 | | Penning songs that are offbeat in narrative, but literate and emotionally revealing, and performing them in a soulful, idiosyncratic style that reveals both strength and fragility, Cat Power was one of the most acclaimed singer/songwriters to emerge from the 1990s indie rock scene, a one of a kind artist unafraid to reveal her inner self in her music and follow her muse in a variety of different directions. |
 | | St. Vincent became one of the unexpected success stories of indie rock with the release of her second album, Actor, in 2009; the literate, emotionally intricate songs and rich, beautifully crafted pop melodies made her an immediate hit with critics, but few expected her music to cross over to mainstream acceptance. |
 | | Leslie Feist -- best known simply as Feist -- was a respected member of the Canadian alternative music community before becoming an international pop sensation with the success for her albums Let It Die and The Reminder. |
 | | Although Joanna Newsom's Appalachian-meets-avant-garde take on folk music is her most celebrated work, her range is even more inclusive than her solo career suggests: the classically trained harpist adds a decidedly different, textural sound to Nervous Cop, the noise rock trio that also features Deerhoof's Greg Saunier and Hella's Zach Hill, and she also plays keyboards for the Pleased, another San Francisco-area band more akin to Blondie or Television than her other projects. |
 | | Mirah (pronounced mear-rah) -- full name Mirah Yom Tov Zeitlyn -- was born on her mother's kitchen table. |
 | | Alternative country singer/songwriter Neko Case won a steadily growing cult audience for her smoky, sophisticated vocals and the downcast beauty of her music. |
 | | The subtle, largely acoustic music of Tiny Vipers is the project of Seattle-based singer/songwriter Jesy Fortino, a self-taught guitarist whose intricate playing and lonesome vocals give her work a uniquely haunting quality. |
 | | Alternative country-rock singer/songwriter Edith Frost was born in San Antonio, TX, on August 18, 1964. |
 | | Coming up strong behind R. Stevie Moore as the most talented singer/songwriter to be based in the nondescript bedroom community of Montclair, NJ, Jenny Owen Youngs fuses Liz Phair's perceptive and brashly funny lyrics with the orchestrated folk-pop of Regina Spektor and Erin McKeown, adding just a hint of Nellie McKay's jazzy cabaret leanings and Cat Power's throaty, confessional angst. |
 | | Julie Doiron began her musical career in 1990, singing and playing bass for the Canadian indie rock band Eric's Trip. |
 | | The folk delight that is Lavender Diamond originally came to life in Bird Songs of the Bauharoque, a punk operetta inspired by the work of American painter/architect Paul Laffoley. |
 | | Singer/songwriter Keren Ann Zeidel, who records bilingual neo-folk music under the name Keren Ann, was born in Israel in 1974 to a Dutch-Javanese mother and a Russian-Israeli father. |
 | | Born in Las Vegas in early 1977, singer/songwriter Jenny Lewis is one of indie rock's most popular ingénues, known for her work as the primary vocalist of Rilo Kiley as well as her solo albums, guest appearances, and duo with boyfriend Johnathan Rice. |
 | | Singer/songwriter Samuel Beam, who rose to prominence with a blend of whispered vocals and softly homespun indie folk, chose the moniker Iron & Wine after coming across a dietary supplement named "Beef Iron & Wine" while working on a film. |
 | | Maria Taylor brought her warm, casual vocals to several projects -- most notably Azure Ray, a dreamy pop duo that featured Taylor and longtime partner Orenda Fink -- before launching her own career as a solo singer/songwriter. |
 | | After his stints performing as Palace, Palace Songs, Palace Brothers, and under his own name throughout the '90s, by the end of the decade Will Oldham seemed to finally settle on the Bonnie "Prince" Billy moniker as the main outlet for his work. |
 | | Born in Sweden, singer/songwriter and pianist Frida Hyvönen released her debut, Until Death Comes, in Scandinavia in 2005 on the Concretes' label, Licking Fingers. |
 | | Like their West Coast contemporaries in Death Cab for Cutie, Rilo Kiley steadily gained traction in indie pop circles throughout the late '90s and early 2000s before the record industry (and public at large) officially took note. |
 | | She's the daughter of Arne Naess, former husband of Supreme Diana Ross. Born and raised in England but presently based in New York, Leona Naess is an introspective singer/songwriter whose alternative pop-rock draws on influences ranging from Edie Brickell, Tori Amos and Joni Mitchell to the Cure, David Bowie and Joy Division. |
 | | During the early-'90s alternative rock explosion, several female singer/songwriters rose to prominence, but few were as distinctive or as widely praised as Polly Jean Harvey. |
 | | Growing out of the American underground of the late '80s, Liz Phair fused lo-fi indie rock production techniques with the sensibility and structure of classic singer/songwriters. |
 | | Brisa Roché made a name for herself as a sultry indie songstress while she lived in France in the early 2000s. |
 | | The Blow is really visual artist and performer Khaela Maricich, who formerly released recordings under the name Get the Hell Out of the Way of the Volcano, after which she recorded (with the help of some guests) for K under the name the Blow. |
 | | The celebrated folk-punk singer/songwriter Elliott Smith rose from indie obscurity to mainstream success in 1997 on the strength of "Miss Misery," his Academy Award-nominated song from the film Good Will Hunting. |
 | | Growing up in Caracas, Venezuela and Los Angeles, Devendra Banhart was always playing music and drawing. |
 | | Singer/songwriter Beth Orton combined the passionate beauty of the acoustic folk tradition with the electronic beats of trip-hop to create a fresh, distinct fusion of roots and rhythm. |
 | | Singer/songwriter Rachael Yamagata grew up listening to Carole King, Roberta Flack, James Taylor, and the like, for music was the one thing in Yamagata's life that remained consistent. |
 | | A folkie in punk's clothing, Ani DiFranco battled successfully against the Goliath of corporate rock to emerge as one of the most influential and inspirational cult heroines of the 1990s. |
 | | Emily Haines is the frontwoman for Toronto's indie dance-rock band Metric. Although her first record arrived several years after Metric had formed, Haines had always been writing her own material. |
 | | The Scottish ensemble Camera Obscura formed in 1996, when vocalist Tracyanne Campbell, percussionist John Henderson, bassist Gavin Dunbar, and guitarist David Skirving began creating lush indie pop with orchestral flourishes and romantic lyrics. |
 | | A singer/songwriter and multi-instrumentalist, Detroit-born Sufjan Stevens started venturing into the music world while attending Hope College as a member of Marzuki, a folk-rock band based in Holland, Michigan. |
 | | Although many musicians joined the band's rotating lineup, Bright Eyes was primarily the songwriting vehicle of Conor Oberst, a quivery-voiced Nebraska native who first attracted attention in 1994 -- when he was only 14 years old -- as the singer and guitarist for Commander Venus. |
 | | Portland, Oregon-based singer/songwriter M. Ward (born Matthew Stephen Ward) grew up listening to gospel and country, two genres that figure prominently in his breezy, West Coast take on Americana. |
 | | Justin Vernon began recording under the nom de band Bon Iver following the breakup of DeYarmond Edison, an indie folk group similar in tone and manner to Iron & Wine, Little Wings, and -- to a certain extent -- Bonnie "Prince" Billy. |
 | | Folk-rock duo Tegan and Sara first burst onto the Canadian music scene in 1998, when they earned the highest score in history at Calgary's "Garage Warz" competition; their quick rise didn't stop, for their melodic acoustics and charming stage personas led to a slew of dates with Sarah McLachlan's Lilith Fair that same year and a record deal with Neil Young's Vapor Records in April 2000. |
 | | A veteran of New York's anti-folk scene, songwriter Regina Spektor makes quirky, highly eclectic, but always personal music. |
 | | Urban folk singer/songwriter Damien Jurado quietly built up one of the strongest catalogs on the indie scene, earning high critical praise yet somehow never quite getting his proper due. |
 | | Brighton, England's Bat for Lashes is the brainchild of singer/songwriter Natasha Khan. The Pakistan-born Khan pulls from her art school education and her experience producing multimedia installations when it comes to writing songs. |
 | | Fiona Apple defied categorization or any easy career path, almost running the pattern in reverse, opening her career as a highly touted and popular alternative singer/songwriter, then transitioning into a cult artist. |
 | | During the '80s, Aimee Mann led the post-new wave pop group 'Til Tuesday. After releasing three albums with the group, she broke up the band and embarked on a solo career. |
 | | A founding member of dreamy Scotland alternative rock group the Delgados, singer/songwriter/guitarist Emma Pollock signed to 4AD Records in 2005 after the band's amicable dissolution. |
 | | Having served as the group's enigmatic, melancholy frontwoman for over a decade, Victoria Bergsman left the Concretes in 2006 following the release of the group's sophomore album, In Colour. |
 | | Canadian singer/songwriter Basia Bulat became one of the indie world's most talked about newcomers with the release of her first full-length album, 2007's Oh, My Darling. |
 | | Although his parents are Argentinean, singer/songwriter José González was born in Sweden, where he became nationally renowned for his mix of autumnal indie pop and intimate acoustics. |
 | | Calexico, a Tucson collective of musicians focused around Joey Burns and John Convertino, forged an eclectic identity through their exploration of Southwestern culture. |
 | | Although they became important figures in the Saddle Creek community of Omaha, NE, Orenda Fink and Maria Taylor made their initial mark in Athens, GA, where they formed Azure Ray in 2001. |
 | | Much like Iron & Wine and similar indie outfits, Sea Wolf is the project name of a sole singer/songwriter who drafts in other musicians as the occasion warrants. |
 | | Singer/songwriter Laura Marling was only 16 years old when she emerged on the British indie scene in 2007 thanks to a handful of infectious singles made available on her MySpace profile. |
 | | The Magnetic Fields may be a bona fide band, but in most essential respects they are the project of studio wunderkind Stephin Merritt, who writes, produces, and (generally) sings all of the material. |
 | | She & Him feature the somewhat unlikely pairing of country-folk artist M. Ward and actress/singer/songwriter Zooey Deschanel. |