 | | Alanis Morissette was one of the most unlikely stars of the mid-'90s. A former child actress turned dance-pop diva, Morissette later transformed herself into a confessional alternative singer/songwriter in the vein of Liz Phair and Tori Amos. |
 | | With their angst-filled hybrid of Van Morrison, the Band, and R.E.M., Counting Crows became an overnight sensation in 1994. |
 | | Early in their career, the Goo Goo Dolls were frequently dismissed by critics as mere imitators of the Replacements; however, they refined and mainstreamed their sound to become one of the most popular adult alternative rock bands of the 1990s, selling millions of records to audiences largely unfamiliar with their influences. |
 | | Although often lumped into the post-grunge category, Third Eye Blind sported a brighter sound than many of their late-'90s peers, taking as much influence from classic pop/rock traditions as the angst-ridden music that dominated the decade. |
 | | As part of the mid-'90s revival of roots-rock, the Wallflowers held a special connection to one of the original inspirations: vocalist/songwriter/guitarist Jakob Dylan. |
 | | Upon the release of their debut album, Yourself or Someone Like You, in fall 1996, Matchbox Twenty was pigeonholed as one of the legions of post-grunge guitar bands that roamed the American pop scene in the middle of that decade. |
 | | Formed in the early '90s by South African vocalist/guitarist Dave Matthews, the Dave Matthews Band presented a more pop-oriented version of the Grateful Dead crossed with elements of jazz, funk, and the worldbeat explorations of Paul Simon and Sting. |
 | | As a story, Jewel's origin is impossible to beat: on her way up, the singer/songwriter lived in a van on the West Coast, struggling to find an entrance to a career as a professional musician. |
 | | With the return of the punks in the mid-'90s came a resurgence of their slightly more commercial rivals, new wave bands. |
 | | Oasis shot from obscurity to stardom in 1994, becoming one of Britain's most popular and critically acclaimed bands of the decade in the process. |
 | | For a short time, Hootie & the Blowfish was the most popular band in America. Grunge music ruled the airwaves during the mid-'90s, but Hootie played a mainstream pop variation of blues-rock, and their easy-going sound netted them a string of Top 40 hits. |
 | | By combining humor with an eclectic mix of folk and pop/rock, the Barenaked Ladies enjoyed considerable popularity in their native Canada before rising to international status with 1998's "One Week. |
 | | Sheryl Crow's fresh, updated spin on classic roots rock made her one of the most popular mainstream rockers of the '90s. |
 | | Since her debut in 1988, Sarah McLachlan's atmospheric folk-pop has gained a devoted following not only in her native Canada, where she established star status with her first album, but also in the U. |
 | | After surfacing in 2000 with the breakthrough single "Yellow," Coldplay quickly became one of the biggest bands of the new millennium, honing a mix of introspective Brit-pop and anthemic rock that landed the British quartet a near-permanent residence on record charts worldwide. |
 | | Pearl Jam rose from the ashes of Mother Love Bone to become the most popular American rock & roll band of the '90s. |
 | | A New York-based blues-rock quartet formed in 1988 by singer/harmonica player John Popper, guitarist Chan Kinchla, bassist Bobby Sheehan, and drummer Brendan Hill, Blues Traveler were part of a revival of the extended jamming style of '60s and '70s groups like the Grateful Dead and Led Zeppelin. |
 | | By blending contemporary power pop with elements of the post-grunge era, Gin Blossoms briefly emerged as torchbearers of the lighter side of alternative rock. |
 | | The electronic pop chanteuse Dido entered London's Guildhall School of Music at age six; by the time she reached her teens, the budding musician had already mastered piano, violin, and recorder. |
 | | When Seattle grunge went mainstream, it was only a matter of time before the ripple effect was felt in regions other than the Pacific Northwest. |
 | | R.E.M. marked the point when post-punk turned into alternative rock. When their first single, "Radio Free Europe," was released in 1981, it sparked a back-to-the-garage movement in the American underground. |
 | | Few rock groups of the '80s broke down as many musical barriers and were as original as the Red Hot Chili Peppers. |
 | | Sultry vocalist and pianist Norah Jones developed her unique blend of jazz and traditional vocal pop with hints of bluesy country and contemporary folk due in large part to her unique upbringing. |
 | | Formed in the early '90s by South African vocalist/guitarist Dave Matthews, the Dave Matthews Band presented a more pop-oriented version of the Grateful Dead crossed with elements of jazz, funk, and the worldbeat explorations of Paul Simon and Sting. |
 | | Though Everclear's Northwestern grunge-punk style was hardly revolutionary when the band rose to popularity in 1995, the trio's hook-ridden songs and Art Alexakis' "us against them" lyrics were taken to heart by bored Gen-X teens. |
 | | Train was inescapable during the turn of the 21st century, when songs like "Calling All Angels" and "Drops of Jupiter" made the San Francisco residents some of America's most popular balladeers. |
 | | Tracy Chapman helped restore singer/songwriters to the spotlight in the '80s. The multi-platinum success of Chapman's eponymous 1988 debut was unexpected, and it had lasting impact. |
 | | Out of all the post-Nirvana alternative bands to break into the pop mainstream, Green Day were second only to Pearl Jam in terms of influence. |
 | | Formed in 1988 as a garage punk band, Sublime rose to fame in the mid-'90s on the back of the California punk explosion engendered by Green Day and the Offspring, though Sublime boosted their punk influences with heavy elements of reggae and ska. |
 | | Prior to Nirvana, alternative music was consigned to specialty sections of record stores, and major labels considered it to be, at the very most, a tax write-off. |
 | | Of all the major alternative rock bands of the early '90s, Smashing Pumpkins were the group least influenced by traditional underground rock. |
 | | After making his introduction as a sensitive, acoustic-styled songwriter on 2001's Room for Squares, John Mayer steadily widened his approach over the subsequent years, encompassing everything from blues-rock to adult contemporary in the process. |
 | | By pitching their music somewhere between the arena-friendly style of U2 and the mature pop/rock of bands like Maroon 5 and Counting Crows, the Fray rose to commercial prominence with their 2005 debut, How to Save a Life. |
 | | Initially embraced as "the Southern Strokes" for their resurrection and reinvention of Dixie-styled rock & roll, Kings of Leon steadily morphed themselves into an experimental rock outfit during the 2000s. |
 | | Fiona Apple defied categorization or any easy career path, almost running the pattern in reverse, opening her career as a highly touted and popular alternative singer/songwriter, then transitioning into a cult artist. |
 | | When Foo Fighters released a debut album written and recorded entirely by leader Dave Grohl -- at that point known only as the powerhouse drummer for Nirvana -- in the summer of 1995, few would have guessed that the group would wind up as the one band to survive the '90s alt-rock explosion unscathed. |
 | | Stone Temple Pilots were able to turn alternative rock into stadium rock; naturally, they became the most critically despised band of their era. |
 | | After rising to fame at the helm of the popular folk-rock band 10,000 Maniacs, Natalie Merchant enjoyed even greater success as a solo artist during the mid-'90s. |
 | | Live rose to success on the strength of its anthemic music and idealistic, overtly spiritual songwriting, two hallmarks that earned the group frequent comparisons to U2. |
 | | Through a combination of zealous righteousness and post-punk experimentalism, U2 became one of the most popular rock & roll bands of the '80s. |
 | | By mixing Lisa Loeb/Alanis Morissette-like singing with music that sounds similar to a more mainstream Portishead at times, Natalie Imbruglia became one of the biggest pop sensations in Europe. |
 | | When the U.K. press began dubbing Adele "the next Amy Winehouse" in late 2007, the hype didn't touch upon the heavy singer/songwriter influence found in the Londoner's music. |
 | | As the lead singer and principal songwriter for Matchbox Twenty, Rob Thomas found success with a blend of '70s rock influences, slick hooks, and 1990s post-grunge crunch. |
 | | If she had never made another record, Lisa Loeb would still go down in the record books as the first unsigned artist to top the American charts, as her meteoric single "Stay" -- from the soundtrack to 1994's Reality Bites -- spent three weeks at number one soon after the film's release. |
 | | Launched in 1991 as a folk-based acoustic duo, Vertical Horizon gradually molded itself into a slick pop/rock outfit, culminating in the band's brief (but significant) heyday at the turn of the 21st century. |
 | | Combining elements of acoustic rock, folk, and jangle pop, Sister Hazel formed in 1993 in Gainesville, FL. |
 | | There may have been other "retro" rock acts before him, but Lenny Kravitz was one of the first to not be pigeonholed to a single style as he touched upon such genres as soul, funk, reggae, hard rock, psychedelic, folk, and ballads over the years. |
 | | As one of the most popular groups to emerge in the post-grunge alternative rock aftermath, Weezer received equal amounts of criticism and praise for their hook-heavy guitar pop. |
 | | Jason Mraz hails from Mechanicsville, Virginia, where the singer/songwriter grew up amidst the sounds of the Dave Matthews Band and local roots musicians the Agents of Good Roots. |
 | | Led by guitarist/vocalist Gavin Rossdale, Bush became the first post-Nirvana British band to hit it big in America. |