 | | If you read a lot about new music on the Web, odds are pretty good that, at some point between the September 2004 release of "Galang" and the March 2005 release of Arular, you were struck with the urge to turn your computer off or maybe even heave it out of a nearby window. |
 | | As a solo project with a revolving door of members, the heart and face of Santigold is vivacious frontwoman Santi White. |
 | | Reflecting the party rap atmosphere of Baltimore's club scene, Spank Rock arrived as one of the best things to happen to both underground hip-hop and dirty rap, a pair of styles that rarely intermingle. |
 | | Amanda Blank is a flamboyant dirty rapper from Philadelphia who is closely associated with Spank Rock and who has ties to the Baltimore club scene. |
 | | The acronym N.E.R.D. stands for "No One Ever Really Dies," but childhood friends Chad Hugo, Pharrell Williams, and Shay most certainly used the group to proudly emphasize the nerdier aspects of their musical personalities. |
 | | Kid Cudi is a Brooklyn-based rapper from Cleveland whose debut single, "Day 'n' Nite," became an online favorite in 2008. |
 | | Part of the mid-2000s hip-hop movement that found kids in all-over prints rapping about their shoes and their favorite forms of transportation (which often weren't cars), the Cool Kids proved to be both an Internet and live show phenomenon. |
 | | Named after a Chinese friend whose name sounds like the Mandarin pronunciation of "bandstand," the Ting Tings -- a scrappy, dance-oriented duo consisting of singer/guitarist Katie White and drummer Jules De Martino -- formed in the Salford district of Manchester, England in 2006. |
 | | MSTRKRFT (pronounced "master kraft") are the Daft Punk-loving alter ego of Death from Above 1979's Jesse F. |
 | | In similar company with new-school French progressive dance artists such as Motorbass, Air, Cassius, and Dimitri from Paris, Parisian duo Daft Punk quickly rose to acclaim by adapting a love for first-wave acid house and techno to their younger roots in pop, indie rock, and hip-hop. |
 | | Electro-funk duo Chromeo formed in Montreal in the early 21st century, a project of former hip hop producers Dave One and Pee Thug (news flash: not their given names). |
 | | The Gnarls Barkley collaboration didn't bring producer Danger Mouse to the top of the British charts for the first time, but it did mark his debut as the pilot of a hit record. |
 | | Producers/remixers James Ford and James Shaw formed Simian Mobile Disco in 2005, following their departure from the experimental electronic rock band Simian. |
 | | The production duo of Simon Ratcliffe and Felix Buxton released several of Britain's most respected and enjoyable progressive house anthems of the '90s and early 2000s from their base in South London. |
 | | Meaning "red-haired one" in French, La Roux is the synth pop project of flame-haired singer/songwriter Elly Jackson and keyboardist/producer Ben Langmaid. |
 | | Finding an unlikely middle point between Suicide's hostile, proto-electro punk art noise and the sardonic, pop-friendly sound of the Flaming Lips, MGMT started as electroclash musical terrorists but quickly grew into an eclectic, brainy pop group with psychedelic overtones. |
 | | Audio Bullys, the duo of Tom Dinsdale and Simon Franks, capitalized on the boom in rough, tough, and streetwise British house sparked by Basement Jaxx but brought to a new level of distinction by acts like the Streets and Dizzee Rascal. |
 | | Responsible for the impossibly infectious Boney M.-sampling party anthem "Barbra Streisand," Duck Sauce are the side project of Boston superstar DJ Armand Van Helden and Montreal turntablist A-Trak. |
 | | Pumping out bass-heavy dance beats laced with unlikely samples and paired with goofy but salacious raps, Bonde do Rolê are one of the first acts on Brazil's funk carioca (or baile funk) scene to gain an international audience. |
 | | Conceived as the first "virtual hip-hop group," Gorillaz blended the musical talents of Dan "The Automator" Nakamura, Blur's Damon Albarn, Cibo Matto's Miho Hatori, and Tom Tom Club's Tina Weymouth and Chris Frantz with the arresting visuals of Jamie Hewlett, best known as the creator of the cult comic Tank Girl. |
 | | Fusing low-res electronic noise and pop hooks so effortlessly that it can seem accidental, Crystal Castles began as producer/multi-instrumentalist Ethan Kath's solo project in late 2003. |
 | | The self-proclaimed "biggest midget in the game," MC Lady Sovereign has an unmistakably British delivery and style, but a string of singles showcasing her sly wit and brash charisma over bottom-heavy beats brought on a worldwide buzz. |
 | | Little Boots formed in 2007 as a solo vehicle for Victoria Hesketh, the ex-lead singer/keyboardist of English dance-pop outfit Dead Disco. |
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 | | Born Joel Zimmerman on January 5, 1981, Deadmau5 rose to prominence when his track "Faxing Berlin" found its way onto the playlist of legendary DJ/producer Pete Tong's radio show. |
 | | Stromae is a Belgian vocalist, songwriter, and producer whose music combines hip-hop flavors with the cool, polished rhythms of house and other varieties of electronic dance music; he's also known for his clean-cut look and trademark bow tie. |
 | | Girl Talk is the pseudonym of DJ and remixer Greg Gillis. A Pittsburgh native who works as a biomedical research engineer during the day, Gillis channels his other creative energies into Girl Talk, whose sample-based dance tracks have made him the John Oswald or Christian Marclay of the mash-up generation: each of his songs are built on recognizable samples of recent hit singles, recontextualized into an entirely new piece. |
 | | Favoring a naughty schoolboy look that makes him seem even younger than his already tender years (22 when his first major-label album was released), Scottish artist, producer, and remixer Calvin Harris has a similarly youthful and forward-looking approach to his music. |
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 | | A hugely successful dance producer and A&R scout, Alex Gaudino is responsible for some of the biggest Italo-house hits of the '90s. |
 | | The fashionable, fun, and sometimes freaky sound of DJ/producer Benny Benassi first hit the dancefloor in 2001 with the single I Feel So Fine. |
 | | Bath, England's singer/composer/keyboardist Allison Goldfrapp began exploring music as part of her studies as a fine art painting major at Middlesex University, mixing sound, visuals, and performances in her installation pieces. |
 | | Following the success of Tiësto, Armin van Buuren, and Fedde Le Grand, Nick Van de Wall, aka Afrojack, is the latest DJ, producer, and remixer to break through from the burgeoning Dutch dance music scene. |
 | | Justice, a Parisian dance production duo comprised of Gaspard Augé and Xavier de Rosnay, generated an international buzz with "D. |
 | | Hailing from London, Hot Chip entered the picture with the release of their 2000 debut, Mexico. The EP was issued by Victory Garden Records, a label owned and operated by members of London's resident lo-fi psychedelic rock institution Southall Riot. |
 | | An electro-rap duo from Los Angeles, CA, LMFAO made their major-label debut in 2008. Comprised of producers, DJs, and clothing designers Redfoo and SkyBlu (the son and grandson, respectively, of Motown impresario Berry Gordy), LMFAO worked the club circuit for years before making their major-label debut in 2008 with the single "I'm in Miami Bitch," a song inspired by their first experience at the Winter Music Conference. |
 | | LCD Soundsystem debuted with "Losing My Edge," a single that became one of the most talked-about indie releases of 2002. |
 | | Though he grew up singing in the church choir and studying classical music, by age 13 French DJ Martin Solveig had his first pair of turntables and soon began showing off his skills to his friends. |
 | | Swedish House Mafia is a house music supergroup comprised of DJ/producers Axwell, Steve Angello, and Sebastian Ingrosso, each of whom is an accomplished DJ/producer and label owner in his own right. |
 | | Chicago-based MC Lupe Fiasco (born Wasalu Muhammad Jaco) began rapping in junior high school and joined a group called da Pak several years later. |
 | | Though he was born in Chicago, the DJ, A&R director, record store owner, and producer known as Kaskade found his spiritual and musical home in San Francisco by way of Salt Lake City and New York. |
 | | São Paulo, Brazil's provocative, freewheeling dance-rock sextet CSS take their name from an abbreviation of "cansei de ser sexy," which is Portuguese for "tired of being sexy" (though, considering that the lead singer goes by the name Lovefoxxx, it's arguable how much that phrase actually applies to the band). |
 | | Swedish DJ and producer Eric Prydz releases singles and EPs under a variety of project names, including Pryda, Cirez D, Sheridan, Dirty Funker, Moo, A and P Project, Axer, Hardform, Dukes of Sluca, and Groove System. |
 | | Steve Aoki is a DJ and also the founder of Dim Mak Records, which has counted leading indie rock bands such as Gossip, Bloc Party, the Kills and the Rakes among its stable of signees. |
 | | Highly regarded by both DJ Magazine and fans of electronic dance music, DJ Tiësto launched his career as one of the world's foremost trance DJs, due in part to his legendary six-hour live sets. |
 | | Discovered in the wake of the Strokes' popularity and the subsequent garage rock revival, New York's art punk trio the Yeah Yeah Yeahs are comprised of singer Karen O, guitarist Nicolas Zinner, and drummer Brian Chase. |
 | | Notable for their eclectic musical style as much as for wearing large bear heads, Teddybears were formed in Sweden in the early '90s. |
 | | Heralded as the saviour of dance music by everyone from the NME to Elton John, Scottish electronic producer Mylo first achieved success in the mid-noughties with his inventive fusion of West Coast electronica, high-octane house, and '80s MOR pop samples. |
 | | France's David Guetta belongs to the sparkling wave of DJs who combine Daft Punk's sleek house music with a pinch of electroclash's punch. |
 | | With her girlishly playful yet stiff delivery, her raunchy lyrics, and the spare electro beats that surround them, Uffie draws comparisons to female MCs of the '80s like the ladies of L'Trimm and Salt-N-Pepa. |