 | | The Promise Ring were one of the most popular emo bands of the '90s, epitomizing the poppier, more accessible wing of the style. |
 | | Considering their relatively brief existence, Sunny Day Real Estate racked up enough dramatic twists and turns to rank with some of the great rock soap operas. |
 | | Kansas City's Get Up Kids play melodic, pop-inflected emo similar to the Promise Ring and Braid, with whom the band released a split single in 1998. |
 | | In a search to find others interested in trading videos of live shows, drummer/singer Bob Nanna, of Friction, placed a classified ad in Maximum Rocknroll and met drummer Roy Ewing, of Champaign-Urbana, Illinois, in 1993. |
 | | Consisting of ex-Jawbreaker frontman Blake Schwarzenbach, ex-Texas Is the Reason drummer Chris Daly, and ex-Handsome vocalist/guitarist Jeremy Chatelain, Jets to Brazil could be considered an amalgam of their forefathers with a slightly darker and more mature musical perspective. |
 | | When Mineral broke up in 1998, they had been together for only four years and released only two full-lengths, yet their shaping of the indie rock landscape cannot be overstated. |
 | | Independently minded and adhering to the old-school D.I.Y. punk mentality, West Coast punk-pop trio Jawbreaker's street-smart -- yet poetic -- lyrics, spirited musicality, and marathon live shows put them a cut above contemporaries like Green Day and blink-182. |
 | | Combining emotional melodies and upbeat rhythms moving at an unpredictable rate, At the Drive-In definitely stuck out in their hometown of El Paso, Texas. |
 | | The Gainesville, Florida-based post-hardcore quartet Hot Water Music were formed in 1994 by bassist Jason Black, drummer George Rebelo, and singer/guitarists Chuck Ragan and Chris Wollard. |
 | | Short-lived but highly influential, Cap'n Jazz helped transform emo from a deeply underground punk subgenre into a more widely accepted subset of indie rock. |
 | | Indie-rockers with an emotional core to their music as well as the requisite adrenalin rush, Knapsack formed around two high-school pals studying at University of California at Davis. |
 | | The Anniversary brought their own blend of male-female vocals, jangly guitars, and synth keyboards to the emo scene after signing with Heroes and Villains, an imprint of Vagrant Records, in 1999. |
 | | Born of the ashes of the now legendary Chicago emo outfit Braid, Hey Mercedes had a tough reputation, not to mention their work cut out for them from the start. |
 | | American Football consists of vocalist/bassist/guitarist Mike Kinsella, guitarist Steve Holmes, and drummer/trumpet player Steve Lamos. |
 | | As early as 1995, the original members of Cursive -- Tim Kasher on guitar and vocals, Clint Schnase on drums, Matt Maginn on bass, and Stephen Pederson on guitar -- began work on their newly christened project, experimenting with elements of indie rock and eclectic post-hardcore to fashion a unique sound. |
 | | In their eight-year existence, Jawbox released four studio albums of increasingly skillful post-punk, not necessarily carrying the torch of their Washington, D. |
 | | If history is kind to Fugazi, their records won't be overshadowed by their reputation and methods of operation. |
 | | Perfecting their power pop rock since the mid-'90s, New Jersey's Saves the Day call it like it is. They refrain from characteristic pogo-bouncing anthems for their own quirky post-punk and energetic live shows, influencing a new school of emo/punk bands along the way. |
 | | Emocore outfit Piebald formed in 1994 when vocalist/guitarist Travis Shettel, guitarist Aaron Stuart, bassist Andrew Bonner and drummer Jon Sullivan were still high school students in suburban Andover, MA. |
 | | Only frontman Chris Higdon remains from the original lineup of Elliott, a Louisville emo band known for its intense stage presence, replete with piano and percussion samples. |
 | | Lawrence, KS-based emo quartet Appleseed Cast were originally comprised of singer/guitarist Christopher Crisci, guitarist Aaron Pillar, bassist Jason Wickersheim, and drummer Louie Ruiz. |
 | | Because the term emo has come to define a sensibility more than a particular sound, it can be difficult to pin down even if you're not an outsider. |
 | | Growing up together in Marshall, MI, the members of Small Brown Bike have been friends, bandmates, and minor bike mechanics the majority of their lives. |
 | | A significant player in the early 21st century's post-hardcore scene, Thursday formed in 1997 in New Brunswick, NJ. |
 | | Aggressive emocore outfit Planes Mistaken for Stars formed in Peoria, IL, originally consisting of singer/guitarist Gared O'Donnell, guitarist Matt Bellinger, bassist Aaron Wise, and drummer Mike Ricketts. |
 | | When At the Drive-In announced a hiatus in March 2001, co-founder Jim Ward (vocals/guitar) immediately started working with bandmates Paul Hinojos (guitar) and Tony Hajjar (drums) under the Sparta moniker. |
 | | Part of the Bay Area punk revival of the late '80s and early '90s, Samiam specialized in the catchy, anthemic punk-pop typical of the Warped Tour crowd, but separated themselves with a greater debt to hardcore and a more introspective lyrical bent that won over emo audiences. |
 | | Cult favorite melodic hardcore unit Lifetime was formed in New Jersey in 1990 by singer Ari Katz and guitarist Dan Yemin. |
 | | Although they weren't around for long, Drive Like Jehu had a tremendous impact on the evolution of hardcore punk into emo. |
 | | Originally from Auburn, AL, Hot Rod Circuit comprised Andy Jackson (vocal, rhythm guitar), Casey Prestwood (lead guitar, vocals), Jay Russel (bass, vocals), and Wes Cross (drums), and could be compared to other post-grunge emo rock bands such as Jawbox and the Get Up Kids. |
 | | Once a trailblazing name in the mid-'90s emocore scene, Jimmy Eat World eventually found a larger audience by embracing a blend of alternative rock and power pop that targeted the heart as well as the head. |
 | | After a shifting lineup, Pedro the Lion finally eventually became a one-man outfit. That man is David Bazan. |
 | | Formed by ex-Jerkwater and Traitors drummer Matt Skiba (vocals/guitar), former 88 Fingers Louie percussionist Glenn Porter, and Rob Doran (bass/vocals), Alkaline Trio was brought together in 1997 by heartbreak, angst, and the companionship of drinking. |
 | | Madison, WI, emo trio Rainer Maria emerged in 1995 from the ashes of another poetically inclined local combo, Ezra Pound, reuniting singer/guitarist Kyle Fischer and drummer William Kuehn. |
 | | Perhaps no band was more emblematic of the true spirit of American indie rock during the 1990s than Superchunk, the pride of Chapel Hill, NC. |
 | | Progressive hardcore band Boy Sets Fire was formed in Delaware in 1994 by singer Nathan Gray, guitarists Josh Latshaw and Chad Istvan, bassist Darrell Hyde, and drummer Matt Krupanski. |
 | | With catchy song titles like "Hey, Wanna Throw Up? Get Me Naked," "Monkey!!! Knife!!! Fight!!!," and "Lemurs, Man, Lemurs," it's hard not to be at least a little bit curious about this Seattle-based quintet. |
 | | The alternative metal band Quicksand emerged from the New York City hardcore scene of the late '80s; before coming together in 1990, singer/guitarist Walter Schreifels, guitarist Tom Capone, bassist Sergio Vega, and drummer Alan Cage all honed their chops in a series of local acts, including Youth of Today, the Gorilla Biscuits, and Bold and Beyond. |
 | | Reggie and the Full Effect combine infectious melodies, sappy love songs, good-natured yet offbeat slyness, and comic sensibility like virtually no other "band" before them. |
 | | ...And You Will Know Us by the Trail of Dead were formed in late 1994 by singers/guitarists/drummers Jason Reece and Conrad Keely, longtime friends who originally met in Hawaii before settling in the perennial indie hotbed of Olympia, Washington, where Reece drummed for the notorious Mukilteo Fairies. |
 | | The five guys who have chosen the somewhat mysterious moniker of the Juliana Theory to represent their band have successfully transformed themselves from punk and hardcore kids restricted by the constraints of the emo genre into genuine, credible musicians. |
 | | Built to Spill were one of the most popular indie rock acts of the '90s, finding the middle ground between postmodern, Pavement-style pop and the loose, spacious jamming of Neil Young. |
 | | Based on their roots and their hometown, it's not surprising that Chicago's Joan of Arc blends post-rock's atmospherics and punk's volume and dynamics. |
 | | Endless feedback, a heavenly drone, and an obsession with science and outer space: these three elements perhaps most define the beautiful style that has become the trademark of the unmatchable Hum. |
 | | Modest Mouse were one of the most surprising commercial success stories of the new millennium -- while their music was by turns taut and elliptical, and the lyrics sometimes cryptic and introspective, the band broke through to the mainstream audience with the platinum-selling Good News for People Who Love Bad News, and they became genuine rock stars at a time when their musical peers remained cult figures. |
 | | Washington, D.C.-based emo quartet the Dismemberment Plan -- frontman Travis Morrison, guitarist Jason Caddell, bassist Eric Axelson and drummer Joe Easley -- debuted in 1994 with the single "Can We Be Mature?," signing to DeSoto to release the full-length ! in the fall of 1995. |
 | | With their fractured songs, unexpected blasts of feedback, laconic vocals, cryptic literate lyrics, and defiant low-fidelity, Pavement were one of the most influential and distinctive bands to emerge from the American underground in the '90s. |
 | | Although the members of Brand New cut their teeth in various hardcore bands, the group took a more melodic approach to its own work, embracing punk-pop on the debut album Your Favorite Weapon and incorporating aspects of indie rock during future projects. |
 | | Denver-based emo band Christie Front Drive was formed in the autumn of 1993 by singer/guitarist Eric Richter, guitarist Jason Begin, bassist Kerry McDonald and drummer Ron Marschall. |
 | | Coalesce's Nathan Ellis (guitar/vocals) and Stacy Hilt (bass) founded the Casket Lottery in the late '90s and composed a sound around crashing emo-tailored lyrics and heavy guitar work. |