 | | Out of all the new country singers to emerge in the early '80s, George Strait stayed the closest to traditional country. |
 | | Before Alabama, bands were usually relegated to a supporting role in country music. In the first part of the century, bands were popular with audiences across the country, but as recordings became available, nearly every popular recording artist was a vocalist, not a group. |
 | | Travis Tritt was one of the leading new country singers of the early '90s, holding his own against Garth Brooks, Clint Black, and Alan Jackson. |
 | | After Garth Brooks, Alan Jackson was the most popular male country singer of the '90s. An heir to the new traditionalist movement of the '80s, Jackson's approach was rooted in classic honky tonk yet remained comfortably within the contemporary mainstream. |
 | | A country music traditionalist from Texas, Clint Black was one of the first artists to kick-start the mass-market popularity of country in the '90s. |
 | | Garth Brooks is a pivotal figure in the history of country music, no matter how much some country purists would like to deny it. |
 | | The undisputed kings of the '90s line-dancing craze, Brooks & Dunn are not only the biggest-selling duo in country music history, they've also sold more records than any other duo period, including Simon & Garfunkel. |
 | | By most accounts, George Jones was the finest vocalist in the recorded history of country music. Initially, he was a hardcore honky tonker in the tradition of Hank Williams, but over the course of his career he developed an affecting, nuanced ballad style. |
 | | Vince Gill paid nearly a decade-and-a-half of dues en route to becoming one of the most popular country stars of the '90s. |
 | | With his stripped-down approach to traditional honky tonk and Bakersfield country, Dwight Yoakam helped return country music to its roots in the late '80s. |
 | | Originally a '50s rock & roll singer, Conway Twitty became the reigning country superstar of the '70s and '80s, racking up a record 40 number one hits over the course of two decades. |
 | | Part of the commercial rise of rock-tinged honky tonk in the early '90s, Tracy Lawrence was one of the decade's most reliable country hitmakers. |
 | | The offspring of famous musicians often have a hard time creating a career for themselves, yet Hank Williams, Jr. |
 | | Sammy Kershaw rode in on the new traditionalist wave in the early '90s, finding success with a penchant for ballads and a blend of updated honky tonk (especially the vocal stylings of George Jones), Southern rock, and a hint of Cajun flavor. |
 | | Neo-honky tonker Mark Chesnutt parlayed a solid grounding in classic country into chart-topping stardom during the '90s. |
 | | Tanya Tucker had her first country hit in 1972, when she was just 13 years old. Over the succeeding decades, Tucker became one of the few child performers to mature into adulthood without losing her audience, and during the course of her career, she notched a remarkable streak of Top Ten and Top 40 hits. |
 | | Part of the '90s wave of honky tonk hitmakers that brought country to new commercial heights, John Michael Montgomery made his name primarily as a romantic balladeer. |
 | | Toby Keith spent the '90s as a solid, workmanlike country star who met with considerable chart success, yet never quite broke free of the neo-traditionalist pack to become a household name like Garth Brooks or Alan Jackson. |
 | | One of those rare acts who actually became stars directly from winning Star Search, country-rockers Sawyer Brown wound up enjoying a long, hit-filled career and remained commercially viable into the new millennium. |
 | | Trace Adkins helped keep country's traditionalist flame burning during the crossover-happy late '90s, mixing classic honky tonk with elements of gospel, blues, and rock & roll. |
 | | Reba McEntire was the most successful female recording artist in country music in the 1980s and 1990s, during which time she scored 22 number one hits and released five gold albums, six platinum albums, two double-platinum albums, four triple-platinum albums, a quadruple-platinum album, and a quintuple-platinum album, for certified album sales of 33. |
 | | Diamond Rio found major commercial success in the '90s by playing an eclectic hybrid of modern country, traditional bluegrass (especially in their harmony singing), and a hint of rock & roll. |
 | | If any one performer personified the outlaw country movement of the '70s, it was Waylon Jennings. Though he had been a professional musician since the late '50s, it wasn't until the '70s that Waylon, with his imposing baritone and stripped-down, updated honky tonk, became a superstar. |
 | | When Tim McGraw debuted in the early '90s, few would have predicted that he would eventually take over Garth Brooks' position as the most popular male singer in country music. |
 | | Aaron Tippin was part of the commercial explosion of new traditionalist country in the early '90s, making his name with a mixture of macho, rowdy honky tonkers, sentimental ballads, and patriotic working-man's anthems. |
 | | As a performer and a songwriter, Merle Haggard was the most important country artist to emerge in the 1960s, and he became one of the leading figures of the Bakersfield country scene in the '60s. |
 | | It took several tries before Kenny Rogers became a star. As a member of the First Edition (and the New Christy Minstrels before that), he shared in some million-sellers, among them "Reuben James" and "Ruby, Don't Take Your Love to Town," an excellent Mel Tillis song about a disabled veteran. |
 | | Joe Diffie was regarded by many of his peers as one of the better vocalists in contemporary country, and lent his traditional sensibilities to humorous, rock-tinged novelties and plaintive ballads. |
 | | Neo-honky tonker John Anderson was born in Apopka, FL, in 1955 and grew up listening to rock & roll, until he discovered country music at age 15 through Merle Haggard. |
 | | Tracy Byrd's brand of new traditionalist country made him a star in the '90s, particularly his playful, good-time party singalongs (though he also turned in the occasional ballad success). |
 | | Johnny Cash was one of the most imposing and influential figures in post-World War II country music. |
 | | Ronnie Milsap was one of the major figures of country music in the 1970s, developing a hybrid of country and pop that brought him a large audience. |
 | | With his first two singles reaching number one upon their release, Clay Walker immediately established himself as a commercial success. |
 | | Contemporary country star Kenny Chesney didn't have the immediate breakout success that many of his peers enjoyed upon signing with major labels, but gradually built up a significant following via hard work, pop-friendly ballads, and a likable, "Average Joe" persona. |
 | | A talented and showy fiddler, Charlie Daniels and his band fuse hardcore country with a hard-edged Southern rock, boogie, and blues. |
 | | One of the longest-running groups in country music, the Oak Ridge Boys started life as a gospel quartet before gradually modernizing their style and moving into secular country-pop. |
 | | As a songwriter and a performer, Willie Nelson played a vital role in post-rock & roll country music. |
 | | Up until the rise of Brooks & Dunn in the '90s, the Judds were the most commercially successful duo in country music history. |
 | | With 36 number one hits under his belt, Charley Pride, who is black, has helped prove how little race matters to the majority of country music fans. |
 | | Though their name might lead you to believe that Lonestar was formed in Texas, the quintet actually hails from Tennessee. |
 | | It's difficult to find a country performer who has moved from her country roots to international fame more successfully than Dolly Parton. |
 | | One of the most popular female country singers of the '90s, Trisha Yearwood initially rose to fame as a protégée of Garth Brooks but quickly staked out her own identity as an assertive yet vulnerable modern woman. |
 | | One of the most popular country bands of the early '90s, Little Texas was influenced by modern country outfits like Alabama and Restless Heart, as well as country-rock groups like the Eagles. |
 | | Country duo Montgomery Gentry evokes the sound and spirit of Southern rockers like Lynyrd Skynyrd, the Marshall Tucker Band, and Charlie Daniels, painting themselves as rowdy redneck rebels who still hold small-town values. |
 | | Contemporary country singer/songwriter Brad Paisley was born October 28, 1972, in Glen Dale, West Virginia; given his first guitar at age eight, he delivered his first public performance at church two years later. |
 | | Gary Allan hit the honky tonk circuit in his native Southern California at the seasoned age of 12. Playing in and out of the smoky, sweaty bars with his dad's band led Allan to follow in his father's footsteps and start his own band. |
 | | Contemporary country star Collin Raye burned up the sales charts in the '90s, thanks to a blend of country-rock and smooth balladry, and a willingness to record socially conscious material in between the dance and romance tunes. |
 | | Hank Williams is the father of contemporary country music. He was a superstar by the age of 25; he was dead at the age of 29. |
 | | Most country groups of the '80s favored a commercial pop-oriented approach that alienated many traditional listeners but captured the ear of the mainstream. |
 | | Loretta Lynn is one of the classic country singers. During the '60s and '70s, she ruled the charts, racking up over 70 hits as a solo artist and a duet partner. |