 | | Canadian singer/songwriter Sam Roberts released his first true debut in 2002, following a popular demo he had made in Montreal. |
 | | Formed in 1983 in Kingston, Ontario, the Tragically Hip comprised childhood friends Gordon Downie (vocals), Bobby Baker (guitar), Paul Langlois (guitar), Gord Sinclair (bass), and Johnny Fay (drums). |
 | | It’s too facile to call the Black Keys counterparts of the White Stripes: they share several surface similarities -- their names are color-coded, they hail from the Midwest, they’re guitar-and-drum blues-rock duos -- but the Black Keys are their own distinct thing, a tougher, rougher rock band with a purist streak that never surfaces in the Stripes. |
 | | Built on the solid, classic rock foundation of three-part harmonies and dual guitar leads, Canada’s the Sheepdogs blend Southern boogie rock, groove-based psychedelia, and bluesy barroom swagger into a modern rock & roll revival. |
 | | Inspired by folk, rock, country, and bluegrass, the London-based Mumford & Sons feature singer/guitarist/drummer Marcus Mumford, vocalist and banjo/Dobro player Winston Marshall, vocalist/keyboardist Ben Lovett, and vocalist/bassist Ted Dwane. |
 | | The White Stripes formed on Bastille Day in 1997, aiming to create simple, vigorous rock & roll with little more than Meg White's percussion and Jack White's guitar-and-vocal attack. |
 | | A combination of indie rock muscle and theatrical, unapologetic bombast turned Arcade Fire into indie royalty in the early 2000s. |
 | | Initially embraced as "the Southern Strokes" for their resurrection and reinvention of Dixie-styled rock & roll, Kings of Leon steadily morphed themselves into an experimental rock outfit during the 2000s. |
 | | Big Wreck are a late-'90s neo-prog hard rock outfit comprised of Ian Thornley (vocals, guitar), Brian Doherty (guitar), Dave Henning (bass), and Forrest Williams (drums). |
 | | Although chart success in England was an unlikely first step to fame for a band from Bowling Green, Kentucky, mainstream rock band Cage the Elephant achieved just that. |
 | | A self-described "new band made up of old friends," the Raconteurs feature the White Stripes' Jack White and power pop maestro Brendan Benson on vocals, keyboards, and guitars, and the Greenhornes' drummer Patrick Keeler and bassist Jack Lawrence as the group's rhythm section. |
 | | Few rock groups of the '80s broke down as many musical barriers and were as original as the Red Hot Chili Peppers. |
 | | Pearl Jam rose from the ashes of Mother Love Bone to become the most popular American rock & roll band of the '90s. |
 | | As one of the most popular groups to emerge in the post-grunge alternative rock aftermath, Weezer received equal amounts of criticism and praise for their hook-heavy guitar pop. |
 | | Metric are a band with an eclectic, adventurous outlook, whose music encompasses elements of synth pop, new wave, dance-rock, and electronica and whose hometown has vacillated between Toronto, Montreal, New York, Los Angeles, and London over the course of the group's existence. |
 | | Few bands in the early 2000s rose so quickly to the forefront of pop music as the Killers. With a mix of '80s-styled synth pop and fashionista charm, the band's street-smart debut, Hot Fuss, became one of 2004's biggest releases, spawning four singles and catapulting the group -- particularly their dandyish, 22-year-old frontman, Brandon Flowers -- into the international spotlight. |
 | | The Vancouver, Canada, group called the MGB, or the Matthew Good Band, formed in 1995 and quickly began stirring things up in the Canadian world of music. |
 | | In 1998, a group of four young Canadians from Antigonish, Nova Scotia, decided to form a serious rock band. |
 | | Equally inspired by classic tunesmiths like Buddy Holly and John Lennon and the street-smart attitude and angular riffs of fellow New Yorkers Television and the Velvet Underground, the Strokes were also equally blessed and cursed with an enormous amount of hype -- particularly from the U. |
 | | City and Colour was the solo acoustic project of Dallas Green, best known as the singer/guitarist for the Canadian post-hardcore band Alexisonfire. |
 | | By the time the Rolling Stones began calling themselves the World's Greatest Rock & Roll Band in the late '60s, they had already staked out an impressive claim on the title. |
 | | R.E.M. marked the point when post-punk turned into alternative rock. When their first single, "Radio Free Europe," was released in 1981, it sparked a back-to-the-garage movement in the American underground. |
 | | Oasis shot from obscurity to stardom in 1994, becoming one of Britain's most popular and critically acclaimed bands of the decade in the process. |
 | | Radiohead were one of the few alternative bands of the early '90s to draw heavily from the grandiose arena rock that characterized U2's early albums. |
 | | Finding an unlikely middle point between Suicide's hostile, proto-electro punk art noise and the sardonic, pop-friendly sound of the Flaming Lips, MGMT started as electroclash musical terrorists but quickly grew into an eclectic, brainy pop group with psychedelic overtones. |
 | | When Foo Fighters released a debut album written and recorded entirely by leader Dave Grohl -- at that point known only as the powerhouse drummer for Nirvana -- in the summer of 1995, few would have guessed that the group would wind up as the one band to survive the '90s alt-rock explosion unscathed. |
 | | Out of all the Beatles, John Lennon had the most interesting -- and frustrating -- solo career. Lennon was capable of inspired, brutally honest confessional songwriting and melodic songcraft; he also had a tendency to rest on his laurels, churning out straight-ahead rock & roll without much care. |
 | | Silverchair quickly rose to international stardom in 1995 by mining a mix of Nirvana and Pearl Jam on their debut album, Frogstomp. |
 | | Out of all the bands that emerged in the immediate aftermath of punk rock in the late '70s, few were as enduring and popular as the Cure. |
 | | So much has been said and written about the Beatles -- and their story is so mythic in its sweep -- that it's difficult to summarize their career without restating clichés that have already been digested by tens of millions of rock fans. |
 | | Through a combination of zealous righteousness and post-punk experimentalism, U2 became one of the most popular rock & roll bands of the '80s. |
 | | By distilling the sounds of Franz Ferdinand, the Clash, the Strokes, and the Libertines into a hybrid of swaggering indie rock and danceable neo-punk, Arctic Monkeys became one of the U. |
 | | Hailing from South London, Florence Mary Leontine Welch writes songs that occupy the same confessional territory as gossip-loving, genre-bending contemporaries like Amy Winehouse, Kate Nash, Adele, and Lily Allen and the moody, classic art rock of Kate Bush, blending pop, soul, and baroque arrangements into a sound that earned the young artist considerable buzz in 2007. |
 | | Death Cab for Cutie's rise from small-time solo project to Grammy-nominated rock band is one of indie rock's greatest success stories. |
 | | Bob Dylan's influence on popular music is incalculable. As a songwriter, he pioneered several different schools of pop songwriting, from confessional singer/songwriter to winding, hallucinatory, stream-of-consciousness narratives. |
 | | Australia's Midnight Oil brought a new sense of political and social immediacy to pop music: not only did incendiary hits like "Beds Are Burning" and "Blue Sky Mine" bring global attention to the plight of, respectively, aboriginal settlers and impoverished workers, but the group also put its money where its mouth was -- in addition to mounting benefit performances for groups like Greenpeace and Save the Whales, frontman Peter Garrett even ran for the Australian Senate on the Nuclear Disarmament Party ticket. |
 | | Formed by novelist Mikel Jollett during a tumultuous period in his life, the Airborne Toxic Event (named after a section in American author Don DeLillo's novel White Noise) combine literate indie rock with real literary cred. |
 | | Gomez are a five-piece British act consisting of Ben Ottewell (vocals, guitar), Tom Gray (vocals, guitar, keyboards), Paul Blackburn (bass, guitar), Olly Peacock (drums), and Ian Ball (vocals, guitar, harmonica). |
 | | Emerging in 2004 with a blend of woodsy midtempo rock and reverb-laden vocals, Band of Horses gained an audience in their native Northwest before Everything All the Time made them indie rock darlings. |
 | | Upon the release of their first album in the late '70s, Tom Petty & the Heartbreakers were shoehorned into the punk/new wave movement by some observers who picked up on the tough, vibrant energy of the group's blend of Byrds riffs and Stonesy swagger. |
 | | The Offspring's metal-inflected punk became a popular sensation in 1994, selling over four million albums on an independent record label. |
 | | Though Broken Bells featured two of the bigger names in indie and alternative music -- the Shins’ singer/guitarist James Mercer and producer/multi-instrumentalist Brian Burton, aka Danger Mouse -- the duo managed to keep their project secret for a relatively long time. |
 | | Muse's fusion of progressive rock, glam, electronica, and Radiohead-influenced experimentation is crafted by guitarist/vocalist Matthew Bellamy, bassist Chris Wolstenholme, and drummer Dominic Howard. |
 | | Taking cues from several decades of alternative rock, Mute Math (also known as MUTEMATH and MuteMath) fuse together New Order's synth-dance epics, the Stone Roses' shambling shuffle, Radiohead's chilliness, Air's ambient pop, and the booming vocals of mainstream pop/rock. |
 | | At a time when pop was dominated by dance music and pop-metal, Guns N' Roses brought raw, ugly rock & roll crashing back into the charts. |
 | | Led Zeppelin was the definitive heavy metal band. It wasn't just their crushingly loud interpretation of the blues -- it was how they incorporated mythology, mysticism, and a variety of other genres (most notably world music and British folk) -- into their sound. |
 | | Indie rock trio Foster the People make atmospheric, psychedelic, and dance-oriented pop. Formed in Los Angeles in 2009, the band features keyboardist/guitarist/vocalist Mark Foster, bassist Cubbie Fink, and drummer Mark Pontius. |
 | | Jane's Addiction were one of the most hotly pursued rock bands when they gained notice in Los Angeles in the mid-'80s, with record companies at their feet. |
 | | In 1968, a naïve young singer from the Black Country hills in England named Robert Plant was discovered wailing the blues by veteran session guitarist Jimmy Page and bassist/keyboardist John Paul Jones. |
 | | Of all the major alternative rock bands of the early '90s, Smashing Pumpkins were the group least influenced by traditional underground rock. |