 | | Formed in 2010 after leaving Oasis the previous year after a typically turbulent, backstage row with brother Liam at Manchester’s Heaton Park, the eldest Gallagher sibling’s first official foray into a solo career, Noel Gallagher's High Flying Birds, featured the talents of Gallagher, former Oasis keyboard player Mike Rowe, Lemon Trees drummer Jeremy Stacey, and percussionist Lenny Castro. |
 | | British alt-rock outfit Beady Eye formed in 2009, several months after the rivalry between Oasis siblings Liam and Noel Gallagher reached a boiling point at a summer festival, resulting in Noel's departure and the band's dissolution. |
 | | Oasis shot from obscurity to stardom in 1994, becoming one of Britain's most popular and critically acclaimed bands of the decade in the process. |
 | | It’s too facile to call the Black Keys counterparts of the White Stripes: they share several surface similarities -- their names are color-coded, they hail from the Midwest, they’re guitar-and-drum blues-rock duos -- but the Black Keys are their own distinct thing, a tougher, rougher rock band with a purist streak that never surfaces in the Stripes. |
 | | Kasabian took the British press by storm in the early 2000s by mixing traces of the Stone Roses, Happy Mondays, and Primal Scream with Oasis-sized confidence and DJ Shadow-influenced electronics. |
 | | Radiohead were one of the few alternative bands of the early '90s to draw heavily from the grandiose arena rock that characterized U2's early albums. |
 | | By distilling the sounds of Franz Ferdinand, the Clash, the Strokes, and the Libertines into a hybrid of swaggering indie rock and danceable neo-punk, Arctic Monkeys became one of the U. |
 | | After surfacing in 2000 with the breakthrough single "Yellow," Coldplay quickly became one of the biggest bands of the new millennium, honing a mix of introspective Brit-pop and anthemic rock that landed the British quartet a near-permanent residence on record charts worldwide. |
 | | Hailing from South London, Florence Mary Leontine Welch writes songs that occupy the same confessional territory as gossip-loving, genre-bending contemporaries like Amy Winehouse, Kate Nash, Adele, and Lily Allen and the moody, classic art rock of Kate Bush, blending pop, soul, and baroque arrangements into a sound that earned the young artist considerable buzz in 2007. |
 | | When Tears for Fears sang "Kick out the Style/Bring back the Jam" in "Sowing the Seeds of Love," one can imagine the lads in Kaiser Chiefs raising their mugs of ale in agreement. |
 | | Indie rock trio Foster the People make atmospheric, psychedelic, and dance-oriented pop. Formed in Los Angeles in 2009, the band features keyboardist/guitarist/vocalist Mark Foster, bassist Cubbie Fink, and drummer Mark Pontius. |
 | | Muse's fusion of progressive rock, glam, electronica, and Radiohead-influenced experimentation is crafted by guitarist/vocalist Matthew Bellamy, bassist Chris Wolstenholme, and drummer Dominic Howard. |
 | | Luke Pritchard (vocals/guitar), Hugh Harris (guitar), Max Rafferty (bass), and Paul Garred (drums) generate the rubbishy garage rock sounds of the Kooks. |
 | | Inspired by folk, rock, country, and bluegrass, the London-based Mumford & Sons feature singer/guitarist/drummer Marcus Mumford, vocalist and banjo/Dobro player Winston Marshall, vocalist/keyboardist Ben Lovett, and vocalist/bassist Ted Dwane. |
 | | A combination of indie rock muscle and theatrical, unapologetic bombast turned Arcade Fire into indie royalty in the early 2000s. |
 | | Few bands in the early 2000s rose so quickly to the forefront of pop music as the Killers. With a mix of '80s-styled synth pop and fashionista charm, the band's street-smart debut, Hot Fuss, became one of 2004's biggest releases, spawning four singles and catapulting the group -- particularly their dandyish, 22-year-old frontman, Brandon Flowers -- into the international spotlight. |
 | | In 2003, Frenchmen Anthony Gonzalez and Nicolas Fromageau enjoyed international acclaim for the album Dead Cities, Red Seas & Lost Ghosts, a luscious blend of shoegaze aesthetics, ambient pop, and progressive textures. |
 | | Equally inspired by classic tunesmiths like Buddy Holly and John Lennon and the street-smart attitude and angular riffs of fellow New Yorkers Television and the Velvet Underground, the Strokes were also equally blessed and cursed with an enormous amount of hype -- particularly from the U. |
 | | Death Cab for Cutie's rise from small-time solo project to Grammy-nominated rock band is one of indie rock's greatest success stories. |
 | | Mixing electronic polish with guitar-driven hooks à la Phoenix and the Postal Service, Bangor and Donaghadee, Northern Ireland's Two Door Cinema Club feature singer/guitarist/programmer Alex Trimble, guitarist/singer Sam Halliday, and bassist/singer Kevin Baird. |
 | | After failing to secure an international audience for nearly ten years, Snow Patrol broke into the mainstream with 2003's Final Straw, a mega-selling album that showcased the band's fondness for epic, melancholic rock. |
 | | Standing firmly on the middle ground between the quirky, staccato attack of Modest Mouse and the spirited, arena-ready roar of Arcade Fire, Los Angeles-based indie rock outfit Grouplove came to fruition in the late 2000s around the talents of Hannah Hooper, Christian Zucconi, Sean Gadd, Ryan Rabin, and Andrew Wessen. |
 | | Initially, Blur were one of the multitude of British bands that appeared in the wake of the Stone Roses, mining the same swirling, pseudo-psychedelic guitar pop, only with louder guitars. |
 | | Gotye (pronounced "go-ti-yay" or "Gauthier") is the alias of Australian electronic pop trickster Wally de Backer. |
 | | Although chart success in England was an unlikely first step to fame for a band from Bowling Green, Kentucky, mainstream rock band Cage the Elephant achieved just that. |
 | | Metric are a band with an eclectic, adventurous outlook, whose music encompasses elements of synth pop, new wave, dance-rock, and electronica and whose hometown has vacillated between Toronto, Montreal, New York, Los Angeles, and London over the course of the group's existence. |
 | | New Zealand indie electronic ensemble the Naked and Famous make driving, melodic pop with an '80s post-punk influence. |
 | | A classic guitar pop group almost nine years in the making, Albuquerque, New Mexico's the Shins began in 1997 as the side project of singer/songwriter and guitarist James Mercer's primary band, Flake. |
 | | Brian Aubert (guitar/vocals), Nikki Monninger (bass), Christopher Guanlao (drums), and Joe Lester (keyboards) comprise the swarthy indie rock stylings of Silversun Pickups. |
 | | A solo project of Aaron Bruno, AWOLNATION began as a creative outlet for the songwriter and multi-instrumentalist. |
 | | Half bracing post-punk and half tuneful indie pop, Glasgow's We Were Promised Jetpacks feature vocalist/guitarist Adam Thompson, guitarist Michael Palmer, bassist Sean Smith, and drummer Darren Lackie. |
 | | Long acclaimed as one of the most innovative and spellbinding bands on the contemporary British pop scene, the Verve finally broke through to a mass international audience in 1997 with the instant classic "Bittersweet Symphony. |
 | | The gritty English trio Band of Skulls craft bluesy and ballsy slabs of atmospheric indie rock that echo the work of contemporaries like the Kills, Duke Spirit, and the Black Keys. |
 | | Initially embraced as "the Southern Strokes" for their resurrection and reinvention of Dixie-styled rock & roll, Kings of Leon steadily morphed themselves into an experimental rock outfit during the 2000s. |
 | | Glasgow's art-damaged rock quartet Franz Ferdinand -- named for the Austro-Hungarian Archduke whose murder sparked World War I -- feature bassist Bob Hardy, guitarist Nick McCarthy, drummer Paul Thomson, and singer/guitarist Alex Kapranos. |
 | | A bright new noise in U.K. alternative rock in the '90s and into the new millennium, Stereophonics are comprised of vocalist/guitarist Kelly Jones, bassist Richard Jones, and drummer Stuart Cable (until the latter's replacement by Javier Weyler). |
 | | Infectious London-based indie rock outfit the Vaccines formed in the late 2000s around the talents of Justin Young (vocals, guitar), Árni Hjörvar (bass), Freddie Cowan (guitar), and Pete Robertson (drums). |
 | | As one of the most popular groups to emerge in the post-grunge alternative rock aftermath, Weezer received equal amounts of criticism and praise for their hook-heavy guitar pop. |
 | | Formed in 2009 by London-based vocalist/songwriter/multi-instrumentalist Max McElligott, English indie rock outfit Wolf Gang blends swirling, symphonic alt-rock with quirky electro-pop. |
 | | When Foo Fighters released a debut album written and recorded entirely by leader Dave Grohl -- at that point known only as the powerhouse drummer for Nirvana -- in the summer of 1995, few would have guessed that the group would wind up as the one band to survive the '90s alt-rock explosion unscathed. |
 | | Bombay Bicycle Club is a melodic, guitar-driven indie rock outfit from North London, comprised of frontman Jack Steadman, guitarist Jamie MacColl, drummer Suren de Saram, and bassist Ed Nash. |
 | | One of the most admired guitarists of the early 21st century, Jack White helped restore the popularity of punk-blues as the frontman of the White Stripes. |
 | | As led by singer/songwriter/guitarist Andy Hull, the maturity of Manchester Orchestra's songwriting belied the fact that the bandmembers were barely legal when their group sprung into existence. |
 | | Emerging in 2004 with a blend of woodsy midtempo rock and reverb-laden vocals, Band of Horses gained an audience in their native Northwest before Everything All the Time made them indie rock darlings. |
 | | Formerly known as the Jakes, Young the Giant began making eclectic indie rock in Irvine, CA, where bandmates Sameer Gadhia (vocals), Jacob Tilley (guitar), Eric Cannata (guitar), Payam Doostzadeh (bass), and Francois Comtois (drummer) all met each other during high school. |
 | | After spending several years with the post-punk outfit Sidecar Kisses, vocalist/guitarist Ritzy Bryan and bassist Rhydian Dafydd left the lineup and launched the Joy Formidable, drawing heavily from shoegaze and noisy alt-rock to create their new group's sound. |
 | | Conceived as the first "virtual hip-hop group," Gorillaz blended the musical talents of Dan "The Automator" Nakamura, Blur's Damon Albarn, Cibo Matto's Miho Hatori, and Tom Tom Club's Tina Weymouth and Chris Frantz with the arresting visuals of Jamie Hewlett, best known as the creator of the cult comic Tank Girl. |
 | | Initially pegged as something as a voice of a generation when “Loser” turned into a smash crossover success, Beck did wind up crystallizing much of the post-modern ruckus of the ‘90s alternative explosion, but in unexpected ways. |
 | | Atmospheric English indie pop group the xx formed in London in 2008 around the talents of Romy Madley Croft, Oliver Sim, Baria Qureshi, and Jamie Smith, when the bandmembers were still in high school. |
 | | Led by songwriter Michael Fitzpatrick, Fitz & the Tantrums brew up a retro sound inspired by Motown and Stax Records. |