 | | Few figures exerted greater influence over the contemporary Pacific Northwest indie music scene than Steve Fisk -- while a veteran of bands including Pell Mell and Pigeonhed, he earned his greatest renown as a producer, helming sessions for acts including Nirvana, the Screaming Trees, Soundgarden and Beat Happening. |
 | | A longtime engineer, guitar tech and noisemaker, Wharton Tiers has worked with the cream of the East Coast's alternative/noise community, including Glenn Branca, Sonic Youth, Dinosaur, Jr. |
 | | Best known as the producer for most of the bands on Washington D.C.'s legendary Dischord Records, Don Zientara was also a musician -- once a member of Under Heaven, in the early eighties -- who released his first solo album, Sixteen Ssongs, on long time collaborator and friend Ian MacKaye's Northern Liberties label in 2003. |
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 | | The Brooklyn-based electronic punk group Semiautomatic features vocalist/multi-instrumentalist Akiko Carver and programmer/multi-instrumentalist Rop Vasquez. |
 | | Perhaps the most musically abrasive group in the world of indie rock, Unwound specialize in a dense collection of crushing power chords rising to feedback, melding the noise of Sonic Youth's more raucous passages with a rare energetic flair which rivals even that of Fugazi. |
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 | | In 1994, the members of what was to become Arab on Radar were all applying for jobs at Electric Boat, a Groton, CT-based company that manufactures nuclear and Trident submarines. |
 | | Australia's feedtime (the name was deliberately spelled with a lower-case f) earned a rabid cult following for their primal and bruisingly powerful, bass-heavy sound, a walloping fusion of punk rock, blues, and hard rock. |
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 | | James Johnson, Brian Gossman, Will Goode, and Colin McCann create the experimental/post-punk sounds of Wilderness. |
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 | | Bob Weston's name and fingerprints are all over the American underground rock of the post-punk era, producing and engineering dates for a seemingly endless number of bands in addition to full-time collaborations with Shellac and the reconstituted Mission of Burma. |
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 | | In early 1999, the Lancaster County noise rock group Eighteenandahalfminutegap showed up on Usenet groups within advertisements for punk shows at places like the Sweatshop in Allentown, PA. |
 | | San Francisco gothcore trio Slaves rose in 1997 from the embers of the VSS, reuniting singer/keyboardist Andy Rothbard, guitarist Joshua Hughes and drummer David Clifford. |
 | | Blackout Beach was conceived as a side project for prolific Vancouver-based singer/songwriter Carey Mercer (Frog Eyes, Blue Pine). |
 | | Pioneering riot-grrrl duo Heavens to Betsy was formed in 1991 by singer/guitarist Corin Tucker and drummer Tracy Sawyer, longtime friends from the Eugene, OR area who began collaborating on music while attendng Evergreen State College in Olympia, WA. |
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 | | Manchester, England's answer to Joy Division meets Fugazi is the Longcut. Lee Gale (guitar), Stuart Ogilvie (drums/vocals), and Jon Fearon (bass) formed the post-punk-inspired trio in 2002. |
 | | Consisting of vocalist/pianist Johnny Whitney and guitarist/bassist Cody Votolato from the Blood Brothers along with keyboardist/bassist/drummer Jay Clark from Pretty Girls Make Graves, Jaguar Love are a West Coast indie rock trio that hopped on the fast lane to success in the summer of 2007. |
 | | One of the best-loved bands on the Dischord roster, the Nation of Ulysses are best remembered for lifting the motor-mouthed revolutionary rhetoric of the MC5 and blowing it up to an elaborate, almost ridiculous level. |
 | | Producer John Congleton's, Dallas, TX-based band the Paper Chase provided a jagged structure of avant-garde jazz, noise, indie, and punk since their formation in 1998. |
 | | Norwegian teenaged friends Jonas Dahl, Arne Kvalvik, Kjetil Ovesen, and Ã…dne Meisfjord originally formed 120 Days under the guise of "Beautiful People" in the autumn of 2001. |
 | | Forming the core of New York City's Night Kills the Day, lifelong friends Luke Brian(vocals) and Timothy Falzone(bassist/keyboardist) grew up together in a small Long Island fisherman's town. |
 | | After the demise of the popular late-'80s indie band the Razorcuts, singer/guitarist Gregory Webster did time in a couple of minor and short-lived side project bands, the Carousel and Saturn V, in his native Oxford, England, before forming Sportique in 1997. |
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 | | A project of actor/singer/guitarist Michael Pitt, Pagoda were formed in 2001 when Pitt met fellow actor/musician Ryan Donowho, who played drums. |
 | | In 1988, bassist, guitarist, and vocalist Bill Graber formed the band Tilt-A-Whirl with drummer/vocalist Scott McDonald and bassist/guitarist Rob Graber. |
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 | | In a search to find others interested in trading videos of live shows, drummer/singer Bob Nanna, of Friction, placed a classified ad in Maximum Rocknroll and met drummer Roy Ewing, of Champaign-Urbana, Illinois, in 1993. |
 | | Lackthereof, the nom de solo project of Danny Seim, came into existence in 1997, several years before Seim became part of the eclectic, Portland-based indie trio Menomena. |
 | | A second-generation post-hardcore act, I Am the Avalanche features members of several earlier emo and screamo outfits. |
 | | Lovingly retro, ambitious, and emotionally epic, Brooklyn-based alternative rock outfit Atomictom blend the arena rock grandeur of the Killers, Kaiser Chiefs, and Coldplay with the '80s, soundtrack-ready precision of INXS, the Cure, and Echo & the Bunnymen. |
 | | The point band of the early-'90s riot grrrl movement, Olympia, WA's Bikini Kill exploded onto the male-dominated indie rock scene by fusing the visceral power of punk with the impassioned ideals of feminism. |
 | | When Kashmir entered the Danish scene in 1993, it was clear to the Danish music industry and fans alike that new life was being injected into a moribund rock scene. |
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 | | Dead Moon, a three-piece from Clackamas, OR, is known for their own particular brand of rootsy garage punk. |
 | | A supergroup of sorts, Rapeman came together as a unit in 1988 in Chicago, IL, consisting of Steve Albini (ex-Big Black) on guitar, David William Sims (ex-Scratch Acid) on bass, and Rey Washam (ex-Scratch Acid, Big Boys) on drums. |
 | | Having met at art school in 2003, Dan Workman and Dean Tzenos soon realized they had a musical kinship that simply had to be explored. |
 | | The Constantines first rocked their way out of Guelph, Ontario, in 1999, with Bryan Webb and Steve Lambke on vocals and guitar; bassist Dallas Wehrle; keyboardist Will Kidman; and drummer Doug McGregor. |
 | | For the better part of two decades, Blumfeld were widely considered to be Germany's prime indie rock band, with a sound that took its cues from groups like the Pixies and Pavement. |
 | | From 1990 to 2007, Jochen Distelmeyer fronted one of Germany's premiere indie rock bands. Named after a Kafka short story, Blumfeld made music that was experimental, political, and -- in contrast to many bands from the same era -- performed almost entirely in German. |
 | | Before beginning his solo career, singer/songwriter Che Arthur logged time in several bands. Born in Mobile, Arthur settled in Tuscaloosa, AL in the early '90s and played with several local bands before forming a long-running noisy indie outfit called Universal Life and Accident. |
 | | An off-shoot of Crime & the City Solution, which was itself an off-shoot of the Birthday Party, These Immortal Souls gave guitarist Rowland S. |
 | | This Seattle band is just a duo, but their sound is big. John Atkins of 764-HERO and Joe Plummer of the Black Heart Procession draw on '70s rock influences, from the power pop of Big Star to the glam guitar of T-Rex to craft-catchy, heartfelt songs of love and hate. |
 | | Sharing a love for bands like Doves, Elbow, and the Cure, Cedars formed in Washington, D.C., in early 2004 under the name Cartel and featured Brian Leatherman(vocals/guitar), Luke Mangels(guitar/keyboard), Francisco Lazzaro(bass), and Ed Barnabas(drums). |
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