 | | With an ear for Brian Wilson-esque harmony, the irreverently named Dale Earnhardt Jr. Jr. swirl indie pop, folk, and electronic elements into one breezy package. |
 | | Cults' twinkling experimental pop arrived in a shroud of mystery early in 2010, when the group posted three songs on their Bandcamp page. |
 | | Although declared "one of the 25 best bands on MySpace" by Rolling Stone in late 2006, Miniature Tigers rose to wider attention with the release of their 2008 debut, Tell It to the Volcano. |
 | | As a solo project with a revolving door of members, the heart and face of Santigold is vivacious frontwoman Santi White. |
 | | After the San Diego-based emo outfit Noise Ratchet called it quits in 2004, co-founders Jon Jameson (bass) and Brandon Young (drums) decided to ditch their punk-influenced sound for something more rootsy. |
 | | Texas guitarist Gary Clark Jr. has been compared to guitar icons like Jimi Hendrix and Stevie Ray Vaughan, and his playing is a powerful and inspired mix of blues roots with contemporary soul and hip-hop, and when he’s rolling at his best, he sounds like nothing so much as a natural hybrid of both the past and the future of the blues. |
 | | English alt-rock outfit Graffiti6 were formed in 2008 around the talents of singer/songwriter Jamie Scott and writer/producer and DJ Tommy D. |
 | | Indie rock trio Foster the People make atmospheric, psychedelic, and dance-oriented pop. Formed in Los Angeles in 2009, the band features keyboardist/guitarist/vocalist Mark Foster, bassist Cubbie Fink, and drummer Mark Pontius. |
 | | A combination of indie rock muscle and theatrical, unapologetic bombast turned Arcade Fire into indie royalty in the early 2000s. |
 | | Yellow Ostrich is the solo project of the Chairs' frontman Alex Schaaf, who makes lo-fi indie pop on his four-track recorder. |
 | | Atmospheric English indie pop group the xx formed in London in 2008 around the talents of Romy Madley Croft, Oliver Sim, Baria Qureshi, and Jamie Smith, when the bandmembers were still in high school. |
 | | Formed in Seattle by a group of northwestern transplants, the Head and the Heart is an indie folk band whose influences include Americana, country-rock, and classic Beatlesque pop. |
 | | Australian indie electronic group Cut Copy take many of their cues from contemporaries like Air, Daft Punk, and LCD Soundsystem, but with a distinctly pop sensibility that draws on classic AM radio pop singles from the 1970s and '80s, with elements of vintage disco and synth pop that appeal to song-based listeners as well as the club kidz. |
 | | Long Beach, California's Cold War Kids make music with roots that go deep and wide, embracing influences as diverse as Bob Dylan, Billie Holiday, Jeff Buckley, and the Velvet Underground. |
 | | Infectious London-based indie rock outfit the Vaccines formed in the late 2000s around the talents of Justin Young (vocals, guitar), Árni Hjörvar (bass), Freddie Cowan (guitar), and Pete Robertson (drums). |
 | | Emerging from London, England in the mid- to late 2000s as an up-and-coming indie pop band, Fanfarlo got their name out with a series of singles, a strong Internet presence, and an engaging live show that took them as far as the South by Southwest festival in Austin, Texas. |
 | | Ernest Greene had been involved in a number of musical endeavors by the time he started putting together a series of recordings as Washed Out. |
 | | Led by songwriter Michael Fitzpatrick, Fitz & the Tantrums brew up a retro sound inspired by Motown and Stax Records. |
 | | The spastic indie rock trio White Denim hail from Austin, Texas, where bandmates Josh Block (drums), Steve Terebecki (bass), and James Petralli (guitars, vocals) first set up shop in 2005. |
 | | Miike Snow is an indie electro-pop trio comprised of writer/producers Chris Karlsson, Pontus Winnberg, and Andrew Wyatt that debuted in 2009 on the label Downtown Records. |
 | | Mixing the grand-scale guitar attack of Sonic Youth and My Bloody Valentine with a melodic sense and lyrical perspective that recalls Bob Dylan roaring down Highway 61, Philadelphia's the War on Drugs are the creation of a pair of Dylan fans, Adam Granduciel and Kurt Vile, who met at a party in 2003. |
 | | Born in the Dominican Republic, raised in Florida, and boasting an expansive musical background that includes composing for a touring dance company and fronting a Boston punk group, George Lewis, Jr. |
 | | Based in Los Angeles, the Belle Brigade is a pop duo featuring Barbara and Ethan Gruska, the grandchildren of Oscar-winning film composer John Williams. |
 | | Beach Fossils, a band whose reverb-slicked indie pop compares favorably to acts like Surfer Blood, Best Coast, and the Drums, formed in 2009 as a vehicle for the solo recordings of Dustin Payseur. |
 | | Formed in 2008 by ex-Eames Era guitarists/songwriters Ted Joyner and Grant Widmer, New Orleans-based indie pop outfit Generationals craft hook-filled indie pop that draws liberally from rock and pop's '50s, '60s, and '70s heydays, while maintaining enough modern sensibilities to remain relevant in the MP3 age. |
 | | Mixing electronic polish with guitar-driven hooks à la Phoenix and the Postal Service, Bangor and Donaghadee, Northern Ireland's Two Door Cinema Club feature singer/guitarist/programmer Alex Trimble, guitarist/singer Sam Halliday, and bassist/singer Kevin Baird. |
 | | Phantogram is an electronic rock duo from upstate New York whose music incorporates psychedelic pop vocals, J Dilla-style hip-hop beats, and shoegazing sensibility. |
 | | The bluesy punk duo the Kills consist of vocalist/guitarist VV, aka Alison Mosshart, formerly of the Florida punk band Discount, and drummer/guitarist/vocalist Hotel, aka Jamie Hince. |
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 | | New Jersey's hazy indie rockers Real Estate feature Titus Andronicus' Martin Courtney, Etienne Duguay (who also records as Predator Vision), Alex Bleeker, and Matthew Mondanile, also of Ducktails. |
 | | In 2003, Frenchmen Anthony Gonzalez and Nicolas Fromageau enjoyed international acclaim for the album Dead Cities, Red Seas & Lost Ghosts, a luscious blend of shoegaze aesthetics, ambient pop, and progressive textures. |
 | | Merging a reverence for '50s rock&roll with a penchant for the ominous, Mister Heavenly bring together three indie rock talents into a unique musical triumvirate. |
 | | Though South Florida doesn't have the tides to shoot the curl, West Palm Beach's Surfer Blood fuse sunny surf rock charm with indie rock cool. |
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 | | With a swooping, baby-voiced singing style, Grimes (the alias of Vancouver native Claire Boucher) crafts a haunting brand of lo-fi dance music that fits stylistically within the goth-electronic umbrella coined "witch house" or "grave wave. |
 | | Keyboardist Matt Johnson and drummer Kim Schifino create the giddy, punky pop music of Matt and Kim. |
 | | Brainwashed by years of exposure to an American Bandstand cassette (a circa 1966 show, apparently) in their mother's car, brothers Ryan and Philip Sambol started bashing out their own take on British and psychedelic rock while still attending high school in Dallas, TX. |
 | | New York-based musicians Alex Naidus (bass), Kip Berman (guitar/vocals), Kurt Feldman (drums), and Peggy Wang-East (keyboards/vocals) came together to form the Pains of Being Pure at Heart in 2007. |
 | | With a bold, bombastic sound that seemingly took its cues from U2 and Kings of Leon, Mona began making waves in 2010. |
 | | Combining indie rock with chamber pop flourishes (courtesy of a small string section), Ra Ra Riot formed while the band's six members were attending college in Syracuse, New York. |
 | | Alberta Cross are a blues and country-influenced roots rock act drawing their sound from the foundation built by the Band and Neil Young. |
 | | The odd combination of an Englishman in the midst of southeastern Texans, Electric Touch emerged following the demise of British band IV Thieves and Houston, TX-based Bojones. |
 | | With their choir boy vocals and panoramic pop/rock sound, the Temper Trap began building an audience in Melbourne, Australia, where the band first rose to local acclaim after playing St. |
 | | Sunny Los Angeles-based indie pop outfit Family of the Year formed in 2009 around the talents of Welsh brothers Joseph and Sebastian Keefe, Florida native James Buckey, and Orange County, California denizen Christina Schroeter. |
 | | London residents Robbie Furze and Milo Cordell formed the Big Pink in their home studio, where the two musicians began mixing the droning soundscapes of Spacemen 3 and My Bloody Valentine with the lush electronics of M83. |
 | | It’s too facile to call the Black Keys counterparts of the White Stripes: they share several surface similarities -- their names are color-coded, they hail from the Midwest, they’re guitar-and-drum blues-rock duos -- but the Black Keys are their own distinct thing, a tougher, rougher rock band with a purist streak that never surfaces in the Stripes. |
 | | Los Angeles pop duo Pepper Rabbit-- consisting of multi-instrumentalists Xander Singh and Luc Laurent-- fashion lush, playful soundscapes out of a rich variety of musical sources, from horns and strings to vintage analog synthesizers. |
 | | After spending several years with the post-punk outfit Sidecar Kisses, vocalist/guitarist Ritzy Bryan and bassist Rhydian Dafydd left the lineup and launched the Joy Formidable, drawing heavily from shoegaze and noisy alt-rock to create their new group's sound. |
 | | With their combination of driving guitars, manic energy, and big singalong choruses, Sleeper Agent merge pop-punk's sugary effervescence with garage rock swagger. |
 | | An unlikely but undeniably catchy mix of Factory Records-style indie and '50s-inspired melodies, the Drums have roots that can be traced to the childhood friendship of Jonathan Pierce and Jacob Graham. |