bob Sinclar (house), and RƩminiscence Quartet (acid jazz) is Chris the French Kiss (aka Christophe le Friant), a Parisian DJ and head of the crucial French label Yellow Productions as well as a producer. |
 | | Multi-talented North Wales native Sasha became one of the world's most renowned and popular DJs. Starting out in the late '80s as a club DJ, the former Alexander Coe got his first big break when he was hired by the dance club Shelly's to spin and rework popular sounds of the day. |
 | | Berlin-based Boys Noize producer Alexander Ridha releases music similar in style to the French electro of KitsunƩ Music and Ed Banger Records. |
 | | Formerly known as Cherry, New York's rock-meets-electronica duo Ratatat feature multi-instrumentalist/programmer Evan Mast and guitarist Mike Stroud. |
 | | Spanish disc jockey and producer DJ Sammy became involved in entertainment while working for a local techno/house radio station. |
 | | Conceived as the first "virtual hip-hop group," Gorillaz blended the musical talents of Dan "The Automator" Nakamura, Blur's Damon Albarn, Cibo Matto's Miho Hatori, and Tom Tom Club's Tina Weymouth and Chris Frantz with the arresting visuals of Jamie Hewlett, best known as the creator of the cult comic Tank Girl. |
 | | Following the success of Tiƫsto, Armin van Buuren, and Fedde Le Grand, Nick Van de Wall, aka Afrojack, is the latest DJ, producer, and remixer to break through from the burgeoning Dutch dance music scene. |
 | | The club/dance moniker Alice Deejay joined the techno-pop party at the close of the '90s, slicing and dicing in European clubs and whipping up mixes alongside her fellow cohorts like Josh Wink, DJ Rap, and Paul Oakenfold. |
 | | Steve Aoki is a DJ and also the founder of Dim Mak Records, which has counted leading indie rock bands such as Gossip, Bloc Party, the Kills and the Rakes among its stable of signees. |