 | | One of those rare acts who actually became stars directly from winning Star Search, country-rockers Sawyer Brown wound up enjoying a long, hit-filled career and remained commercially viable into the new millennium. |
 | | Part of the commercial rise of rock-tinged honky tonk in the early '90s, Tracy Lawrence was one of the decade's most reliable country hitmakers. |
 | | Neo-honky tonker Mark Chesnutt parlayed a solid grounding in classic country into chart-topping stardom during the '90s. |
 | | A country music traditionalist from Texas, Clint Black was one of the first artists to kick-start the mass-market popularity of country in the '90s. |
 | | Like the Beatles in rock, Randy Travis marks a generational shift in country music. When his Storms of Life came out in 1986, country music was still wallowing in the post-urban cowboy recession, chasing elusive crossover dreams. |
 | | Travis Tritt was one of the leading new country singers of the early '90s, holding his own against Garth Brooks, Clint Black, and Alan Jackson. |
 | | Joe Diffie was regarded by many of his peers as one of the better vocalists in contemporary country, and lent his traditional sensibilities to humorous, rock-tinged novelties and plaintive ballads. |
 | | After Garth Brooks, Alan Jackson was the most popular male country singer of the '90s. An heir to the new traditionalist movement of the '80s, Jackson's approach was rooted in classic honky tonk yet remained comfortably within the contemporary mainstream. |
 | | Before Alabama, bands were usually relegated to a supporting role in country music. In the first part of the century, bands were popular with audiences across the country, but as recordings became available, nearly every popular recording artist was a vocalist, not a group. |
 | | Part of the '90s wave of honky tonk hitmakers that brought country to new commercial heights, John Michael Montgomery made his name primarily as a romantic balladeer. |
 | | Out of all the new country singers to emerge in the early '80s, George Strait stayed the closest to traditional country. |
 | | The undisputed kings of the '90s line-dancing craze, Brooks & Dunn are not only the biggest-selling duo in country music history, they've also sold more records than any other duo period, including Simon & Garfunkel. |
 | | Aaron Tippin was part of the commercial explosion of new traditionalist country in the early '90s, making his name with a mixture of macho, rowdy honky tonkers, sentimental ballads, and patriotic working-man's anthems. |
 | | Tracy Byrd's brand of new traditionalist country made him a star in the '90s, particularly his playful, good-time party singalongs (though he also turned in the occasional ballad success). |
 | | Diamond Rio found major commercial success in the '90s by playing an eclectic hybrid of modern country, traditional bluegrass (especially in their harmony singing), and a hint of rock & roll. |
 | | Vince Gill paid nearly a decade-and-a-half of dues en route to becoming one of the most popular country stars of the '90s. |
 | | Garth Brooks is a pivotal figure in the history of country music, no matter how much some country purists would like to deny it. |
 | | With his first two singles reaching number one upon their release, Clay Walker immediately established himself as a commercial success. |
 | | Neo-honky tonker John Anderson was born in Apopka, FL, in 1955 and grew up listening to rock & roll, until he discovered country music at age 15 through Merle Haggard. |
 | | With his stripped-down approach to traditional honky tonk and Bakersfield country, Dwight Yoakam helped return country music to its roots in the late '80s. |
 | | Contemporary country star Collin Raye burned up the sales charts in the '90s, thanks to a blend of country-rock and smooth balladry, and a willingness to record socially conscious material in between the dance and romance tunes. |
 | | Neal McCoy's brand of neo-traditionalist honky tonk brought him a string of hits in the mid-'90s. McCoy was born Hubert Neal McGaughey, Jr. |
 | | One of the most popular country bands of the early '90s, Little Texas was influenced by modern country outfits like Alabama and Restless Heart, as well as country-rock groups like the Eagles. |
 | | Trace Adkins helped keep country's traditionalist flame burning during the crossover-happy late '90s, mixing classic honky tonk with elements of gospel, blues, and rock & roll. |
 | | Most country groups of the '80s favored a commercial pop-oriented approach that alienated many traditional listeners but captured the ear of the mainstream. |
 | | Tanya Tucker had her first country hit in 1972, when she was just 13 years old. Over the succeeding decades, Tucker became one of the few child performers to mature into adulthood without losing her audience, and during the course of her career, she notched a remarkable streak of Top Ten and Top 40 hits. |
 | | Toby Keith spent the '90s as a solid, workmanlike country star who met with considerable chart success, yet never quite broke free of the neo-traditionalist pack to become a household name like Garth Brooks or Alan Jackson. |
 | | Reba McEntire was the most successful female recording artist in country music in the 1980s and 1990s, during which time she scored 22 number one hits and released five gold albums, six platinum albums, two double-platinum albums, four triple-platinum albums, a quadruple-platinum album, and a quintuple-platinum album, for certified album sales of 33. |
 | | Though their name might lead you to believe that Lonestar was formed in Texas, the quintet actually hails from Tennessee. |
 | | When Tim McGraw debuted in the early '90s, few would have predicted that he would eventually take over Garth Brooks' position as the most popular male singer in country music. |
 | | By most accounts, George Jones was the finest vocalist in the recorded history of country music. Initially, he was a hardcore honky tonker in the tradition of Hank Williams, but over the course of his career he developed an affecting, nuanced ballad style. |
 | | Originally a '50s rock & roll singer, Conway Twitty became the reigning country superstar of the '70s and '80s, racking up a record 40 number one hits over the course of two decades. |
 | | The offspring of famous musicians often have a hard time creating a career for themselves, yet Hank Williams, Jr. |
 | | Gary Allan hit the honky tonk circuit in his native Southern California at the seasoned age of 12. Playing in and out of the smoky, sweaty bars with his dad's band led Allan to follow in his father's footsteps and start his own band. |
 | | One of the most popular female country singers of the '90s, Trisha Yearwood initially rose to fame as a protégée of Garth Brooks but quickly staked out her own identity as an assertive yet vulnerable modern woman. |
 | | Ronnie Milsap was one of the major figures of country music in the 1970s, developing a hybrid of country and pop that brought him a large audience. |
 | | Contemporary country star Kenny Chesney didn't have the immediate breakout success that many of his peers enjoyed upon signing with major labels, but gradually built up a significant following via hard work, pop-friendly ballads, and a likable, "Average Joe" persona. |
 | | Keith Whitley's legacy loomed large over the country music landscape of the '90s. A talented new country singer and songwriter, Whitley was just beginning to emerge as a superstar at the time of his death in 1989. |
 | | Country duo Montgomery Gentry evokes the sound and spirit of Southern rockers like Lynyrd Skynyrd, the Marshall Tucker Band, and Charlie Daniels, painting themselves as rowdy redneck rebels who still hold small-town values. |
 | | Prior to becoming a successful independent country artist, Chris LeDoux was a rodeo champion known for his bareback-riding skill and made his name in music by writing countless songs about the rodeo life. |
 | | If any one performer personified the outlaw country movement of the '70s, it was Waylon Jennings. Though he had been a professional musician since the late '50s, it wasn't until the '70s that Waylon, with his imposing baritone and stripped-down, updated honky tonk, became a superstar. |
 | | Best-known for the easy rolling, '70s Southern soft rock classic "Let Your Love Flow," the Bellamy Brothers are the most successful duo in country music history, consistently climbing into the upper reaches of the Billboard country charts during the '80s. |
 | | As a performer and a songwriter, Merle Haggard was the most important country artist to emerge in the 1960s, and he became one of the leading figures of the Bakersfield country scene in the '60s. |
 | | One of the most popular female singers of the new traditionalist movement, Patty Loveless rose to stardom thanks to her blend of honky tonk and country-rock, not to mention a plaintive, emotional ballad style. |
 | | It took several tries before Kenny Rogers became a star. As a member of the First Edition (and the New Christy Minstrels before that), he shared in some million-sellers, among them "Reuben James" and "Ruby, Don't Take Your Love to Town," an excellent Mel Tillis song about a disabled veteran. |
 | | Contemporary country star Doug Stone made his name as a lonesome baritone balladeer, though he's also adept at hard uptempo country. |
 | | Up until the rise of Brooks & Dunn in the '90s, the Judds were the most commercially successful duo in country music history. |
 | | A talented and showy fiddler, Charlie Daniels and his band fuse hardcore country with a hard-edged Southern rock, boogie, and blues. |
 | | Contemporary country singer/songwriter Brad Paisley was born October 28, 1972, in Glen Dale, West Virginia; given his first guitar at age eight, he delivered his first public performance at church two years later. |
 | | Oklahoma native Blake Shelton moved to Nashville in 1994, two weeks after his high school graduation, to launch a songwriting career that would eventually make him one of the leading males in contemporary country music. |