 | | Earth, Wind & Fire were one of the most musically accomplished, critically acclaimed, and commercially popular funk bands of the '70s. |
 | | The Gap Band, centered around brothers Charlie, Ronnie, and Robert Wilson, toiled in obscurity for several years prior to becoming one of the most popular funk groups of the late '70s and 1980s. |
 | | First formed in the early '50s, the Isley Brothers enjoyed one of the longest, most influential, and most diverse careers in the pantheon of popular music -- over the course of nearly a half century of performing, the group's distinguished history spanned not only two generations of Isley siblings but also massive cultural shifts which heralded their music's transformation from gritty R&B to Motown soul to blistering funk. |
 | | Renowned for the R&B hits "Just to Be Close to You," "Easy," and "Brickhouse," to name but a few, Commodores were one of the top bands during their long tenure at Motown. |
 | | Formed as a jazz ensemble in the mid-'60s, Kool & the Gang became one of the most inspired and influential funk units during the '70s, and one of the most popular R&B groups of the '80s after their breakout hit "Celebration" in 1979. |
 | | One of the most gifted, visionary, and enduring talents ever launched into orbit by the Motown hit machine, Marvin Gaye blazed the trail for the continued evolution of popular black music. |
 | | The O'Jays were one of Philadelphia soul's most popular and long-lived outfits, rivaled only by the Spinners as soul's greatest vocal group of the '70s. |
 | | Say the name Barry White and you'd be hard pressed to follow it with the name of any other recording artist with such a huge, cross-sectional following. |
 | | Al Green was the first great soul singer of the '70s and arguably the last great Southern soul singer. |
 | | Stevie Wonder is a much-beloved American icon and an indisputable genius not only of R&B but popular music in general. |
 | | One of the most underrated funk groups of the 1980s, Zapp revolutionized the computer pop of electro with their trademark vocoder talk boxes and bumping grooves, emulating the earthier side of Prince and Cameo, with a leader in Roger Troutman who was more than efficient at polished production. |
 | | Few artists have created a body of work as rich and varied as Prince. During the '80s, he emerged as one of the most singular talents of the rock & roll era, capable of seamlessly tying together pop, funk, folk, and rock. |
 | | Thanks to their fine-tuned choreography -- and even finer harmonies -- the Temptations became the definitive male vocal group of the 1960s; one of Motown's most elastic acts, they tackled both lush pop and politically charged funk with equal flair, and weathered a steady stream of changes in personnel and consumer tastes with rare dignity and grace. |
 | | An outlandish, in-your-face stage presence, a strange sense of humor, and a hard-driving funk sound that criss-crossed a few musical boundaries earned Cameo countless comparisons to Parliament/Funkadelic in their early days. |
 | | After the Spinners and the O'Jays, the Stylistics were the leading Philly soul group produced by Thom Bell. |
 | | Atlantic Starr was among the top urban contemporary acts of the '80s and fared well in the adult contemporary market as well, but their roots were '70s soul and funk. |
 | | Teddy Pendergrass started singing gospel music in Philadelphia churches, becoming an ordained minister at ten years old. |
 | | Best known in the mainstream for her superb 1984 cover of Prince's "I Feel for You," R&B singer Chaka Khan enjoyed solo success as well as popularity as a member of the group Rufus. |
 | | The Spinners were the greatest soul group of the early '70s, creating a body of work that defined the lush, seductive sound of Philly soul. |
 | | Luther Vandross was one of the most successful R&B artists of the 1980s and '90s. Not only did he score a series of multi-million-selling albums containing chart-topping hit singles and perform sold-out tours of the U. |
 | | Combining a Philadelphia soul sound with a strong appreciation of Marvin Gaye, Maze featuring Frankie Beverly was among the top R&B acts of the late '70s and '80s. |
 | | The Whispers are a veteran R&B quintet with an impressive 23-year legacy of R&B hits. Formed in Los Angeles by twins Walter and Wallace Scott, Nicholas Caldwell, Marcus Hutson, and Gordy Harmon (who left in 1973), the Whispers turned up on the Dore label in 1964 with "I Was Born When You Kissed Me. |
 | | No white artist sang R&B more convincingly than Teena Marie, whose big, robust vocals were so black-sounding that when she was starting out, some listeners wondered if she was a light-skinned African-American. |
 | | "Soul Brother Number One," "the Godfather of Soul," "the Hardest Working Man in Show Business," "Mr. |
 | | To urban contemporary listeners, Freddie Jackson was one of the biggest stars of the latter half of the '80s, dominating the R&B charts seemingly at will. |
 | | With their slinky, horn-powered grooves, impeccable musicianship, and eye-popping album covers, the Ohio Players were among the top funk bands of the mid-'70s. |
 | | Michael Jackson was unquestionably the biggest pop star of the '80s, and certainly one of the most popular recording artists of all time. |
 | | The synth-funk unit Midnight Star scored several times on the charts during the mid-'80s, led by their double-platinum album No Parking on the Dance Floor in 1983. |
 | | Completely cosmopolitan with international grooves to spare, Heatwave emerged as one of the disco era's funkiest dance groups. |
 | | Rose Royce -- the Los Angeles-based group comprised of Henry Garner (drums); Terral "Terry" Santiel (congas); Lequeint "Duke" Jobe (bass); Michael Moore (saxophone); Gwen Dickey, performing with the group using the stage name Rose Norwalt (lead vocals); Kenny Copeland (trumpet, lead vocals); Kenji Brown (guitar, lead vocals); Freddie Dunn (trumpet); and Michael Nash (keyboards) -- were actually formed by Copeland and Garner. |
 | | Long-running funk outfit L.T.D. -- Love, Togetherness and Devotion -- was formed in Greensboro, NC in 1968 by keyboardist Jimmie "J. |
 | | The Jackson 5 were one of the biggest phenomenons in pop music during the early '70s, and the last great group to come out of the Motown hitmaking machine before Marvin Gaye and Stevie Wonder shifted the label's focus to more individual visions. |
 | | The Manhattans were one of those classic R&B vocal groups who manage to achieve incredible career longevity by adapting their style to fit changing times. |
 | | Shalamar was the creation of Dick Griffey, the booking agent for the television R&B program Soul Train, and British R&B producer Simon Soussan. |
 | | The S.O.S. Band hit with a two-million-selling single, "Take Your Time (Do It Right)," their first time out, before having several hit singles written and produced by Jimmy Jam and Terry Lewis. |
 | | Aretha Franklin is one of the giants of soul music, and indeed of American pop as a whole. More than any other performer, she epitomized soul at its most gospel-charged. |
 | | With her classy, refined brand of romantic soul, Anita Baker was one of the definitive quiet storm singers of the '80s. |
 | | One of the great soul singers, Gladys Knight was a performer from her childhood years, forming the Pips with her brother Merald and a couple cousins. |
 | | Berry Gordy founded Motown Records, but one could argue that Smokey Robinson was the man who first pushed America's most iconic soul music label toward greatness. |
 | | Keith Sweat, a Harlem-born R&B singer/songwriter known for his distinctive "whining" vocal style, co-produced 1984/1985 singles by GQ and Roberta Gilliam and issued independent singles of his own ("Lucky Seven" and "My Mind Is Made Up"), but he didn't release his debut full-length, Make It Last Forever, until November 1987. |
 | | Stephanie Mills first came to fame as "the little girl with the big voice" as the star of the hit Broadway play, The Wiz, an adaptation of L. |
 | | When singer Sade and her band of the same name were establishing themselves, their record company, Epic, made a point of printing "Pronounced Shar-day" on the record labels of their releases. |
 | | Scoring over 40 hits in the R&B Top 40 charts, the Miracles started out as the Five Chimes in the mid-'50s while the members were still in high school. |
 | | New Edition's early, Jackson 5-inspired material made them the forerunners of two generations of teen pop (most of which was geared to white audiences). |
 | | Inspired by Motown's assembly line of sound, George Clinton gradually put together a collective of over 50 musicians and recorded the ensemble during the '70s both as Parliament and Funkadelic. |
 | | The Delfonics were one of the first groups to sing in the sleek, soulful style that became popularized (thanks to producer Thom Bell) as the "Philadelphia sound. |
 | | Soul diva Patti LaBelle enjoyed one of the longest-lived careers in contemporary music, notching hits in a variety of sounds ranging from girl group pop to space-age funk to lush ballads. |
 | | Before assuming the name the Dramatics, the vocal sextet comprised of Rob Davis, Ron Banks, Larry Reed, Robert Ellington, Larry "Squirrel" Demps, and Elbert Wilkens initially released two singles as the Dynamics on the Wingate imprint that saw no chart action. |
 | | Con Funk Shun was formed by high-school classmates Michael Cooper and Louis "Tony" McCall, along with Karl Fuller, Paul "Maceo" Harrell, Dennis Johnson, Cedric Martin, and Danny "Sweet Man" Thomas. |
 | | From their origins as Prince's first pet project to their self-produced funk-rock oeuvre, the Time has been a fascinating and outrageous congregation. |