 | | Mixing electronic polish with guitar-driven hooks à la Phoenix and the Postal Service, Bangor and Donaghadee, Northern Ireland's Two Door Cinema Club feature singer/guitarist/programmer Alex Trimble, guitarist/singer Sam Halliday, and bassist/singer Kevin Baird. |
 | | Keyboardist Matt Johnson and drummer Kim Schifino create the giddy, punky pop music of Matt and Kim. |
 | | Songwriter/producer Derek Miller and vocalist Alexis Krauss comprise Sleigh Bells, an experimental pop duo that began earning its first fans after a breakout performance at the 2009 CMJ Festival. |
 | | A combination of indie rock muscle and theatrical, unapologetic bombast turned Arcade Fire into indie royalty in the early 2000s. |
 | | Formed in 2008, Local Natives craft their dramatic and eclectic brand of indie rock from their home base in Los Angeles, California. |
 | | Hailing from South London, Florence Mary Leontine Welch writes songs that occupy the same confessional territory as gossip-loving, genre-bending contemporaries like Amy Winehouse, Kate Nash, Adele, and Lily Allen and the moody, classic art rock of Kate Bush, blending pop, soul, and baroque arrangements into a sound that earned the young artist considerable buzz in 2007. |
 | | With their choir boy vocals and panoramic pop/rock sound, the Temper Trap began building an audience in Melbourne, Australia, where the band first rose to local acclaim after playing St. |
 | | Inspired by folk, rock, country, and bluegrass, the London-based Mumford & Sons feature singer/guitarist/drummer Marcus Mumford, vocalist and banjo/Dobro player Winston Marshall, vocalist/keyboardist Ben Lovett, and vocalist/bassist Ted Dwane. |
 | | Noah and the Whale became a leading light in the British folk scene with the release of 2008's Peaceful, the World Lays Me Down, their popular debut that cracked the U. |
 | | Emerging in 2004 with a blend of woodsy midtempo rock and reverb-laden vocals, Band of Horses gained an audience in their native Northwest before Everything All the Time made them indie rock darlings. |
 | | Long Beach, California's Cold War Kids make music with roots that go deep and wide, embracing influences as diverse as Bob Dylan, Billie Holiday, Jeff Buckley, and the Velvet Underground. |
 | | Formed in 2007 by Ima Robot frontman Alex Ebert after a brief period of existential crisis, the cultish 11-piece indie rock outfit Edward Sharpe & the Magnetic Zeros draw their inspiration from the communal musical communities that peppered Southern California (specifically Laurel Canyon) with positive vibrations during the '60s and early '70s. |
 | | Though Broken Bells featured two of the bigger names in indie and alternative music -- the Shins’ singer/guitarist James Mercer and producer/multi-instrumentalist Brian Burton, aka Danger Mouse -- the duo managed to keep their project secret for a relatively long time. |
 | | The Boston, Massachusetts-based Passion Pit began as a one-man project of singer and songwriter Michael Angelakos to produce a Valentine's Day gift for his girlfriend. |
 | | It’s too facile to call the Black Keys counterparts of the White Stripes: they share several surface similarities -- their names are color-coded, they hail from the Midwest, they’re guitar-and-drum blues-rock duos -- but the Black Keys are their own distinct thing, a tougher, rougher rock band with a purist streak that never surfaces in the Stripes. |
 | | Describing their sound as "Upper West Side Soweto," New York City's Vampire Weekend mix preppy, well-read indie rock with joyful, Afro-pop-inspired melodies and rhythms. |
 | | Atmospheric English indie pop group the xx formed in London in 2008 around the talents of Romy Madley Croft, Oliver Sim, Baria Qureshi, and Jamie Smith, when the bandmembers were still in high school. |
 | | Indie rock trio Foster the People make atmospheric, psychedelic, and dance-oriented pop. Formed in Los Angeles in 2009, the band features keyboardist/guitarist/vocalist Mark Foster, bassist Cubbie Fink, and drummer Mark Pontius. |
 | | New Zealand indie electronic ensemble the Naked and Famous make driving, melodic pop with an '80s post-punk influence. |
 | | Formerly known as the Jakes, Young the Giant began making eclectic indie rock in Irvine, CA, where bandmates Sameer Gadhia (vocals), Jacob Tilley (guitar), Eric Cannata (guitar), Payam Doostzadeh (bass), and Francois Comtois (drummer) all met each other during high school. |
 | | The French group Phoenix draw elements from their eclectic '80s upbringing to arrive at a satisfying blend of rock and synthesizers. |
 | | Metric are a band with an eclectic, adventurous outlook, whose music encompasses elements of synth pop, new wave, dance-rock, and electronica and whose hometown has vacillated between Toronto, Montreal, New York, Los Angeles, and London over the course of the group's existence. |
 | | There has to be some credit given for this band's name alone -- co-founder John Gourley once explained it as an attempt to create a demi-mythic entity bigger than the individual members. |
 | | After spending several years with the post-punk outfit Sidecar Kisses, vocalist/guitarist Ritzy Bryan and bassist Rhydian Dafydd left the lineup and launched the Joy Formidable, drawing heavily from shoegaze and noisy alt-rock to create their new group's sound. |
 | | Finding an unlikely middle point between Suicide's hostile, proto-electro punk art noise and the sardonic, pop-friendly sound of the Flaming Lips, MGMT started as electroclash musical terrorists but quickly grew into an eclectic, brainy pop group with psychedelic overtones. |
 | | Led by Montana native Colin Meloy, the Decemberists craft theatrical, hyper-literate pop songs that draw heavily from late-'60s British folk acts like Fairport Convention and Pentangle and the early-'80s college rock grandeur of the Waterboys and R. |
 | | An unlikely but undeniably catchy mix of Factory Records-style indie and '50s-inspired melodies, the Drums have roots that can be traced to the childhood friendship of Jonathan Pierce and Jacob Graham. |
 | | Death Cab for Cutie's rise from small-time solo project to Grammy-nominated rock band is one of indie rock's greatest success stories. |
 | | A classic guitar pop group almost nine years in the making, Albuquerque, New Mexico's the Shins began in 1997 as the side project of singer/songwriter and guitarist James Mercer's primary band, Flake. |
 | | Led by songwriter Michael Fitzpatrick, Fitz & the Tantrums brew up a retro sound inspired by Motown and Stax Records. |
 | | As led by singer/songwriter/guitarist Andy Hull, the maturity of Manchester Orchestra's songwriting belied the fact that the bandmembers were barely legal when their group sprung into existence. |
 | | Standing firmly on the middle ground between the quirky, staccato attack of Modest Mouse and the spirited, arena-ready roar of Arcade Fire, Los Angeles-based indie rock outfit Grouplove came to fruition in the late 2000s around the talents of Hannah Hooper, Christian Zucconi, Sean Gadd, Ryan Rabin, and Andrew Wessen. |
 | | Cults' twinkling experimental pop arrived in a shroud of mystery early in 2010, when the group posted three songs on their Bandcamp page. |
 | | Although formed during the post-punk revival of the late '90s, the National took inspiration from a wider set of influences, including country-rock, Americana, indie rock, and Brit-pop. |
 | | Formed by novelist Mikel Jollett during a tumultuous period in his life, the Airborne Toxic Event (named after a section in American author Don DeLillo's novel White Noise) combine literate indie rock with real literary cred. |
 | | Justin Vernon began recording under the nom de band Bon Iver following the breakup of DeYarmond Edison, an indie folk group similar in tone and manner to Iron & Wine, Little Wings, and -- to a certain extent -- Bonnie "Prince" Billy. |
 | | Combining indie rock with chamber pop flourishes (courtesy of a small string section), Ra Ra Riot formed while the band's six members were attending college in Syracuse, New York. |
 | | Modest Mouse were one of the most surprising commercial success stories of the new millennium -- while their music was by turns taut and elliptical, and the lyrics sometimes cryptic and introspective, the band broke through to the mainstream audience with the platinum-selling Good News for People Who Love Bad News, and they became genuine rock stars at a time when their musical peers remained cult figures. |
 | | Named for the courier service that allowed them to trade song ideas while living in different locales, the Postal Service were a short-lived supergroup featuring Jimmy Tamborello (leader of the electronica bands Dntel and Figurine) and Death Cab for Cutie's Ben Gibbard. |
 | | Brian Aubert (guitar/vocals), Nikki Monninger (bass), Christopher Guanlao (drums), and Joe Lester (keyboards) comprise the swarthy indie rock stylings of Silversun Pickups. |
 | | Although chart success in England was an unlikely first step to fame for a band from Bowling Green, Kentucky, mainstream rock band Cage the Elephant achieved just that. |
 | | Toronto's quirky, high-energy indie rock outfit Tokyo Police Club features vocalist/bassist Dave Monks, keyboardist/vocalist Graham Wright, guitarist/percussionist Josh Hook, and drummer/percussionist Greg Alsop. |
 | | Peter Bjorn and John formed in 1999 in Stockholm, Sweden, comprised of members Peter Morén on vocals, guitar, and harmonica; Björn Yttling on vocals, bass, and keyboards; and John Eriksson on drums, percussion, and vocals. |
 | | Discovered in the wake of the Strokes' popularity and the subsequent garage rock revival, New York's art punk trio the Yeah Yeah Yeahs are comprised of singer Karen O, guitarist Nicolas Zinner, and drummer Brian Chase. |
 | | By distilling the sounds of Franz Ferdinand, the Clash, the Strokes, and the Libertines into a hybrid of swaggering indie rock and danceable neo-punk, Arctic Monkeys became one of the U. |
 | | Seattle's Fleet Foxes are led by vocalist/guitarist Robin Pecknold, who fashioned his band's earthy, harmony-rich sound in honor of such perennial '60s artists as Bob Dylan, Neil Young, the Zombies, and the Beach Boys. |
 | | Provo, Utah's poppy dance-punk band Neon Trees features vocalist/keyboardist Tyler Glenn, guitarist Chris Allen, bassist Branden Campbell, and drummer/vocalist Elaine Bradley. |
 | | The Swedish indie pop artist Lykke Li Zachrisson (better known as Lykke Li) grabbed the attention of international bloggers in the early 2000s with a handful of catchy, retro-chic singles made available on her MySpace profile. |
 | | Luke Pritchard (vocals/guitar), Hugh Harris (guitar), Max Rafferty (bass), and Paul Garred (drums) generate the rubbishy garage rock sounds of the Kooks. |
 | | Folk-rock duo Tegan and Sara first burst onto the Canadian music scene in 1998, when they earned the highest score in history at Calgary's "Garage Warz" competition; their quick rise didn't stop, for their melodic acoustics and charming stage personas led to a slew of dates with Sarah McLachlan's Lilith Fair that same year and a record deal with Neil Young's Vapor Records in April 2000. |