 | | Along with Cast, Ocean Colour Scene, Kula Shaker, and Embrace, Travis was one of the most prominent British trad rock bands in the mid- to late '90s. |
 | | Best known as the lead singer with the popular Brit-pop group Ocean Colour Scene, Simon Fowler was born on May 25, 1965 in Birmingham, England, where his father worked as a policeman. |
 | | Eschewing the maritime folk synonymous with their East Canadian surroundings, In-Flight Safety are a four-piece indie outfit -- formed in Halifax, Nova Scotia in 2003 -- influenced by the sweeping piano-based rock of Coldplay, Travis, and Radiohead. |
 | | Following in the footsteps of Oasis and the Verve, Embrace became a minor pop sensation in post-Brit-pop Britain in the late '90s. |
 | | Falling between the energetic pop/rock of mod revival and the psychedelic experimentations of Traffic, Ocean Colour Scene came to be one of the leading bands of the traditionalist, post-Oasis British rock of the mid-'90s. |
 | | Shack formed out of the ashes of the Pale Fountains, cult favorites led by Liverpudlian brothers Michael and John Head. |
 | | British alt-rock outfit Beady Eye formed in 2009, several months after the rivalry between Oasis siblings Liam and Noel Gallagher reached a boiling point at a summer festival, resulting in Noel's departure and the band's dissolution. |
 | | As one of the most traditional guitar bands to emerge during the Brit-pop era of the mid-'90s, Cast has weathered negative criticism from certain quarters of the media, who labeled them as mere revivalists. |
 | | The frontman for one of the most revered British bands of the 1980s and '90s, Ian Brown symbolized the arrogant cocksureness of his mouthpiece, the Stone Roses. |
 | | Glasgow, Scotland's Superstar play updated power-pop like their old friends Teenage Fanclub, but singer/guitarist Joe McAlinden's classical upbringing means that strings and some brass appear. |
 | | The London-based alt country/roots rock group UnAmerican consists of singer/songwriter Steve McEwan, bassist Peter Clarke, guitarist Matthew Crozer, and drummer Tim Bye. |
 | | The Diggers are a post-Brit-pop power-pop band distinguished by their low-key approach. Where their contemporaries played fast-and-loose, they were soft and gentle, which limited the audience for their 1997 debut album, Mount Everest. |
 | | Golden State frontman, guitarist, and primary songwriter James Grundler was best known for his previous work with Paloalto, a melodic alt-pop group often referred to as an American version of Radiohead. |
 | | Britpop band Shed Seven officially formed in York, England in 1991, although frontman Rick Witter, guitarist Paul Banks, bassist Tom Gladwin and drummer Alan Leach first began collaborating in bands while still in their teens. |
 | | By reviving the swirling, guitar-heavy sounds of late-'60s psychedelia and infusing it with George Harrison's Indian mysticism and spirituality, Kula Shaker became one of the most popular British bands of the immediate post-Brit-pop era. |
 | | Gomez are a five-piece British act consisting of Ben Ottewell (vocals, guitar), Tom Gray (vocals, guitar, keyboards), Paul Blackburn (bass, guitar), Olly Peacock (drums), and Ian Ball (vocals, guitar, harmonica). |
 | | Paper Round Kid is actually London, U.K., guitarist, singer, and songwriter Darren Filkins. In the late '80s, Filkins was the lead guitarist for Seymour, the band that eventually morphed into Blur, but he walked away from the band (and the music business) when he was only 19 years old to try his hand as a professional photographer. |
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 | | For many years, the Charlatans UK were perceived as the also-rans of Madchester, the group that didn't capture the zeitgeist like the Stone Roses or the band that failed to match the mad genre-bending of the Happy Mondays. |
 | | Oasis shot from obscurity to stardom in 1994, becoming one of Britain's most popular and critically acclaimed bands of the decade in the process. |
 | | As the frontman for the epic British drone-pop band the Verve, Richard Ashcroft proved himself the spiritual descendant of rock & roll icons like Mick Jagger and Jim Morrison -- rivetingly charismatic, menacingly serpentine, and possessed of an almost shamanic intensity, he embraced and articulated the anthemic fervor of rock music with a power and eloquence unparalleled by any of his contemporaries. |
 | | The lead singer of the Brit-pop band Oasis, Liam Gallagher -- along with his older brother and Oasis bandmate Noel -- was one of the most well-known pop artists of the 1990s . |
 | | Five for Fighting is the one-man band of John Ondrasik, who rose to fame in 2001 on the strength of the pop/rock ballad "Superman (It's Not Easy). |
 | | After surfacing in 2000 with the breakthrough single "Yellow," Coldplay quickly became one of the biggest bands of the new millennium, honing a mix of introspective Brit-pop and anthemic rock that landed the British quartet a near-permanent residence on record charts worldwide. |
 | | Singer/songwriter Anthony Miller, aka AM, grew up in Tulsa, Oklahoma and in the suburbs of New Orleans before he began writing songs in college. |
 | | A bright new noise in U.K. alternative rock in the '90s and into the new millennium, Stereophonics are comprised of vocalist/guitarist Kelly Jones, bassist Richard Jones, and drummer Stuart Cable (until the latter's replacement by Javier Weyler). |
 | | Tim Burgess inherited Mick Jagger's rock & roll swagger and big lips before Oasis' Liam Gallagher became famous for them. |
 | | British vocalist/guitarist Ian Ball is one of the three singer/songwriters in Gomez, a pop/rock quintet with bluesy sensibilities. |
 | | Tori Amos (born Myra Ellen Amos) was one of several female singer/songwriters who combined the stark lyrical attack of alternative rock with a distinctly '70s musical approach, creating music that fell between the orchestrated meditations of Kate Bush and the stripped-down poetics of Joni Mitchell. |
 | | After making his introduction as a sensitive, acoustic-styled songwriter on 2001's Room for Squares, John Mayer steadily widened his approach over the subsequent years, encompassing everything from blues-rock to adult contemporary in the process. |
 | | Muse's fusion of progressive rock, glam, electronica, and Radiohead-influenced experimentation is crafted by guitarist/vocalist Matthew Bellamy, bassist Chris Wolstenholme, and drummer Dominic Howard. |
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 | | The most traditional pop band of all the Welsh bands to emerge in the post-Brit-pop days of the mid-'90s, Catatonia reworked the sound of jangling late-'80s alternative rock with a punchy, amateurish indie rock attack. |
 | | Gene will forever be haunted by comparisons to the Smiths, especially since lead singer Martin Rossiter favors the same strangled croon and tortured loneliness of Morrissey. |
 | | Bassist, lyricist, and occasional lead singer with the long-running U.K. rock band Manic Street Preachers, Nicky Wire has long been known for his willingness to provoke an audience with the turn of a phrase, and after years of displaying this talent with the Manics, he's launched a solo career to give him a more direct line to both his listeners and his muse. |
 | | Since he was the son of cult songwriter Tim Buckley, Jeff Buckley faced more expectations and pre-conceived notions than most singer/songwriters. |
 | | In addition to a flourishing solo career, John Power had the distinction of being a member of two iconic British bands of the 1980s and '90s, the La's and Cast. |
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 | | Although Eels are often marketed as a full-fledged band, singer/songwriter E (real name: Mark Oliver Everett) is responsible for the group's sound and direction. |
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 | | As a story, Jewel's origin is impossible to beat: on her way up, the singer/songwriter lived in a van on the West Coast, struggling to find an entrance to a career as a professional musician. |
 | | Like Alanis Morissette and Liz Phair, Tracy Bonham made her name during the alternative boom of the mid-‘90s. |
 | | The Bluetones filled the gap that the Stone Roses left behind, providing graceful but muscular guitar pop with slightly psychedelic overtones. |
 | | Linda Carlsson had been a singer her whole life, exploring everything from rock to blues, jazz, Broadway, even opera and metal, and performing in a variety of shows and bands, but it wasn't until 2006 that the then-24-year-old Swede launched her career in earnest, transforming herself into Miss Li and embarking on a string of releases that was notably prolific and not a little precocious. |
 | | While they came into prominence as part of the late-'80s folky singer/songwriter revival, the Indigo Girls had staying power where other artists from the same era quickly faded. |
 | | Amy Macdonald is a Scottish singer/songwriter who, at the age of 20, began topping the European charts with her Celtic-tinged folk music. |
 | | Conceived in 2004 by English bass legends Peter Hook(Joy Division, New Order), Gary "Mani" Mounfield(Stone Roses, Primal Scream), and Andy Rourke(the Smiths), Manchester-based alternative rock outfit Freebass didn’t get around to laying anything down to tape until much later in the decade. |
 | | At the forefront of the mid-'90s mod revival, Ocean Colour Scene guitarist and regular Paul Weller cohort Steve Cradock took center stage for the first time in 20 years after launching a belated solo career. |
 | | Upon the release of their debut album, Yourself or Someone Like You, in fall 1996, Matchbox Twenty was pigeonholed as one of the legions of post-grunge guitar bands that roamed the American pop scene in the middle of that decade. |