 | | With drum-n-bass-driven beats existing in uncharted nether-regions of style, The Invisible beat a cerebral blend of art rock, post punk, funk, dance pop, and afrobeat into a thick, but satisfying musical stew. |
 | | Atmospheric English indie pop group the xx formed in London in 2008 around the talents of Romy Madley Croft, Oliver Sim, Baria Qureshi, and Jamie Smith, when the bandmembers were still in high school. |
 | | Teen Daze is the moniker of Vancouver, British Columbia, producer Jamison, whose atmospheric synth pieces first gained acclaim when he posted them to his Tumblr account. |
 | | The nameless lineup that became Atoms for Peace made its public debut at Los Angeles, California's Echoplex on October 2, 2009. |
 | | Vocalist Lana Del Rey makes atmospheric, orchestral, retro-'60s-sounding pop that showcases her torchy image and sensuous singing style. |
 | | Kevin Parker (vocals/guitar) and Dominic Simper (bass) formed Tame Impala as 13 year olds in Perth in 1999, sticking to bedroom recordings until 2007, when Jay Watson joined them on drums and backing vocals. |
 | | Although formed during the late '90s, Interpol rose to international attention in 2002 as part of New York City's post-punk revival. |
 | | Formed in 2008, Local Natives craft their dramatic and eclectic brand of indie rock from their home base in Los Angeles, California. |
 | | The alter ego of Interpol's Paul Banks, Julian Plenti's musical career is actually slightly longer than that of Banks' other project: Banks conceived of Plenti in 1996 and began performing as an acoustic solo artist in 1998, playing venues including the Knitting Factory and Tobacco Road. |
 | | A diverse handful of guest appearances and solo singles across 2010 and 2011 situated Jessie Ware in a line of remarkable soul-inspired U. |
 | | A self-coined "fantasy rock" duo, Brooklyn's Savoir Adore were born of a rather odd recording session in 2007. |
 | | The alias of electronic musician and producer Harley Streten, Flume makes atmospheric R&B and dance-influenced music. |
 | | The brainchild of singer/guitarist Kevin Barnes, Of Montreal was among the second wave of bands to emerge from the sprawling Elephant 6 collective. |
 | | In 2003, Frenchmen Anthony Gonzalez and Nicolas Fromageau enjoyed international acclaim for the album Dead Cities, Red Seas & Lost Ghosts, a luscious blend of shoegaze aesthetics, ambient pop, and progressive textures. |
 | | While a rotating cast of instrumentalists find loose assembly under the Pinback name, the partnership of Armistead Burwell Smith IV and Rob Crow is at the heart of the some of the most complex, postmodern indie pop happening on the West Coast. |
 | | American indie pop outfit Other Lives formed as an instrumental project in 2004 under the name Kunek. |
 | | Research fellow Tom Krell makes ghostly, lo-fi R&B under the moniker How to Dress Well, a name he stumbled upon and adopted as his own in a Minneapolis bookstore in 2004. |
 | | The chilly electro-pop project of Corin Roddick and Megan James, Purity Ring began when the two were in Canadian indie rock act Gobble Gobble (which later became Born Gold). |
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 | | Radiohead were one of the few alternative bands of the early '90s to draw heavily from the grandiose arena rock that characterized U2's early albums. |
 | | Born in the Dominican Republic, raised in Florida, and boasting an expansive musical background that includes composing for a touring dance company and fronting a Boston punk group, George Lewis, Jr. |
 | | Nite Jewel is the alias of Los Angeles musician and multimedia artist Ramona Gonzalez, whose lo-fi, synth-based compositions draw inspiration from dance music -- primarily 1980s freestyle and electronic disco and early-'90s R&B -- filtered through the arty haziness of shoegaze and an experimental D. |
 | | Vitalic is the alter ego of Pascal Arbez, a French programmer/multi-instrumentalist who blends electro, techno, and house -- as well as elements of classical, rock, Italo-disco, and '70s electronic music -- into a sound that recalls the work of fellow countrymen Daft Punk and Air, but has its own hard-edged playfulness. |
 | | After taking his bedroom recordings to the next level with a full band in Jonquil, Oxford-based Hugo Manuel went back to recording as a solo artist under the name Chad Valley. |
 | | Originally known as Dive, Brooklyn's DIIV is the beachy pop project of Zachary Cole Smith, also a member of the like-minded Beach Fossils. |
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 | | A classic guitar pop group almost nine years in the making, Albuquerque, New Mexico's the Shins began in 1997 as the side project of singer/songwriter and guitarist James Mercer's primary band, Flake. |
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 | | Metric are a band with an eclectic, adventurous outlook, whose music encompasses elements of synth pop, new wave, dance-rock, and electronica and whose hometown has vacillated between Toronto, Montreal, New York, Los Angeles, and London over the course of the group's existence. |
 | | Dungeonesse were formed by the Art Department's Jon Ehrens and Wye Oak's Jenn Wasner to celebrate their mutual love for modern R&B and pop music. |
 | | Fusing low-res electronic noise and pop hooks so effortlessly that it can seem accidental, Crystal Castles began as producer/multi-instrumentalist Ethan Kath's solo project in late 2003. |
 | | Despite its summery name, Beach House creates music that is dark, dreamy, and alluringly hypnotic. Baltimore residents Alex Scally and Victoria Legrand (the niece of French composer Michel Legrand) formed the duo in 2005, with Legrand's hushed, Nico-like vocals and Scally's delicate instrumentation paving the way for their first batch of songs. |
 | | Although chiefly known as the frontman of My Morning Jacket, Jim James played a wider role in indie rock during the early 21st century, appearing on albums by several artists (including Bright Eyes, M. |
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 | | Australian producers Ryan Grieve (aka Ryan Sea-mist) and Leo Thomson (aka Leo Holiday) started Hole in the Sky Records as a way to release their own solo records, and after putting out Tame Impala' s debut EP, they teamed up to form a retro-flavored dance project called Canyons. |
 | | The music of Brooklyn's Yeasayer is an eclectic, genre-bending journey into pop, rock, Middle Eastern and African musics, folk, and dub. |
 | | During the latter part of the 2000s, Manchester-based DJ/producer Andy Stott evolved from making high-quality dub techno to releasing a singular and more adventurous strain with an approach that favored leaden tempos and unsettling, sample-based textures. |
 | | Australian pop outfit Gold Fields make '80s new wave-influenced dance-pop. Formed in Ballarat, Victoria, Australia in 2010, Gold Fields feature vocalist Mark Robert Fuller, guitarist Vin Andanar, keyboardist Rob Clifton, bassist Luke Peldys, and drummer Ryan D'Sylva. |
 | | Disclosure are Guy and Howard Lawrence, siblings from Surrey, England who debuted in 2010, when they uploaded early material to MySpace. |
 | | Minneapolis country-leaning indie band Night Moves were formed by three high-school friends in 2010. |
 | | Since they emerged at a time when C-86-inspired acts like Vivian Girls and the Pains of Being Pure at Heart were in vogue, it’s little wonder that California’s Dum Dum Girls -- a group whose '60s-inflected lo-fi pop brings to mind acts like Black Tambourine and Dolly Mixture -- became something of a sensation on the indie circuit soon after the release of their first single. |
 | | The Boston, Massachusetts-based Passion Pit began as a one-man project of singer and songwriter Michael Angelakos to produce a Valentine's Day gift for his girlfriend. |
 | | It’s too facile to call the Black Keys counterparts of the White Stripes: they share several surface similarities -- their names are color-coded, they hail from the Midwest, they’re guitar-and-drum blues-rock duos -- but the Black Keys are their own distinct thing, a tougher, rougher rock band with a purist streak that never surfaces in the Stripes. |
 | | Indie rock singer/songwriter Jason Lytle made his solo album debut in 2009, following a decade-long recording career as the frontman of Grandaddy. |
 | | Standing firmly on the middle ground between the quirky, staccato attack of Modest Mouse and the spirited, arena-ready roar of Arcade Fire, Los Angeles-based indie rock outfit Grouplove came to fruition in the late 2000s around the talents of Hannah Hooper, Christian Zucconi, Sean Gadd, Ryan Rabin, and Andrew Wessen. |
 | | Singer/songwriter J. Tillman's music paints languid, sadly beautiful portraits of love and life on the margins with the moody depth of Nick Drake and the country-influenced textures of Ryan Adams. |
 | | Jack Tatum, formerly of Jack and the Whale and Facepaint, began making his shimmery, synth-washed indie pop recordings under the name Wild Nothing in the summer of 2009. |
 | | With a swooping, baby-voiced singing style, Grimes (the alias of Vancouver native Claire Boucher) crafts a haunting brand of lo-fi dance music that fits stylistically within the goth-electronic umbrella coined "witch house" or "grave wave. |
 | | El Perro del Mar (The Sea Dog) is the nom de musique of Sarah Assbring, a Swedish pop thrush whose recordings are glorious aural confections that combine Brill Building pop and the influences of Brian Wilson, Burt Bacharach, and Smokey Robinson with lyrics that speak with a sweet, ineffable sadness of the pitfalls of love and life. |