 | | Few of rock & roll's great misanthropes were as talented, as charming, or as committed to their cynicism as Warren Zevon. |
 | | For roughly half a decade, from 1968 through 1975, the Band was one of the most popular and influential rock groups in the world, their music embraced by critics (and, to a somewhat lesser degree, the public) as seriously as the music of the Beatles and the Rolling Stones. |
 | | John Hiatt's sales have never quite matched his reputation. Hiatt's songs were covered successfully by everyone from Bonnie Raitt, Ronnie Milsap, and Dr. |
 | | Bob Dylan's influence on popular music is incalculable. As a songwriter, he pioneered several different schools of pop songwriting, from confessional singer/songwriter to winding, hallucinatory, stream-of-consciousness narratives. |
 | | After Neil Young left the California folk-rock band Buffalo Springfield in 1968, he slowly established himself as one of the most influential and idiosyncratic singer/songwriters of his generation. |
 | | Equal parts blue-eyed soul shouter and wild-eyed poet-sorcerer, Van Morrison is among popular music's true innovators, a restless seeker whose incantatory vocals and alchemical fusion of R&B, jazz, blues, and Celtic folk produced perhaps the most spiritually transcendent body of work in the rock & roll canon. |
 | | Long a critic's darling, singer/guitarist Bonnie Raitt did not begin to win the comparable commercial success due her until the release of the aptly titled 1989 blockbuster Nick of Time; her tenth album, it rocketed her into the mainstream consciousness nearly two decades after she first committed her unique blend of blues, rock, and R&B to vinyl. |
 | | Los Lobos were one of America's most distinctive and original bands of the '80s. They may have had a hit with "La Bamba" in 1987, yet that cover barely scratches the surface of their talents. |
 | | Dire Straits emerged during the post-punk era of the late '70s, and while their sound was minimalistic and stripped down, they owed little to punk. |
 | | Whether serving as a session musician, solo artist, or soundtrack composer, Ry Cooder's chameleon-like fretted instrument virtuosity, songwriting, and choices of material encompass an incredibly eclectic range of North American musical styles, including rock & roll, blues, reggae, Tex-Mex, Hawaiian, Dixieland jazz, country, folk, R&B, gospel, and vaudeville. |
 | | Though they had all the trappings of a Southern-fried blues band, Little Feat were hardly conventional. |
 | | In the decades following his emergence on the national scene in 1975, Bruce Springsteen proved to be that rarity among popular musicians, an artist who maintained his status as a frontline recording and performing star, consistently selling millions of albums and selling out arenas and stadiums around the world year after year, as well as retaining widespread critical approbation, with ecstatic reviews greeting those discs and shows. |
 | | In the 1970s, Tom Waits combined a lyrical focus on desperate, low-life characters with a persona that seemed to embody the same lifestyle, which he sang about in a raspy, gravelly voice. |
 | | An acclaimed singer/songwriter whose literate work flirted with everything from acoustic folk to rockabilly to straight-ahead country, John Prine was born October 10, 1946, in Maywood, IL. |
 | | Despite critical acclaim as a performer, the rootsy singer/songwriter T-Bone Burnett earned his greatest renown as a producer, helming recording sessions for acts ranging from Roy Orbison and Elvis Costello to Counting Crows and Sam Phillips. |
 | | Paul Simon is one of the most successful and respected songwriters of the second half of the 20th century. |
 | | Randy Newman was an anomaly among early-'70s singer/songwriters. Though he was slightly influenced by Bob Dylan, his music owed more to New Orleans R&B and traditional pop than folk. |
 | | In many ways, Jackson Browne was the quintessential sensitive Californian singer/songwriter of the early '70s. |
 | | When Elvis Costello's first record was released in 1977, his bristling cynicism and anger linked him with the punk and new wave explosion. |
 | | Upon the release of their first album in the late '70s, Tom Petty & the Heartbreakers were shoehorned into the punk/new wave movement by some observers who picked up on the tough, vibrant energy of the group's blend of Byrds riffs and Stonesy swagger. |
 | | The musical partnership of David Crosby, Stephen Stills, and Graham Nash, with and without Neil Young, was not only one of the most successful touring and recording acts of the late '60s, '70s, and early '80s (with the colorful, contrasting nature of the members' characters and their connection to the political and cultural upheavals of the time), it was the only American-based band to approach the overall societal impact of the Beatles. |
 | | The career of Lou Reed defies capsule summarization. Like David Bowie (whom Reed directly inspired in many ways), he has made over his image many times, mutating from theatrical glam rocker to strung-out junkie to avant-garde noiseman to straight rock & roller to your average guy. |
 | | Lyle Lovett was one of the most distinctive and original singer/songwriters to emerge during the '80s. |
 | | For years, Richard Thompson resided in relative obscurity, while at the same time garnering vast critical praise for his magnificent guitar work and the dark wit and richness of his extraordinary songwriting. |
 | | When the dust settles, Joni Mitchell may stand as the most important and influential female recording artist of the late 20th century. |
 | | The ultimate rock & roll session man, Leon Russell's long and storied career includes collaborations with a virtual who's who of music icons spanning from Jerry Lee Lewis to Phil Spector to the Rolling Stones. |
 | | Out of all the Beatles, John Lennon had the most interesting -- and frustrating -- solo career. Lennon was capable of inspired, brutally honest confessional songwriting and melodic songcraft; he also had a tendency to rest on his laurels, churning out straight-ahead rock & roll without much care. |
 | | Texas singer/songwriter James McMurtry, known for his hard-edged character sketches, comes from a literary family; his father, novelist and screenwriter Larry McMurtry, gave James his first guitar at age seven, and his mother, an English professor, taught him how to play it. |
 | | Once touted as the natural successor to Joni Mitchell, singer/songwriter Rickie Lee Jones proved no less idiosyncratic or mercurial; like Mitchell, Jones experienced significant commercial success at the outset of her career, but a restless creative spirit -- combined with a stubborn refusal to fit comfortably into any one musical niche -- sealed her ultimate destiny as that of a highly regarded cult heroine. |
 | | Gram Parsons is the father of country-rock. With the International Submarine Band, the Byrds, and the Flying Burrito Brothers, the songwriter pioneered the concept of a rock band playing country music, and as a solo artist he moved even further into the country realm, blending the two genres to the point that they became indistinguishable from each other. |
 | | In his most obvious contribution to music as lead guitarist for the Beatles, George Harrison provided the band with a lyrical style of playing in which every note mattered. |
 | | John Cameron Fogerty achieved fame as the lead singer/songwriter and guitarist in Creedence Clearwater Revival and has since gone on to a chart-topping solo career. |
 | | Cat Stevens, born Steven Demetre Georgiou, was the son of a Swedish mother and a Greek father who ran a restaurant in London. |
 | | The longtime drummer for the Band, Levon Helm wore many musical hats throughout his long career, including multi-instrumentalist, songwriter, singer, impresario, studio owner, studio engineer, and producer. |
 | | In the strictest sense, Steve Earle isn't a country artist; he's a roots rocker. Earle emerged in the mid-'80s, after Bruce Springsteen had popularized populist rock & roll and Dwight Yoakam had kick-started the neo-traditionalist movement in country music. |
 | | Reversing the usual process by which groups break up and give way to solo careers, the Traveling Wilburys are a group made up of solo stars. |
 | | Famed for his work in Buffalo Springfield and Crosby, Stills & Nash, two of pop music's most successful and enduring groups, Stephen Stills was born in Dallas, Texas, on January 3, 1945. |
 | | Formed in 1984 by high school friends Sammy Llanas and Kurt Neumann, the BoDeans mixed Midwestern roots rock with elements of adult contemporary pop, fashioning a sound that earned critical acclaim during the '80s and commercial recognition during the following decade. |
 | | The most celebrated British guitar hero to emerge in the 1970s and '80s, Mark Knopfler rose to fame as the leader of Dire Straits, and his songwriting and incisive guitar work played a decisive role in making them an international success story. |
 | | The object of cultish adoration for years, singer/songwriter Lucinda Williams was universally hailed as a major talent by both critics and fellow musicians, but it took quite some time for her to parlay that respect into a measure of attention from the general public. |
 | | Rock's longest, strangest trip, the Grateful Dead were the psychedelic era's most beloved musical ambassadors as well as its most enduring survivors, spreading their message of peace, love, and mind-expansion across the globe throughout the better part of three decades. |
 | | The venerable Delbert McClinton is a legend among Texas roots music aficionados, not only for his amazing longevity, but for his ability to combine country, blues, soul, and rock & roll as if there were no distinctions between any of them in the best time-honored Texas tradition. |
 | | Anointed "the new Dylan" upon his recording debut, folk-rock singer/songwriter Steve Forbert was born in Meridian, MS, in 1954. |
 | | Apart from the Byrds, no other American band had as great an impact on folk-rock and country-rock -- really, the entire Californian rock sound -- than Buffalo Springfield. |
 | | The Flying Burrito Brothers helped forge the connection between rock and country, and with their 1969 debut album, The Gilded Palace of Sin, they virtually invented the blueprint for country-rock. |
 | | Although they only attained the huge success of the Beatles, Rolling Stones, and the Beach Boys for a short time in the mid-'60s, time has judged the Byrds to be nearly as influential as those groups in the long run. |
 | | When people use the term "singer/songwriter" (often modified by the word "sensitive") in praise or in criticism, they're thinking of James Taylor. |
 | | By the time Eric Clapton launched his solo career with the release of his self-titled debut album in mid-1970, he was long established as one of the world's major rock stars due to his group affiliations -- the Yardbirds, John Mayall's Bluesbreakers, Cream, and Blind Faith -- which had demonstrated his claim to being the best rock guitarist of his generation. |
 | | Originally a hard-driving rocker in the vein of fellow Michigan garage rockers the Rationals and Mitch Ryder, Bob Seger developed into one of the most popular heartland rockers over the course of the '70s. |
 | | Rick Danko was -- and will forever be known as -- one of the three singing members of the Band, as well as their bassist. |