 | | When it came to technique, speed, power, and the ability to put together incredible drum solos, Buddy Rich lived up to the billing of "the world's greatest drummer. |
 | | The first drummer to be a superstar, Gene Krupa may not have been the most advanced drummer of the 1930s but he was in some ways the most significant. |
 | | Elvin Jones will always be best-known for his association with the classic John Coltrane Quartet (1960-1965) but he also had a notable career as a bandleader and continued to be a major influence in music. |
 | | Dave Weckl is one of fusion's most acclaimed drummers, making his name during a six-year-stint with Chick Corea. |
 | | Although he was generally reluctant to solo, Mel Lewis was considered one of the definitive big band drummers, a musician who was best at driving an orchestra, but could also play quite well with smaller units. |
 | | In a profession star-crossed by early deaths -- especially the bebop division -- Max Roach was long a shining survivor, one of the last giants from the birth of bebop. |
 | | Generally acclaimed as fusion's greatest drummer, Billy Cobham's explosive technique powered some of the genre's most important early recordings -- including groundbreaking efforts by Miles Davis and the Mahavishnu Orchestra -- before he became an accomplished bandleader in his own right. |
 | | At his best, Jack DeJohnette is one of the most consistently inventive jazz percussionists extant. DeJohnette's style is wide-ranging, yet while capable of playing convincingly in any modern idiom, he always maintains a well-defined voice. |
 | | One of the great drummers of all time (and one of the few whose name can be said in the same sentence with Buddy Rich), Louie Bellson has the rare ability to continually hold one's interest throughout a 15-minute solo. |
 | | Jeff "Tain" Watts came to fame as drummer with the early Wynton Marsalis band. He has been greatly in demand ever since, playing and recording with such musicians as Geri Allen, Ricky Ford, Robin Eubanks, Betty Carter, McCoy Tyner, Gary Thomas, and Branford Marsalis, among others. |
 | | Shelly Manne made a countless number of records from the 1940s into the '80s but is best-known as a good-humored bandleader who never hogged the spotlight. |
 | | An all-time great soul, R&B, funk, and pop drummer, Bernard Purdie's impeccable time and mastery of backbeats and grooves are celebrated. |
 | | Terry Bozzio first got his start as the drummer for Frank Zappa's backing band during the '70s, but would go on to become one of rock's most versatile session men, and form one of new wave's most visually exciting outfits, Missing Persons, along with then-wife Dale Bozzio. |
 | | Tony Williams' death in 1997 of a heart attack after routine gall bladder surgery was a major shock to the jazz world. |
 | | In the '60s, when John Coltrane and Ornette Coleman were defining the concept of a jazz avant-garde, few knowledgeable observers would have guessed that in another 30 years the music's mainstream would virtually bypass their innovations, in favor of the hard bop style that free jazz had apparently supplanted. |
 | | A very versatile drummer, Vinnie Colaiuta is impossible to pigeonhole as just a specialist in only one or two areas. |
 | | A well-respected drummer who has appeared in many types of settings in many genres, Steve Gadd's impressive technique and flexibility have been influential during the past 20 years. |
 | | A highly skilled, versatile drummer, Peter Erskine has anchored big bands and jazz-rock/fusion groups. |
 | | Count Basie was among the most important bandleaders of the swing era. With the exception of a brief period in the early '50s, he led a big band from 1935 until his death almost 50 years later, and the band continued to perform after he died. |
 | | A fiery drummer and a masterful accompanist, Philly Joe Jones came to fame as a key member with the first classic Miles Davis Quintet. |
 | | Possessor of the happiest sound in jazz, flügelhornist Clark Terry always plays music that is exuberant, swinging, and fun. |
 | | Bill Bruford's career is like his drumming sound -- inimitable. Known for his ringing metal snare drum, crisp cymbal work, and knack for complex time signatures, a young Bruford came to prominence in the late '60s with Yes. |
 | | Throughout a professional career lasting 50 years, Miles Davis played the trumpet in a lyrical, introspective, and melodic style, often employing a stemless Harmon mute to make his sound more personal and intimate. |
 | | In the 1950s and '60s, few American jazz artists were as influential, and fewer still were as popular, as Dave Brubeck. |
 | | Coleman Hawkins was the first important tenor saxophonist and he remains one of the greatest of all time. |
 | | Lionel Hampton was the first jazz vibraphonist and was one of the jazz giants beginning in the mid-'30s. |
 | | Dexter Gordon had such a colorful and eventful life (with three separate comebacks) that his story would make a great Hollywood movie. |
 | | Herbie Hancock will always be one of the most revered and controversial figures in jazz -- just as his employer/mentor Miles Davis was when he was alive. |
 | | Duke Ellington was the most important composer in the history of jazz as well as being a bandleader who held his large group together continuously for almost 50 years. |
 | | A drummer with chops and musicality to burn. European expatriatism has helped hone his craft. ~ Michael G. |
 | | An excellent drummer both in big bands and combos, Charli Persip changed his name from Charlie in the early '80s. |
 | | b. USA. A dynamic and skilful drummer, he is the son of Chubby Jackson and displays a similarly exuberant sense of swing and enthusiasm. |
 | | A colorful soloist and an impressive technician in the tradition of Buddy Rich and Gene Krupa, Butch Miles graduated from West Virginia State College in 1966 and worked locally in West Virginia. |
 | | During his relatively brief period in the spotlight, Ralph Peterson has already distinguished himself not only as a superior drummer but as an important bandleader too. |
 | | Pete La Roca's decision to leave music in 1968 and become an attorney (under his original name of Pete Sims) cut short a productive career. |
 | | One of the great drummers of the 1950s, Art Taylor was on a countless number of hard bop and jam session-styled sessions. |
 | | Although a good enough bassist to play with Stan Kenton's big band, Howard Rumsey's main importance was as the organizer of the Lighthouse All-Stars and manager of the Lighthouse. |
 | | Phil Markowitz has been a talented pianist for decades, generally better known as a valuable sideman rather than leader of his own sessions. |
 | | This British bass player has been a professional musician since he was in his early twenties, and literally played his way over to the United States by working on the house band (or should we say ship band) on the Queen Mary for three years, beginning in 1949 before finally settling in New York City in 1951. |
 | | The original New York Jazz Quartet was founded by pianist Roland Hanna in the early '70s and consisted of flutist Hubert Laws, bassist Ron Carter, and drummer Billy Cobham. |
 | | Best-known as the trumpet section leader in Doc Severinsen's Tonight Show Band, Conte Candoli was a fine all-around jazz stylist most at home in the worlds of bop and West Coast cool jazz. |
 | | Charlie Mariano's career can easily be divided into two phases. Early on he was a fixture in Boston, playing with Shorty Sherock (1948), Nat Pierce (1949-1950), and his own groups. |
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 | | A contemporary drummer and aggressive, polyrhythmic stylist, Cecil Brooks, III has worked in the New York area with such musicians as Greg Osby, Geri Allen and Lonnie Plaxico. |
 | | Born on June 15, 1917 in Fukakusa, Japan, as a child Joji Kawaguchi (who later performed and recorded as George Kawaguchi) was raised in Dairen, Manchuria, returning to Japan after World War II. |
 | | Chico Hamilton, a subtle and creative drummer, will probably always be better known for the series of quintets that he led during 1955-1965 and for his ability as a talent scout than for his fine drumming. |
 | | One of the newest members of the Wynton Marsalis band, drummer Herlin Riley took over in a difficult spot when he replaced the outstanding Jeff Watts in the late '80s. |
 | | Larance Marable is one of the stalwart mainstream drummers on the Los Angeles jazz scene, in demand for his driving cymbal work and exquisite little bombs. |
 | | Bob Brookmeyer was long considered one of the top valve trombonists in jazz and a very advanced arranger whose writing was influenced by modern classical music. |
 | | b. 3 August 1936, Chicago, Illinois, USA. Raised in Fort Wayne, Indiana, Wilson studied piano at Fort Wayne College of Music and the University of Indiana, with time out for a fleeting professional foray with James Moody. |