 | | It’s too facile to call the Black Keys counterparts of the White Stripes: they share several surface similarities -- their names are color-coded, they hail from the Midwest, they’re guitar-and-drum blues-rock duos -- but the Black Keys are their own distinct thing, a tougher, rougher rock band with a purist streak that never surfaces in the Stripes. |
 | | Discovered in the wake of the Strokes' popularity and the subsequent garage rock revival, New York's art punk trio the Yeah Yeah Yeahs are comprised of singer Karen O, guitarist Nicolas Zinner, and drummer Brian Chase. |
 | | Emerging in 2004 with a blend of woodsy midtempo rock and reverb-laden vocals, Band of Horses gained an audience in their native Northwest before Everything All the Time made them indie rock darlings. |
 | | Led by Montana native Colin Meloy, the Decemberists craft theatrical, hyper-literate pop songs that draw heavily from late-'60s British folk acts like Fairport Convention and Pentangle and the early-'80s college rock grandeur of the Waterboys and R. |
 | | After the San Diego-based emo outfit Noise Ratchet called it quits in 2004, co-founders Jon Jameson (bass) and Brandon Young (drums) decided to ditch their punk-influenced sound for something more rootsy. |
 | | As frontman of the Black Keys, vocalist/guitarist Dan Auerbach embraced the raw sound of electric blues-rock alongside drummer Pat Carney. |
 | | Combining the noisy swells of the Jesus and Mary Chain with melodic elements of '50s rock & roll, the Raveonettes formed in Copenhagen during the early 2000s. |
 | | The bluesy punk duo the Kills consist of vocalist/guitarist VV, aka Alison Mosshart, formerly of the Florida punk band Discount, and drummer/guitarist/vocalist Hotel, aka Jamie Hince. |
 | | A combination of indie rock muscle and theatrical, unapologetic bombast turned Arcade Fire into indie royalty in the early 2000s. |
 | | Justin Vernon began recording under the nom de band Bon Iver following the breakup of DeYarmond Edison, an indie folk group similar in tone and manner to Iron & Wine, Little Wings, and -- to a certain extent -- Bonnie "Prince" Billy. |
 | | The Brooklyn-based group TV on the Radio mix post-punk, electronic, and other atmospheric elements in such a creative way that it only makes sense that their core duo, vocalist Tunde Adebimpe and multi-instrumentalist/producer David Andrew Sitek, are both visual artists as well as musicians. |
 | | The White Stripes formed on Bastille Day in 1997, aiming to create simple, vigorous rock & roll with little more than Meg White's percussion and Jack White's guitar-and-vocal attack. |
 | | With their heady blend of precision punk and serpentine classic rock (the band has drawn comparisons to everyone from the Pixies and Sonic Youth to Elvis Costello and Tom Petty), enigmatic, Texas-based indie pop outfit Spoon went from underground press darlings to one of the genre’s premier commercially and critically acclaimed alternative rock acts. |
 | | Chicago singer/songwriter/violinist Andrew Bird updates the traditions of small-group swing, German lieder, and New Orleans jazz, mixing Gypsy, folk, and rock elements into his distinctive style. |
 | | Long Beach, California's Cold War Kids make music with roots that go deep and wide, embracing influences as diverse as Bob Dylan, Billie Holiday, Jeff Buckley, and the Velvet Underground. |
 | | Modest Mouse were one of the most surprising commercial success stories of the new millennium -- while their music was by turns taut and elliptical, and the lyrics sometimes cryptic and introspective, the band broke through to the mainstream audience with the platinum-selling Good News for People Who Love Bad News, and they became genuine rock stars at a time when their musical peers remained cult figures. |
 | | By distilling the sounds of Franz Ferdinand, the Clash, the Strokes, and the Libertines into a hybrid of swaggering indie rock and danceable neo-punk, Arctic Monkeys became one of the U. |
 | | A Portland-based group originally comprised of singer/guitarist Israel Nebeker and drummer Ryan Dobrowski, Blind Pilot strikes a balance between mellow folk and West Coast indie pop. |
 | | A self-described "new band made up of old friends," the Raconteurs feature the White Stripes' Jack White and power pop maestro Brendan Benson on vocals, keyboards, and guitars, and the Greenhornes' drummer Patrick Keeler and bassist Jack Lawrence as the group's rhythm section. |
 | | Alternative country singer/songwriter Neko Case won a steadily growing cult audience for her smoky, sophisticated vocals and the downcast beauty of her music. |
 | | Seattle's Fleet Foxes are led by vocalist/guitarist Robin Pecknold, who fashioned his band's earthy, harmony-rich sound in honor of such perennial '60s artists as Bob Dylan, Neil Young, the Zombies, and the Beach Boys. |
 | | Equally inspired by classic tunesmiths like Buddy Holly and John Lennon and the street-smart attitude and angular riffs of fellow New Yorkers Television and the Velvet Underground, the Strokes were also equally blessed and cursed with an enormous amount of hype -- particularly from the U. |
 | | The Philadelphia-based Dr. Dog are part of a long tradition of D.I.Y. pop oddballs who blend unapologetic '60s pop worship with lo-fi recording techniques and an apparent disregard for current trends. |
 | | Brian Aubert (guitar/vocals), Nikki Monninger (bass), Christopher Guanlao (drums), and Joe Lester (keyboards) comprise the swarthy indie rock stylings of Silversun Pickups. |
 | | Blitzen Trapper's music went through various genres with each record, bouncing from indie folk to art rock to experimental folk before settling into a rich, dusty brand of Neil Young-inspired alt country. |
 | | Starting in the late ‘90s and throughout the 2000s and 2010s, My Morning Jacket expanded on their rock and country roots, embracing everything from neo-psychedelia to funk, prog, and reggae in their sonic experimentation. |
 | | Grizzly Bear began as a home recording project for Boston-bred experimentalist Edward Droste, the son of an elementary school teacher, who laid the groundwork for the band's otherworldly debut album on a small hand-held tape recorder while holed up for 15 months in his Greenpoint, Brooklyn, apartment. |
 | | A classic guitar pop group almost nine years in the making, Albuquerque, New Mexico's the Shins began in 1997 as the side project of singer/songwriter and guitarist James Mercer's primary band, Flake. |
 | | Describing their sound as "Upper West Side Soweto," New York City's Vampire Weekend mix preppy, well-read indie rock with joyful, Afro-pop-inspired melodies and rhythms. |
 | | The Avett Brothers' music has roots in traditional folk and bluegrass, but also captures the high spirits and no-boundaries attitude of rock & roll -- which is appropriate, since rock is where Scott Avett and Seth Avett first cut their teeth as musicians. |
 | | Wilco rose from the ashes of the seminal roots rock band Uncle Tupelo, which disbanded in 1994. While Jay Farrar, one of the group's two singer/songwriters, went on to form Son Volt, his ex-partner Jeff Tweedy established Wilco along with the remaining members of Tupelo's final incarnation, which included drummer Ken Coomer as well as part-time bandmates John Stirratt (bass) and Max Johnston (mandolin, banjo, fiddle, and lap steel). |
 | | Hailing from Brooklyn, New York (by way of Boulder, Colorado, where they originally came together in 2006), the avant-pop outfit Chairlift formed for the unusual purpose of crafting music for haunted houses. |
 | | Singer/songwriter Samuel Beam, who rose to prominence with a blend of whispered vocals and softly homespun indie folk, chose the moniker Iron & Wine after coming across a dietary supplement named "Beef Iron & Wine" while working on a film. |
 | | The Walkmen feature three members from Jonathan Fire*Eater and two from the Recoys. When Jonathan Fire*Eater disbanded in 1998, the group took the remainder of their Dreamworks funding and established an uptown rehearsal space in New York City that doubled as a 24-track recording studio where they use a wide variety of vintage equipment. |
 | | Initially embraced as "the Southern Strokes" for their resurrection and reinvention of Dixie-styled rock & roll, Kings of Leon steadily morphed themselves into an experimental rock outfit during the 2000s. |
 | | The Boston, Massachusetts-based Passion Pit began as a one-man project of singer and songwriter Michael Angelakos to produce a Valentine's Day gift for his girlfriend. |
 | | The seed that became Black Rebel Motorcycle Club -- or BRMC for short -- was planted in 1995, when Robert Levon Been (aka Robert Turner) and Peter Hayes met while attending high school in San Francisco. |
 | | Finding an unlikely middle point between Suicide's hostile, proto-electro punk art noise and the sardonic, pop-friendly sound of the Flaming Lips, MGMT started as electroclash musical terrorists but quickly grew into an eclectic, brainy pop group with psychedelic overtones. |
 | | A dark-edged trio hailing from London, White Lies take sonic cues from the likes of Joy Division, the Teardrop Explodes, and Echo & the Bunnymen. |
 | | Radiohead were one of the few alternative bands of the early '90s to draw heavily from the grandiose arena rock that characterized U2's early albums. |
 | | With a sound that mixes 21st century indie tones and the late-'70s new wave attitude of Talking Heads or the Modern Lovers, New York City's the Virgins were formed in 2006 by lead singer/songwriter Donald Cumming. |
 | | Animal Collective were formed in Baltimore County, Maryland, by longtime friends and musical collaborators Avey Tare (David Portner), Panda Bear (Noah Lennox), Deakin (Josh Dibb), and Geologist (Brian Weitz). |
 | | Formed in 1998 in Austin, TX, Okkervil River find the middle ground between indie rock and folk-rock, placing slightly more emphasis on the former. |
 | | Although formed during the late '90s, Interpol rose to international attention in 2002 as part of New York City's post-punk revival. |
 | | Peter Bjorn and John formed in 1999 in Stockholm, Sweden, comprised of members Peter Morén on vocals, guitar, and harmonica; Björn Yttling on vocals, bass, and keyboards; and John Eriksson on drums, percussion, and vocals. |
 | | There has to be some credit given for this band's name alone -- co-founder John Gourley once explained it as an attempt to create a demi-mythic entity bigger than the individual members. |
 | | Although formed during the post-punk revival of the late '90s, the National took inspiration from a wider set of influences, including country-rock, Americana, indie rock, and Brit-pop. |
 | | Combining indie rock with chamber pop flourishes (courtesy of a small string section), Ra Ra Riot formed while the band's six members were attending college in Syracuse, New York. |
 | | Celebrating a bratty, tongue-in-cheek viewpoint and a spunky indie punk style similar to Art Brut while applying an assortment of instruments akin to Architecture in Helsinki, the seven-piece group Los Campesinos! (a Spanish name that roughly translates to "the Peasants") formed in 2006 in Cardiff, Wales. |
 | | Gomez are a five-piece British act consisting of Ben Ottewell (vocals, guitar), Tom Gray (vocals, guitar, keyboards), Paul Blackburn (bass, guitar), Olly Peacock (drums), and Ian Ball (vocals, guitar, harmonica). |