 | | Teddy Pendergrass started singing gospel music in Philadelphia churches, becoming an ordained minister at ten years old. |
 | | With her classy, refined brand of romantic soul, Anita Baker was one of the definitive quiet storm singers of the '80s. |
 | | Luther Vandross was one of the most successful R&B artists of the 1980s and '90s. Not only did he score a series of multi-million-selling albums containing chart-topping hit singles and perform sold-out tours of the U. |
 | | Renowned for the R&B hits "Just to Be Close to You," "Easy," and "Brickhouse," to name but a few, Commodores were one of the top bands during their long tenure at Motown. |
 | | After the Spinners and the O'Jays, the Stylistics were the leading Philly soul group produced by Thom Bell. |
 | | Stephanie Mills first came to fame as "the little girl with the big voice" as the star of the hit Broadway play, The Wiz, an adaptation of L. |
 | | Earth, Wind & Fire were one of the most musically accomplished, critically acclaimed, and commercially popular funk bands of the '70s. |
 | | Vocalist Peabo Bryson was among the premier silky-voiced soul artists who emerged as the softer, more sophisticated urban contemporary sound became dominant in the '70s and '80s. |
 | | The Whispers are a veteran R&B quintet with an impressive 23-year legacy of R&B hits. Formed in Los Angeles by twins Walter and Wallace Scott, Nicholas Caldwell, Marcus Hutson, and Gordy Harmon (who left in 1973), the Whispers turned up on the Dore label in 1964 with "I Was Born When You Kissed Me. |
 | | Atlantic Starr was among the top urban contemporary acts of the '80s and fared well in the adult contemporary market as well, but their roots were '70s soul and funk. |
 | | The O'Jays were one of Philadelphia soul's most popular and long-lived outfits, rivaled only by the Spinners as soul's greatest vocal group of the '70s. |
 | | One of the great soul singers, Gladys Knight was a performer from her childhood years, forming the Pips with her brother Merald and a couple cousins. |
 | | The Spinners were the greatest soul group of the early '70s, creating a body of work that defined the lush, seductive sound of Philly soul. |
 | | Stevie Wonder is a much-beloved American icon and an indisputable genius not only of R&B but popular music in general. |
 | | Best known in the mainstream for her superb 1984 cover of Prince's "I Feel for You," R&B singer Chaka Khan enjoyed solo success as well as popularity as a member of the group Rufus. |
 | | Say the name Barry White and you'd be hard pressed to follow it with the name of any other recording artist with such a huge, cross-sectional following. |
 | | Rose Royce -- the Los Angeles-based group comprised of Henry Garner (drums); Terral "Terry" Santiel (congas); Lequeint "Duke" Jobe (bass); Michael Moore (saxophone); Gwen Dickey, performing with the group using the stage name Rose Norwalt (lead vocals); Kenny Copeland (trumpet, lead vocals); Kenji Brown (guitar, lead vocals); Freddie Dunn (trumpet); and Michael Nash (keyboards) -- were actually formed by Copeland and Garner. |
 | | Soul diva Patti LaBelle enjoyed one of the longest-lived careers in contemporary music, notching hits in a variety of sounds ranging from girl group pop to space-age funk to lush ballads. |
 | | One of the most gifted, visionary, and enduring talents ever launched into orbit by the Motown hit machine, Marvin Gaye blazed the trail for the continued evolution of popular black music. |
 | | Al Green was the first great soul singer of the '70s and arguably the last great Southern soul singer. |
 | | Before assuming the name the Dramatics, the vocal sextet comprised of Rob Davis, Ron Banks, Larry Reed, Robert Ellington, Larry "Squirrel" Demps, and Elbert Wilkens initially released two singles as the Dynamics on the Wingate imprint that saw no chart action. |
 | | The Delfonics were one of the first groups to sing in the sleek, soulful style that became popularized (thanks to producer Thom Bell) as the "Philadelphia sound. |
 | | Whitney Houston was inarguably one of the biggest female pop stars of all time. Her accomplishments as a hitmaker were extraordinary; just to scratch the surface, she became the first artist ever to have seven consecutive singles hit number one, and her 1993 Dolly Parton cover "I Will Always Love You" became nothing less than the biggest hit single in rock history. |
 | | First formed in the early '50s, the Isley Brothers enjoyed one of the longest, most influential, and most diverse careers in the pantheon of popular music -- over the course of nearly a half century of performing, the group's distinguished history spanned not only two generations of Isley siblings but also massive cultural shifts which heralded their music's transformation from gritty R&B to Motown soul to blistering funk. |
 | | When singer Sade and her band of the same name were establishing themselves, their record company, Epic, made a point of printing "Pronounced Shar-day" on the record labels of their releases. |
 | | Combining a Philadelphia soul sound with a strong appreciation of Marvin Gaye, Maze featuring Frankie Beverly was among the top R&B acts of the late '70s and '80s. |
 | | The Manhattans were one of those classic R&B vocal groups who manage to achieve incredible career longevity by adapting their style to fit changing times. |
 | | Nick Ashford (born May 4, 1942, Fairfield, South Carolina) and Valerie Simpson (born Aug 26, 1946, New York City, New York) have two careers, as songwriters and as performers, with the former seemingly more important than the latter until the mid-'80s. |
 | | A trio of sisters with a strong gospel base, the Emotions (based in Chicago) were one of the leading female R&B acts of the '70s. |
 | | As a solo artist, Diana Ross is one of the most successful female singers of the rock era. If you factor in her work as the lead singer of the Supremes in the 1960s, she may be the most successful. |
 | | Aretha Franklin is one of the giants of soul music, and indeed of American pop as a whole. More than any other performer, she epitomized soul at its most gospel-charged. |
 | | Berry Gordy founded Motown Records, but one could argue that Smokey Robinson was the man who first pushed America's most iconic soul music label toward greatness. |
 | | Thanks to their fine-tuned choreography -- and even finer harmonies -- the Temptations became the definitive male vocal group of the 1960s; one of Motown's most elastic acts, they tackled both lush pop and politically charged funk with equal flair, and weathered a steady stream of changes in personnel and consumer tastes with rare dignity and grace. |
 | | Jeffrey Osborne began his professional singing career in 1969 with a popular funk and soul group called Love Men Ltd. |
 | | One of the most popular smooth soul groups of the early '70s didn't hail from Philadelphia or Memphis, the two cities known for sweet, string-laden soul. |
 | | Shalamar was the creation of Dick Griffey, the booking agent for the television R&B program Soul Train, and British R&B producer Simon Soussan. |
 | | A veteran who paid his dues for over a decade before getting his shot at solo stardom, Bobby Womack persevered through tragedy and addiction to emerge as one of soul music's great survivors. |
 | | The synth-funk unit Midnight Star scored several times on the charts during the mid-'80s, led by their double-platinum album No Parking on the Dance Floor in 1983. |
 | | To urban contemporary listeners, Freddie Jackson was one of the biggest stars of the latter half of the '80s, dominating the R&B charts seemingly at will. |
 | | Scoring over 40 hits in the R&B Top 40 charts, the Miracles started out as the Five Chimes in the mid-'50s while the members were still in high school. |
 | | Completely cosmopolitan with international grooves to spare, Heatwave emerged as one of the disco era's funkiest dance groups. |
 | | With their slinky, horn-powered grooves, impeccable musicianship, and eye-popping album covers, the Ohio Players were among the top funk bands of the mid-'70s. |
 | | The tragic 1979 death of 31-year-old Minnie Riperton silenced one of soul music's most unique and unforgettable voices -- blessed with an angelic five-octave vocal range, she scored her greatest commercial success with the chart-topping pop ballad "Lovin' You. |
 | | No white artist sang R&B more convincingly than Teena Marie, whose big, robust vocals were so black-sounding that when she was starting out, some listeners wondered if she was a light-skinned African-American. |
 | | In the late '70s, when the fortunes of Motown Records seemed to be flagging, Rick James came along and rescued the company, providing funky hits that updated the label's style and saw it through into the mid-'80s. |
 | | Perhaps because he didn't cross over to the pop audience as heavily as Motown's stars, it may be that the scope of Curtis Mayfield's talents and contributions have yet to be fully recognized. |
 | | Donny Hathaway was one of the brightest new voices in soul music at the dawn of the '70s, possessed of a smooth, gospel-inflected romantic croon that was also at home on fiery protest material. |
 | | Long-running funk outfit L.T.D. -- Love, Togetherness and Devotion -- was formed in Greensboro, NC in 1968 by keyboardist Jimmie "J. |
 | | Formed as a jazz ensemble in the mid-'60s, Kool & the Gang became one of the most inspired and influential funk units during the '70s, and one of the most popular R&B groups of the '80s after their breakout hit "Celebration" in 1979. |
 | | Groomed to be the heirs to the Jackson 5 throne in the early '80s, DeBarge mirrored the Jacksons early success with a string of hits, but were unable to sustain their winning streak. |