 | | Hailing from South London, Florence Mary Leontine Welch writes songs that occupy the same confessional territory as gossip-loving, genre-bending contemporaries like Amy Winehouse, Kate Nash, Adele, and Lily Allen and the moody, classic art rock of Kate Bush, blending pop, soul, and baroque arrangements into a sound that earned the young artist considerable buzz in 2007. |
 | | With a voice that recalls a huskier, sandpapery version of Van Morrison and Tim Buckley, Ray LaMontagne joins such artists as Iron & Wine in creating folk songs that are alternately lush and intimately earthy. |
 | | The Avett Brothers' music has roots in traditional folk and bluegrass, but also captures the high spirits and no-boundaries attitude of rock & roll -- which is appropriate, since rock is where Scott Avett and Seth Avett first cut their teeth as musicians. |
 | | Inspired by folk, rock, country, and bluegrass, the London-based Mumford & Sons feature singer/guitarist/drummer Marcus Mumford, vocalist and banjo/Dobro player Winston Marshall, vocalist/keyboardist Ben Lovett, and vocalist/bassist Ted Dwane. |
 | | Inspired by Factory Records, acid house, and the golden days of their Manchester, England hometown in the '80s, Delphic features guitarist Matt Cocksedge, multi-instrumentalist Richard Boardman, singer James Cook, and drummer Dan Therman, who plays at the band's shows. |
 | | Victoria, British Columbia, five-piece Jets Overhead originally formed as a quartet under the name the Special Guests in 1995. |
 | | Emerging in 2004 with a blend of woodsy midtempo rock and reverb-laden vocals, Band of Horses gained an audience in their native Northwest before Everything All the Time made them indie rock darlings. |
 | | Death Cab for Cutie's rise from small-time solo project to Grammy-nominated rock band is one of indie rock's greatest success stories. |
 | | After failing to secure an international audience for nearly ten years, Snow Patrol broke into the mainstream with 2003's Final Straw, a mega-selling album that showcased the band's fondness for epic, melancholic rock. |
 | | Initially embraced as "the Southern Strokes" for their resurrection and reinvention of Dixie-styled rock & roll, Kings of Leon steadily morphed themselves into an experimental rock outfit during the 2000s. |
 | | Ann Arbor, Michigan native and longtime eclectic DJ/producer Andrew Cohen, onetime member of the rap groups Athletic Mic League and Now On, began recording soul-seeped material as something of a joke, but didn't plan to have it reach beyond his circle of friends and family. |
 | | After surfacing in 2000 with the breakthrough single "Yellow," Coldplay quickly became one of the biggest bands of the new millennium, honing a mix of introspective Brit-pop and anthemic rock that landed the British quartet a near-permanent residence on record charts worldwide. |
 | | Charlotte Gainsbourg may be better known as an accomplished actress than as a musician, but her singing career has also been significant. |
 | | Led by Montana native Colin Meloy, the Decemberists craft theatrical, hyper-literate pop songs that draw heavily from late-'60s British folk acts like Fairport Convention and Pentangle and the early-'80s college rock grandeur of the Waterboys and R. |
 | | With his laid-back vocal delivery and acoustic songwriting, Amos Lee draws inspiration from soul music, contemporary jazz, and '70s folk artists like James Taylor. |
 | | The gritty English trio Band of Skulls craft bluesy and ballsy slabs of atmospheric indie rock that echo the work of contemporaries like the Kills, Duke Spirit, and the Black Keys. |
 | | Mixing the heartfelt angst of a singer/songwriter with the cocky brashness of a garage rocker, Ryan Adams is at once one of the few artists to emerge from the alt-country scene to achieve mainstream commercial success and the one who most strongly refused to be defined by the genre, leaping from one spot to another stylistically while following his increasingly prolific muse. |
 | | The French group Phoenix draw elements from their eclectic '80s upbringing to arrive at a satisfying blend of rock and synthesizers. |
 | | Singer/songwriter Samuel Beam, who rose to prominence with a blend of whispered vocals and softly homespun indie folk, chose the moniker Iron & Wine after coming across a dietary supplement named "Beef Iron & Wine" while working on a film. |
 | | Atmospheric English indie pop group the xx formed in London in 2008 around the talents of Romy Madley Croft, Oliver Sim, Baria Qureshi, and Jamie Smith, when the bandmembers were still in high school. |
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 | | Rock quartet As Tall as Lions formed in 2002 in Long Island, NY, after its members had been playing in a previous incarnation called Sundaze. |
 | | Born Michael James Owen Pallett-Plowright, Owen Pallett is a singer/violinist from Toronto best known for his solo recordings as Final Fantasy. |
 | | British singer/songwriter David Gray had already released three overlooked albums by the time White Ladder (and its international breakthrough hit, "Babylon") brought his mix of acoustic instruments and electronic samples to the mainstream. |
 | | A classic guitar pop group almost nine years in the making, Albuquerque, New Mexico's the Shins began in 1997 as the side project of singer/songwriter and guitarist James Mercer's primary band, Flake. |
 | | Though director John Waters is best known as the auteur of classic cult movies like Pink Flamingos, Polyester, and Hairspray, in the 2000s he began compiling holiday-themed collections of music that shared the same kitschy, campy aesthetic as his movies. |
 | | With their choir boy vocals and panoramic pop/rock sound, the Temper Trap began building an audience in Melbourne, Australia, where the band first rose to local acclaim after playing St. |
 | | Formed in 2003 as an electronics-based group with an emphasis on the dancefloor, the Whitest Boy Alive eventually abandoned all programming and most other forms of synthetic instrumentation for a typical rock band setup. |
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 | | It’s too facile to call the Black Keys counterparts of the White Stripes: they share several surface similarities -- their names are color-coded, they hail from the Midwest, they’re guitar-and-drum blues-rock duos -- but the Black Keys are their own distinct thing, a tougher, rougher rock band with a purist streak that never surfaces in the Stripes. |
 | | A combination of indie rock muscle and theatrical, unapologetic bombast turned Arcade Fire into indie royalty in the early 2000s. |
 | | When the U.K. press began dubbing Adele "the next Amy Winehouse" in late 2007, the hype didn't touch upon the heavy singer/songwriter influence found in the Londoner's music. |
 | | An enticing blend of indie pop hooks and crisp electronic beats in the style first perfected by Saint Etienne's Foxbase Alpha, Little Dragon are a showcase for Swedish-Japanese singer Yukimi Nagano, a mainstay of the European downtempo and lounge scenes. |
 | | Formed in 2007 by Ima Robot frontman Alex Ebert after a brief period of existential crisis, the cultish 11-piece indie rock outfit Edward Sharpe & the Magnetic Zeros draw their inspiration from the communal musical communities that peppered Southern California (specifically Laurel Canyon) with positive vibrations during the '60s and early '70s. |
 | | With their heady blend of precision punk and serpentine classic rock (the band has drawn comparisons to everyone from the Pixies and Sonic Youth to Elvis Costello and Tom Petty), enigmatic, Texas-based indie pop outfit Spoon went from underground press darlings to one of the genre’s premier commercially and critically acclaimed alternative rock acts. |
 | | The solo project of the Knife's Karin Dreijer, Fever Ray shares some of her main group's icy electronic atmospheres, but takes a slightly more organic-sounding approach. |
 | | A team of DJs who are leaders in the world of mash-ups and bastard pop, 2 Many DJ's are Belgian brothers David and Stephen Dewaele, who have retained their day jobs in the more traditional act Soulwax. |
 | | Major Lazer is the digital reggae/dancehall project of Diplo (Philadelphia's Wes Pentz) and Switch (London's Dave Taylor), two globetrotting, tastemaking DJ/producers whose previous collaborations notably included production work for M. |
 | | Gomez are a five-piece British act consisting of Ben Ottewell (vocals, guitar), Tom Gray (vocals, guitar, keyboards), Paul Blackburn (bass, guitar), Olly Peacock (drums), and Ian Ball (vocals, guitar, harmonica). |
 | | Radiohead were one of the few alternative bands of the early '90s to draw heavily from the grandiose arena rock that characterized U2's early albums. |
 | | Before Jack Johnson became the 21st century kingpin of beachside pop/rock, he was a champion surfer on the professional route. |
 | | Noted mainly for his unique fusion of dance, punk, electronic, and industrial, Erol Alkan began his career as the lead promoter and main DJ for the club night Trash based in London. |
 | | Though Broken Bells featured two of the bigger names in indie and alternative music -- the Shins’ singer/guitarist James Mercer and producer/multi-instrumentalist Brian Burton, aka Danger Mouse -- the duo managed to keep their project secret for a relatively long time. |
 | | Irish singer/songwriter Damien Rice launched his music career in the late-'90s with the hard-hitting indie rock outfit Juniper. |
 | | London residents Robbie Furze and Milo Cordell formed the Big Pink in their home studio, where the two musicians began mixing the droning soundscapes of Spacemen 3 and My Bloody Valentine with the lush electronics of M83. |
 | | Formed in 2008, Local Natives craft their dramatic and eclectic brand of indie rock from their home base in Los Angeles, California. |
 | | Creator of an innovative fusion of Indian bhangra music and drum'n'bass electronica, Talvin Singh was classically trained on the tabla but rejected most of his learning when he founded the Anokha club night at East London's Blue Note. |
 | | Finding an unlikely middle point between Suicide's hostile, proto-electro punk art noise and the sardonic, pop-friendly sound of the Flaming Lips, MGMT started as electroclash musical terrorists but quickly grew into an eclectic, brainy pop group with psychedelic overtones. |
 | | Wilco rose from the ashes of the seminal roots rock band Uncle Tupelo, which disbanded in 1994. While Jay Farrar, one of the group's two singer/songwriters, went on to form Son Volt, his ex-partner Jeff Tweedy established Wilco along with the remaining members of Tupelo's final incarnation, which included drummer Ken Coomer as well as part-time bandmates John Stirratt (bass) and Max Johnston (mandolin, banjo, fiddle, and lap steel). |
 | | Keane's piano-driven pop/rock is created by vocalist Tom Chaplin, drummer Richard Hughes, and pianist Tim Rice-Oxley, three childhood friends from the small town of Battle in East Sussex, England. |
