 | | Although a key member of the critically acclaimed art/punk rock band Sonic Youth, Moore has also been involved in numerous side projects, including the Dim Stars with Richard Hell and Even Worse. |
 | | Sonic Youth were one of the most unlikely success stories of underground American rock in the '80s. Where contemporaries R. |
 | | More than any other hardcore band, the Minutemen epitomized the free-thinking independent ideals that formed the core of punk/alternative music. |
 | | Like the Velvet Underground, Sonic Youth, and the Jesus and Mary Chain before them, My Bloody Valentine redefined what noise meant within the context of pop songwriting. |
 | | Willfully abrasive and atonal, the Jesus Lizard emerged in the early '90s as a leading noise rock band in the American independent underground. |
 | | Dinosaur Jr. were largely responsible for returning lead guitar to indie rock and, along with their peers the Pixies, they injected late-'80s alternative rock with monumental levels of pure guitar noise. |
 | | More of a good-natured prank than an actual band, Ciccone Youth was a short-lived vehicle in which indie underground noisemakers Sonic Youth further explored their obsession with popular culture. |
 | | Combining jagged, roaring guitars and stop-start dynamics with melodic pop hooks, intertwining male-female harmonies and evocative, cryptic lyrics, the Pixies were one of the most influential American alternative rock bands of the late '80s. |
 | | With their fractured songs, unexpected blasts of feedback, laconic vocals, cryptic literate lyrics, and defiant low-fidelity, Pavement were one of the most influential and distinctive bands to emerge from the American underground in the '90s. |
 | | Swans were born during the heyday of New York's no wave reaction to punk rock, on the Lower East Side. |
 | | Yo La Tengo are in many respects the quintessential critics' band: in addition to their adventurous eclecticism, defiant independence, and restless creative ambition -- three qualities that virtually guarantee music press acclaim -- the group's frontman, Ira Kaplan, even tenured as a rock scribe prior to finding success as a performer. |
 | | In 1985, after D Boon's tragic death at age 27 signalled the end of the Minutemen, bassist Mike Watt and drummer George Hurley threw in their lot with then-22-year-old former Ohio State University student, guitar player, and Minutemen fanatic Ed Crawford to form fIREHOSE. |
 | | Ween was the ultimate cosmic goof of the alternative rock era, a prodigiously talented and deliriously odd duo whose work traveled far beyond the constraints of parody and novelty into the heart of surrealist ecstasy. |
 | | As much a collective of musicians as a band, Sebadoh was the quintessential lo-fi band of the '90s. Formed by singer/songwriter Lou Barlow while he was the bassist for Dinosaur Jr. |
 | | Even within the eclectic world of alternative rock, few bands were so brave, so frequently brilliant, and so deliciously weird as the Flaming Lips. |
 | | Few of punk rock's founding fathers could have anticipated the extreme to which Half Japanese took the music's do-it-yourself ethos. |
 | | Like the Velvet Underground, their most obvious influence, the chart success of the Jesus and Mary Chain was virtually nonexistent, but their artistic impact was incalculable; quite simply, the British group made the world safe for white noise, orchestrating a sound dense in squalling feedback which served as an inspiration to everyone from My Bloody Valentine to Dinosaur Jr. |
 | | The cosmic post-rock band Mogwai were formed in Glasgow, Scotland, in 1996 by guitarist/vocalist Stuart Braithwaite, guitarist Dominic Aitchison, and drummer Martin Bulloch, longtime friends with the goal of creating "serious guitar music. |
 | | Bassist Mike Watt was the living embodiment of the punk rock spirit. As a founding member of the highly influential Minutemen, he created one of the most important bodies of work in the American underground canon, delivering adventurous, fiercely polemical music informed by such disparate traditions as funk, folk, and free jazz. |
 | | Hüsker Dü and R.E.M. were the two American post-punk bands of the '80s that changed the direction of rock & roll. |
 | | A beautiful mess of indie rock, country-rock and lo-fi with lyrics both witty and profound, the Silver Jews were formed in 1989 by writer/musician David Berman with his friends, guitarist/singer Stephen Malkmus and drummer Bob Nastanovich. |
 | | The Austin, TX, post-hardcore noise group Scratch Acid laid the groundwork for much of the distorted, grinding alternative punk rockers of the '90s. |
 | | With such a longwinded moniker, it seems likely that Thinking Fellers Union Local #282 could be nothing but a bunch of pretentious art-school rejects. |
 | | Of all the punk-inspired bands that came out of Boston in the early '80s, none were better than Mission of Burma. |
 | | Initially pegged as something as a voice of a generation when “Loser” turned into a smash crossover success, Beck did wind up crystallizing much of the post-modern ruckus of the ‘90s alternative explosion, but in unexpected ways. |
 | | The Melvins were the first post-punk band to revel in the slow, sludgy sounds of Black Sabbath. Their music is oppressively slow and heavy, only without any of the silly mystical lyrics or the indulgent guitar solos; it's just one massive, oozing pile of dark slime. |
 | | There are plenty of performers who rock critics compliment by using the label "primitive," but few if any can hold a candle to the greatest American rock primitive, Jad Fair. |
 | | Trans Am are loosely associated with the mid-'90s post-rock scene centered around Tortoise, Ui, Labradford, Windy & Carl, etc. |
 | | During the early-'90s alternative rock explosion, several female singer/songwriters rose to prominence, but few were as distinctive or as widely praised as Polly Jean Harvey. |
 | | Inverting his stage name from Black Francis to Frank Black, the former Pixies lead singer/songwriter embarked on a solo career after he broke up the band in early 1993; actually, he began recording his solo album before he told the band the news. |
 | | Of all the artists in Japan's thriving noise-music community, the Boredoms undoubtedly had the most fun. |
 | | One of alternative rock's most promising -- and frustrating -- bands, the Breeders were conceived initially as a way for Pixies bassist Kim Deal and Throwing Muses guitarist Tanya Donelly to let out some suppressed creative energy and to take a break from being the second bananas in each of their main bands. |
 | | R.E.M. marked the point when post-punk turned into alternative rock. When their first single, "Radio Free Europe," was released in 1981, it sparked a back-to-the-garage movement in the American underground. |
 | | The career of Lou Reed defies capsule summarization. Like David Bowie (whom Reed directly inspired in many ways), he has made over his image many times, mutating from theatrical glam rocker to strung-out junkie to avant-garde noiseman to straight rock & roller to your average guy. |
 | | Nirvana may have been the band that put an entire generation in flannel, and Pearl Jam and Soundgarden both sold a lot more records, but Mudhoney were truly the band that made the '90s grunge rock movement possible. |
 | | Evolving from a garage punk band in the vein of the Replacements, Dinosaur Jr., and Mudhoney to a literate, pretentious, soul-inflected post-punk quartet, the Afghan Whigs were one of the most critically acclaimed alternative bands of the early '90s. |
 | | Over the course of a recording career spanning several decades, the Residents remained a riddle of Sphinx-like proportions; cloaking their lives and music in a haze of willful obscurity, the band's members never identified themselves by name, always appearing in public in disguise -- usually tuxedos, top hats and giant eyeball masks -- and refusing to grant media interviews. |
 | | Out of all the late-'70s punk and post-punk bands, none were longer lived or more prolific than the Fall. |
 | | Arguably the most infamously named band in the annals of popular music -- for years, radio found their moniker unspeakable, and the press deemed it unprintable -- Butthole Surfers long reigned among the most twisted and depraved acts ever to bubble up from the American underground. |
 | | Out of all of the bands that made SST Records a towering force in the American underground during the mid-'80s, Meat Puppets lasted the longest, surviving where other bands fell apart. |
 | | Radiohead were one of the few alternative bands of the early '90s to draw heavily from the grandiose arena rock that characterized U2's early albums. |
 | | As much a concept as a band, the Olivia Tremor Control was one of the most visible and innovative members of the Elephant 6 collective, a coterie of like-minded, lo-fi indie groups -- including the Apples in Stereo, Neutral Milk Hotel, and Secret Square -- who shared musicians, ideas, and sensibilities. |
 | | Television were one of the most creative bands to emerge from New York's punk scene of the mid-'70s, creating an influential new guitar vocabulary. |
 | | Guitarist/singer/songwriter Bob Mould was initially a member of Hüsker Dü, one of the most influential American bands of the '80s. |
 | | The Replacements initially formed in 1979, when Paul Westerberg joined a garage punk band formed by brothers Bob (guitar) and Tommy Stinson (bass) and drummer Chris Mars. |
 | | Formed in 1977 by Leeds University students Jon King (vocals), Andy Gill (guitar), Dave Allen (bass), and Hugo Burnham (drums), Gang of Four (along with the Fall, Mekons, and Liliput) produced some of the most exhilarating and lasting music of the early English post-punk era of 1978-1983. |
 | | Back in the day, before alternative rock was invented and indie rock was still shy of roots music and other folk elements, Camper Van Beethoven's merging of punk, folk, ska, and world music was truly a revelation. |
 | | Inspired equally by jangle pop and arty post-punk, Guided by Voices created a series of trebly, hissy indie rock records filled with infectiously brief pop songs that fell somewhere between the British Invasion and prog rock. |
 | | Few bands have opposed rock star status so vehemently and broken down all barriers between group and audience so thoroughly as '80s punkers the Minutemen, led by singer/guitarist D. |
 | | Not so much a band as a long, strange trip, the chaotic avant pop pranksters Mercury Rev formed in Buffalo, NY, in the late '80s. |