 | | A fixture on the female Americana landscape, Kathleen Edwards was born in Ottawa, Canada, the daughter of foreign service parents who played piano and guitar in their spare time. |
 | | Leslie Feist -- best known simply as Feist -- was a respected member of the Canadian alternative music community before becoming an international pop sensation with the success for her albums Let It Die and The Reminder. |
 | | The Be Good Tanyas play an old-timey blend of folk, country, and blues bolstered by sweet harmonies and traditional fingerpicking. |
 | | Since her debut in 1988, Sarah McLachlan's atmospheric folk-pop has gained a devoted following not only in her native Canada, where she established star status with her first album, but also in the U. |
 | | Although it didn't originally have anything to do with their sound, the Cowboy Junkies' name wound up seeming pretty accurate: their music was grounded in traditional country, blues, and folk, yet drifted along in a sleepy, narcotic haze that clearly bore the stamp of the Velvet Underground. |
 | | Singer/songwriter Beth Orton combined the passionate beauty of the acoustic folk tradition with the electronic beats of trip-hop to create a fresh, distinct fusion of roots and rhythm. |
 | | Formed in 1983 in Kingston, Ontario, the Tragically Hip comprised childhood friends Gordon Downie (vocals), Bobby Baker (guitar), Paul Langlois (guitar), Gord Sinclair (bass), and Johnny Fay (drums). |
 | | Dar Williams has become a major force on the New England folk scene. An idiosyncratic songwriter who writes folk songs from a unique, often insightful perspective, Williams takes pains to avoid the coy and the quirky; her songwriting and performing style has been compared to that of Joni Mitchell and Joan Baez, but with a few acidic and at times hilarious twists. |
 | | When the dust settles, Joni Mitchell may stand as the most important and influential female recording artist of the late 20th century. |
 | | The youngest of seven children, Patty Griffin grew up hearing her mother sing while doing housework and her grandmother's family sing on the front porch at night. |
 | | While they came into prominence as part of the late-'80s folky singer/songwriter revival, the Indigo Girls had staying power where other artists from the same era quickly faded. |
 | | During the '80s, Aimee Mann led the post-new wave pop group 'Til Tuesday. After releasing three albums with the group, she broke up the band and embarked on a solo career. |
 | | Folk-rock duo Tegan and Sara first burst onto the Canadian music scene in 1998, when they earned the highest score in history at Calgary's "Garage Warz" competition; their quick rise didn't stop, for their melodic acoustics and charming stage personas led to a slew of dates with Sarah McLachlan's Lilith Fair that same year and a record deal with Neil Young's Vapor Records in April 2000. |
 | | Canada's most popular roots rock band, Blue Rodeo, became a veritable institution in their home country, although they never quite moved beyond cult status in the U. |
 | | A folkie in punk's clothing, Ani DiFranco battled successfully against the Goliath of corporate rock to emerge as one of the most influential and inspirational cult heroines of the 1990s. |
 | | Alternative country singer/songwriter Neko Case won a steadily growing cult audience for her smoky, sophisticated vocals and the downcast beauty of her music. |
 | | Making ample use of the palate that is the snowswept Canadian landscape, Weeping Tile alternated between heaving indie rock and reflective folk ballads in its brief 1990s life. |
 | | Tori Amos (born Myra Ellen Amos) was one of several female singer/songwriters who combined the stark lyrical attack of alternative rock with a distinctly '70s musical approach, creating music that fell between the orchestrated meditations of Kate Bush and the stripped-down poetics of Joni Mitchell. |
 | | The story of Canadian singer/songwriter Hawksley Workman is equally compelling whether you take it as fact or fantasy. |
 | | Canadian singer/songwriter Sam Roberts released his first true debut in 2002, following a popular demo he had made in Montreal. |
 | | Mixing the heartfelt angst of a singer/songwriter with the cocky brashness of a garage rocker, Ryan Adams is at once one of the few artists to emerge from the alt-country scene to achieve mainstream commercial success and the one who most strongly refused to be defined by the genre, leaping from one spot to another stylistically while following his increasingly prolific muse. |
 | | Featuring a blend of acoustic instruments, rural soundscapes, and wistful vocals, Great Lake Swimmers are an indie folk group led by songwriter/vocalist Tony Dekker. |
 | | After Neil Young left the California folk-rock band Buffalo Springfield in 1968, he slowly established himself as one of the most influential and idiosyncratic singer/songwriters of his generation. |
 | | In 2000, Kasey Chambers emerged as Australia's first successful country-to-rock crossover female singer. |
 | | Singer/songwriter Samuel Beam, who rose to prominence with a blend of whispered vocals and softly homespun indie folk, chose the moniker Iron & Wine after coming across a dietary supplement named "Beef Iron & Wine" while working on a film. |
 | | A singer/songwriter whose lush, theatrical pop harked back to the traditions of Tin Pan Alley, cabaret, and even opera, Rufus Wainwright was born in 1973; the son of folk music luminaries Loudon Wainwright III and Kate McGarrigle, his parents divorced while he was a child, and he was raised by his mother in Montreal. |
 | | Singer/songwriters Deb Talan and Steve Tannen, both of whom had released solo material before banding together to form folk-pop duo the Weepies, first met at one of Tannen's shows in Cambridge, Massachusetts. |
 | | Born and raised just outside Peterborough in Millbrook, Ontario, songwriter Serena Ryder grew up listening to old Beatles and Leonard Cohen records that she found in her parents' collection. |
 | | Sloan was one of the most successful Canadian bands of the '90s, which was both a blessing and a curse. |
 | | The object of cultish adoration for years, singer/songwriter Lucinda Williams was universally hailed as a major talent by both critics and fellow musicians, but it took quite some time for her to parlay that respect into a measure of attention from the general public. |
 | | Joel Plaskett is a Canadian singer, songwriter and musician whose music fuses the energetic melodies and hooks of power pop with the muscular strength of hard rock; as he once quipped, his music "combines the best of Big Star and Led Zeppelin. |
 | | Wilco rose from the ashes of the seminal roots rock band Uncle Tupelo, which disbanded in 1994. While Jay Farrar, one of the group's two singer/songwriters, went on to form Son Volt, his ex-partner Jeff Tweedy established Wilco along with the remaining members of Tupelo's final incarnation, which included drummer Ken Coomer as well as part-time bandmates John Stirratt (bass) and Max Johnston (mandolin, banjo, fiddle, and lap steel). |
 | | Tracy Chapman helped restore singer/songwriters to the spotlight in the '80s. The multi-platinum success of Chapman's eponymous 1988 debut was unexpected, and it had lasting impact. |
 | | After rising to fame at the helm of the popular folk-rock band 10,000 Maniacs, Natalie Merchant enjoyed even greater success as a solo artist during the mid-'90s. |
 | | Born in Montreal to parents of Loudon Wainwright III and Kate McGarrigle, Martha Wainwright was engulfed in a sea of music from childbirth. |
 | | Fiona Apple defied categorization or any easy career path, almost running the pattern in reverse, opening her career as a highly touted and popular alternative singer/songwriter, then transitioning into a cult artist. |
 | | A veteran of New York's anti-folk scene, songwriter Regina Spektor makes quirky, highly eclectic, but always personal music. |
 | | Sultry vocalist and pianist Norah Jones developed her unique blend of jazz and traditional vocal pop with hints of bluesy country and contemporary folk due in large part to her unique upbringing. |
 | | The Canadian folk trio the Wailin' Jennys began as a onetime-only grouping of three singer/songwriters, but musical chemistry and audience response turned them into an ongoing band. |
 | | Suzanne Vega was the first major figure in the bumper crop of female singer/songwriters who rose to prominence during the late '80s and '90s. |
 | | Immensely popular in his native Canada, singer/songwriter Bruce Cockburn has found only cult success south of the border, in spite of a rich, varied body of work and considerable critical nods. |
 | | Shawn Colvin is one of the leading lights of the so-called "new folk movement" that began in the late '80s. |
 | | Growing out of the American underground of the late '80s, Liz Phair fused lo-fi indie rock production techniques with the sensibility and structure of classic singer/songwriters. |
 | | Gillian Welch first appeared on the folk scene as a young singer/songwriter armed with a voice and sensibility far beyond her years, earning widespread acclaim for her deft, evocative resurrection of the musical styles most commonly associated with rural Appalachia of the early 20th century. |
 | | The Los Angeles duo Eastmountainsouth create a country-folk blend that's characteristic of the bandmates' Southern upbringings. |
 | | The genesis of the New York-based folk outfit Hem goes back to 1999, when songwriter Dan Messe teamed up with producer/engineer Gary Maurer (who had worked with artists such as Jon Spencer, Luna, Fountains of Wayne, and James Iha). |
 | | A literate singer/songwriter whose music splits the difference between pop/rock and folksy Americana, Brandi Carlile was born in the small town of Ravensdale, Washington, an isolated community 50 miles from Seattle. |
 | | Boston-native Lori McKenna grew up in a household filled with the rhythm and pleasure of good music, some of it happily supplied by her brothers. |
 | | Emily Haines is the frontwoman for Toronto's indie dance-rock band Metric. Although her first record arrived several years after Metric had formed, Haines had always been writing her own material. |
 | | Metric are a band with an eclectic, adventurous outlook, whose music encompasses elements of synth pop, new wave, dance-rock, and electronica and whose hometown has vacillated between Toronto, Montreal, New York, Los Angeles, and London over the course of the group's existence. |