 | | Testament were the biggest thrash metal band never to reach the platinum plateau. In fact, the San Francisco quintet seemed on the verge of challenging Metallica (their most obvious influence) in the melodic thrash sweepstakes, but their run toward the top was eventually derailed by inconsistency, bad business decisions, and the genre's dwindling appeal. |
 | | Nearly as much as Metallica or Megadeth, Anthrax were responsible for the emergence of speed and thrash metal. |
 | | Once the kings of the Bay Area metal scene -- the birthplace of thrash -- Exodus were unceremoniously demoted from their post with the arrival of Los Angeles' Metallica in 1982. |
 | | Slayer were one of the most distinctive, influential, and extreme thrash metal bands of the 1980s. Their graphic lyrics dealt with everything from death and dismemberment to war and the horrors of hell. |
 | | After he left Metallica in 1983, guitarist/vocalist Dave Mustaine formed the thrash metal quartet Megadeth. |
 | | From their humble beginnings in Belo Horizonte, Brazil, Sepultura went on to become the most successful Brazilian heavy metal band in history. |
 | | The preeminent metal band of the early to mid-'90s, Pantera put to rest any and all remnants of the '80s metal scene, almost single-handedly demolishing any notion that hair metal, speed metal, power metal, et al. |
 | | Judging from their name, Suicidal Tendencies were never afraid of a little controversy. Formed in Venice, CA, during the early '80s, the group's leader from the beginning was outspoken vocalist Mike Muir. |
 | | Motörhead's overwhelmingly loud and fast style of heavy metal was one of the most groundbreaking styles the genre had to offer in the late '70s. |
 | | Known for such powerful hits as "Two Minutes to Midnight" and "The Trooper," Iron Maiden were and are one of the most influential bands of the heavy metal genre. |
 | | During his time in the seminal hardcore band the Misfits, vocalist Glenn Danzig displayed a fascination with outlandish, graphic, often gory imagery; in forming the more heavy metal-oriented band Samhain, Danzig's lyrics delved into typical metal subject matter, but took the concept of darkness to an extreme. |
 | | One of the first punk-metal fusion bands, Corrosion of Conformity (C.O.C. for short) were formed in North Carolina by guitarist Woody Weatherman during the early '80s. |
 | | Rising out of the expansive early '90s thrash metal landscape, New York's Prong carved a niche all their own with their minimalist urban take on the genre. |
 | | Influential West Coast heavy metal quartet Machine Head formed in 1992 around the talents of ex-Vio-Lence guitar players Robert Flynn and Phil Demmel, bass player Adam Duce, and drummer Chris Kontos. |
 | | Upon his exit from Sepultura in late 1996, singer/guitarist/songwriter Max Cavalera almost automatically set out to form his next musical endeavor, the ultra-heavy Soulfly. |
 | | For metalheads who thought bands like W.A.S.P. and Mötley Crüe just weren't menacing or heavy enough, White Zombie was the perfect antidote for a period of time during the mid- to late '90s, as they fused B-horror movie visuals and subject matter with heavy music and growled vocals. |
 | | GWAR (popularly thought to be an acronym for God What an Awful Racket, despite the band's protests to the contrary) are thrash metal's answer to the more mainstream satire of Spinal Tap. |
 | | San Francisco's Death Angel was a product of the bustling Bay Area thrash metal scene of the 1980s. Combining serious guitar crunch and speed with a fair amount of technical expertise, they created complex thrash metal filled with time changes and tricky arrangements that, although generally loved by critics, usually failed to translate beyond a very specialized buying public. |
 | | Formed Seattle in 1982, Metal Church consisted of vocalist David Wayne, guitarists Kurdt Vanderhoof and Craig Wells, bassist Duke Erickson, and drummer Kirk Arrington. |
 | | Originally known by the less-than-subtle moniker Burn the Priest, Richmond, Virginia-based Lamb of God decided to change their name shortly after the release of a self-titled debut in 1998. |
 | | Metallica was easily the best, most influential heavy metal band of the '80s. Responsible for bringing the genre back to Earth, the bandmates looked and talked like they were from the street, shunning the usual rockstar games of metal musicians during the early '80s. |
 | | Fear Factory were one of the first bands to fuse the loud, crushing intensity of death metal with the cold harshness of industrial electronics and samples, producing a more varied sonic palette with which to express their bleak, pessimistic view of modern, technology-driven society. |
 | | New York goth metal quartet Type O Negative were led by vocalist/bassist/songwriter Peter Steele and featured guitarist Ken Hickey, keyboardist Josh Silver, and drummer Johnny Kelly. |
 | | After falling out with mentor Ozzy Osbourne following the recording sessions for 1995's Ozzmosis, guitarist Zakk Wylde struck out on his own with his first solo album, Book of Shadows, in 1996. |
 | | The New Haven, Connecticut-based Hatebreed got together in 1993 for the purpose of creating a "back to basics" hardcore band with heavy metallic guitars, screaming vocals, and 30-second songs. |
 | | Judas Priest was one of the most influential heavy metal bands of the '70s, spearheading the New Wave of British Heavy Metal late in the decade. |
 | | Black Sabbath have been so influential in the development of heavy metal rock music as to be a defining force in the style. |
 | | Widely regarded as the finest vocalist in all of metal (who possesses a multi-octave range), theatrical rocker King Diamond first rose to prominence as a member of Mercyful Fate before launching a solo career on his own. |
 | | Atlanta-based sludge/stoner/alternative metal outfit Mastodon formed in 1999 around the talents of guitarist Bill Kelliher, drummer Bränn Dailor, bassist/vocalist Troy Sanders, and guitarist/vocalist Brent Hinds. |
 | | For a brief spell during the mid-'80s, the heavy metal quintet Dio were one of the top U.S. concert attractions, boasting one of the most over the top stage acts of its time loaded with props and special effects (lasers, explosions, a giant dragon, etc. |
 | | Biohazard was one of the first bands to regularly incorporate elements of both hip-hop and hardcore metal into their sound; since their lyrical fare dealt with the harshness of urban life and the resulting anger and frustration, which both genres of music have been known to address, the connection only made sense, especially in light of Anthrax's highly effective collaboration with Public Enemy on 1991's "Bring the Noise. |
 | | Down is an all-star heavy metal side project whose original lineup consisted of members from Pantera (singer Phil Anselmo), Corrosion of Conformity (guitarist Pepper Keenan), and Crowbar (guitarist Kirk Windstein, bassist Todd Strange, and drummer Jimmy Bower). |
 | | Slipknot's mix of grinding, post-Korn alternative metal, Marilyn Manson-esque neo-shock rock, and rap-metal helped make them one of the most popular bands in the so-called nu-metal explosion of the late '90s. |
 | | The longtime frontman for metal superstars White Zombie, Rob Zombie was born Robert Cummings on January 12, 1966, in Haverhill, Massachusetts, forming the group soon after moving to New York City circa 1985. |
 | | Following the dissolution of Marilyn Manson/Korn-aping, nu-metal also-rans Coal Chamber, vocalist Dez Fafara hooked up with guitarists Evans Pitts and Jeffrey Kendrick, bassist Jon Miller, and drummer John Boecklin to form DevilDriver -- a rather more extreme band dedicated to the subsequent hardcore-meets-death metal trends. |
 | | Like many influential bands, Helmet were born out of an unusual set of influences. Oregon-born guitarist and founder Page Hamilton had actually moved to New York City to study jazz, but found inspiration in the late '80s through post-punk acts Sonic Youth, Killing Joke, and Big Black, and envisioned a group that combined then-unusual tunings (particularly dropped D) with uneven and jazz-like time signatures and harmonies. |
 | | Though many bands have succeeded in earning the hatred of parents and media worldwide throughout the past few decades, arguably only such acts as Alice Cooper, Judas Priest, and Marilyn Manson have tied the controversial record of Ozzy Osbourne. |
 | | Although their music sometimes bears strong similarities to the technical, progressive brand of death metal centered around Gothenburg, Sweden and epitomized by bands like In Flames, Shadows Fall actually hail from Massachusetts. |
 | | Dimebag Darrell and Vinnie Paul started forming up Damageplan in early 2003, soon after the demise of their previous band, thrash metal heroes Pantera. |
 | | Rammstein were formed in 1993 by an assembly of factory-weary proletarians raised in East Germany. They took their name (adding an "m") from the location of a German tragedy where 80 people were hurt and killed as the result of a crash during an American Air Force flight show. |
 | | "If vomit were a movie, this would be the soundtrack," wrote one critic of Cannibal Corpse's music, some of the most extreme, violent death metal sounds and subject matter ever committed to tape. |
 | | Static-X's roots trace to the Midwest, where vocalist/guitarist Wayne Static grew up in Michigan and drummer Ken Jay in Illinois. |
 | | One of the heavier bands to come out of the early-'80s L.A. metal scene, W.A.S.P. quickly rose to national infamy thanks to their shock rock image, lyrics, and live concerts. |
 | | Tool's greatest breakthrough was to meld dark underground metal with the ambition of art rock. Although Metallica wrote their multi-sectioned, layered songs as if they were composers, they kept their musical attack ferociously at street level. |
 | | With their brutal, simple riffs and aggressive, fast tempos, Accept were one of the top metal bands of the early '80s, and a major influence on the development of thrash. |
 | | Until Nine Inch Nails crossed over to the mainstream, Ministry did more than any other band to popularize industrial dance music, injecting large doses of punky, over-the-top aggression and roaring heavy metal guitar riffs that helped their music find favor with metal and alternative audiences outside of industrial's cult fan base. |
 | | Coal Chamber broke out of the Los Angeles alternative metal scene in 1997 with a sound often compared to Korn, although both bands formed around the same time and are quality representations of the scene's overall sound -- the heavy, detuned guitars of the murkiest Black Sabbath, grungy, noisy textures reminiscent of White Zombie or Tool, the white-knuckle intensity of Pantera and hardcore punk, and perhaps a few hip-hop-influenced beats á la Biohazard. |
 | | Although they were initially grouped with the legions of pop-metal bands that dominated the American heavy metal scene of the '80s, Queensrÿche were one of the most distinctive bands of the era. |
 | | Like many late-'90s metal bands, System of a Down struck a balance between '80s underground thrash metal and metallic early-'90s alternative rockers like Jane's Addiction. |
 | | With their fusion of heavy metal, funk, hip-hop, and progressive rock, Faith No More has earned a substantial cult following. |
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