 | | Named after a word in one of Nick Chaplin's dreams -- not from a Siouxsie and the Banshees single -- Slowdive formed in Reading, England, in late 1989. |
 | | New York-based musicians Alex Naidus (bass), Kip Berman (guitar/vocals), Kurt Feldman (drums), and Peggy Wang-East (keyboards/vocals) came together to form the Pains of Being Pure at Heart in 2007. |
 | | Chicago-based indie rock band Airiel, a quartet consisting of Chris DeBrizzio, Cory Osborne, John Rungger, and Jeremy Wrenn, began their record-making with a series of four-song EPs released by the Clairecords label. |
 | | The Radio Dept. were one of the more successful shoegaze-influenced indie rock bands to come out of Sweden in the early 2000s, making waves among indie aficionados on the strength of their critically acclaimed first release, Lesser Matters. |
 | | Bearing a hyper-stylized and glitzy graphic design sense, a pretty and petite Japanese female singer who sings alternately in Japanese and English, and a band name with a hint of nod-and-a-wink naughtiness (it's claimed to be a Tokyo-based slang term that means "playful sex"), Asobi Seksu come across like the latest Japanese import, the newest in a long line of ironic Shibuya-kei indie pop artists following Puffy AmiYumi, Cibo Matto, and Pizzicato Five. |
 | | Five rail-thin longhairs from Reading, England, Chapterhouse was first linked to the space rock likes of Spacemen 3 and Loop -- the connection with the former being inextricable during the band's youngest months, thanks in part to vocal support from Sonic Boom. |
 | | Ethereal pop band the Pale Saints formed in Leeds, England, in 1987. Ian Masters (bass/vocals), Chris Cooper (drums), and Graeme Naysmith (guitar) were signed by Ivo Watts-Russell to his 4AD label on the strength of their first London appearance. |
 | | Meshing dreamy, feedback-drenched guitars with airy, catchy melodies, Lush were one of the most prominent shoegazing bands of the early '90s. |
 | | The lush, dreamlike British pop trio Kitchens of Distinction was formed in London in 1986 by singer/bassist Patrick Fitzgerald, guitarist Julian Swales, and drummer Dan Goodwin. |
 | | Like the Velvet Underground, Sonic Youth, and the Jesus and Mary Chain before them, My Bloody Valentine redefined what noise meant within the context of pop songwriting. |
 | | Originally a Go-Go's cover band called Raspberry Bang, the Swirlies formed in Boston in 1990. Along with Kudgel and Fat Day, the band -- guitarist/singer Damon Tuntunjian, singer/guitarist Seana Carmody, bassist Andy Bernick, and drummer Ben Drucker -- was a part of the city's chimp rock scene, which pitted dreamy, guitar-based pop against noisy, experimental tendencies. |
 | | The band who brought the car song into the shoegaze era, Swervedriver was formed in Britain in 1990 by vocalists/guitarists Adam Franklin and Jimmy Hartridge, bassist Adi Vines, and drummer Graham Bonner. |
 | | Ernest Greene had been involved in a number of musical endeavors by the time he started putting together a series of recordings as Washed Out. |
 | | With their first records, Ride created a unique wall of sound that relied on massive, trembling distortion in the vein of My Bloody Valentine but with a simpler, more direct melodic approach. |
 | | A group whose distinctly ethereal and gossamer sound virtually defined the enigmatic image of the record label 4AD, Cocteau Twins were founded in Grangemouth, Scotland, in 1979. |
 | | The dream pop/shoegazer school of alternative pop/rock reached its commercial and artistic peak in the '90s, but noteworthy shoegazer bands continued to emerge in the 21st century -- and one of them was Engineers (not to be confused with Engineer, a brutal Syracuse, NY-based death metal combo that has recorded for the Metal Blade imprint Black Market Activities). |
 | | Inspired by post-punk, dream pop, and a touch of electronica, the San Francisco-via-New York quintet Film School began as the brainchild of vocalist/guitarist Krayg Burton (aka Greg Bertens), who began recording under the Film School name in the late '90s. |
 | | Bristol, England dream pop outfit Secret Shine was formed in November 1990 by vocalist Jamie Gingell and ex-Panda Pops guitarist Scott Purnell; originally dubbed Amelia's Dream, the duo recorded a three-song demo which they mailed to the influential indie label Sarah Records, who agreed to issue a single, "After Years," in the autumn of 1991. |
 | | In 2003, Frenchmen Anthony Gonzalez and Nicolas Fromageau enjoyed international acclaim for the album Dead Cities, Red Seas & Lost Ghosts, a luscious blend of shoegaze aesthetics, ambient pop, and progressive textures. |
 | | Deerhunter are an experimental noise rock band from Atlanta, fronted by the compellingly odd singer Bradford Cox. |
 | | By using their influences as a mere launching pad and consistently developing their many strengths, Catherine Wheel was able to outlast all of their early peers. |
 | | The third in an ongoing line of similarly themed but not musically identical projects from the core duo of Ryan Policky and Gabriel Ratliff, A Shoreline Dream combines the epic sonic attack of post-rock outfits like Godspeed You! Black Emperor and Sigur Rós with the more pop-oriented and danceable feel of the classic shoegazer bands of the turn of the 1990s. |
 | | Ben Curtis fled Secret Machines in 2007 to focus on School of Seven Bells, an electronics-enhanced dream pop group formed with twin sister vocalists Claudia and Alejandra Deheza (also of On!Air!Library!). |
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 | | Taking note from the likes of Ride, Slowdive, My Bloody Valentine, and the Jesus & Mary Chain, the High Violets define their own swirling dream pop. |
 | | With a unique sound that samples equally from electronica, noise pop, post-punk, and shoegaze, Autolux formed in 2000 in Los Angeles. |
 | | Noise-pop band Amusement Parks on Fire was formed in Nottingham, England, and led by Michael Feerick, who wrote and performed APOF's first record before the age of 20. |
 | | Comprised of New Zealand-born Tamaryn, who provides soft girlish vocals, and guitarist Rex John Shelverton, who does the instrumentation and plays the role of producer, Tamaryn (the band) revel in the lush atmospherics of shoegaze and dream pop. |
 | | Considering Curve's towering monolith of guitar noise, dance tracks, dark goth, and airy melodies, it's strange that their two core members -- guitarist Dean Garcia and vocalist Toni Halliday -- met through David Stewart of Eurythmics. |
 | | Though criminally overlooked in their own lifetime, Galaxie 500 later emerged as one of the pivotal underground groups of the post-punk era; dreamy and enigmatic, their minimalist dirges presaged the rise of both the shoegazer and slowcore movements of the 1990s. |
 | | The dream-pop, space-rock group Stella Luna formed from the ruins of Starbelly. Hailing from Northeast Florida, Stella Luna is comprised of Susan Hanson (guitar/vocals), Devon Smith (guitar/vocals), Rhonda Roberts (bass), Jennifer Sterling (keyboards) and Darin Fitzpatrick (drums). |
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 | | The brainchild of guitarist Brad Laner, Los Angeles trio Medicine play a melodic, rhythmic style of noise-rock that has been tagged "dream-pop. |
 | | Drawing inspiration from shoegaze, classic indie rock, and atmospheric and dark sounds of all stripes, the Brooklyn-based A Place to Bury Strangers consist of Oliver Ackermann, Jay Space, and Jono Mofo. |
 | | Singers/guitarists Richard Millang and Ray Lake, bassist Chris Preston and drummer David Mac Wha formed the ambient pop outfit Bethany Curve in Santa Cruz, CA in May 1994; adopting the motto "Atmosphere, Arrangement, Sound, Layering and Noise," the group issued their debut cassette Mee-eaux in 1995, signing to Unit Circle the following year for the full-length Skies a Crossed Sky. |
 | | The blurry electronic pop project of an initially anonymous composer from Brooklyn and video artist from Austin, Texas, Neon Indian was conceived as a multimedia experience combining their music and video into short films, teasers, and straight-up pop songs. |
 | | Formed from the ashes of the trance-rockers Spacemen 3, singer/guitarist Jason Pierce's group Spiritualized did not break away from his prior band's trademark hypnotic minimalism; instead, they perfected it. |
 | | Manhattan-based drone-rock duo Bowery Electric comprised vocalist/guitarist Lawrence Chandler, a former protégé of minimalist composer LaMonte Young, and vocalist/bassist Martha Schwendener. |
 | | An indie rock band from New York City, Cymbals Eat Guitars made their critically acclaimed full-length album debut in 2009. |
 | | Cranes were one of the major trance-pop/shoegaze groups of the early '90s, combining ethereal vocals and melodies with loud, droning guitars. |
 | | Formed in Bristol, England in 1993, the elusive avant-noise project Flying Saucer Attack primarily comprised the duo of singers/guitarists David Pearce and Rachel Brook, refugees from the group Lynda's Strange Vacation who formed FSA as an outlet for their interest in home-recording experimentation. |
 | | Building on the jangly guitar pop of the Smiths and the trance-like dream pop of bands like the Cocteau Twins, the Sundays cultivated a dedicated following in indie rock circles, both in their native England and in America, in the early '90s. |
 | | Fronted by identical twin sisters Lauren and Robin Daniels and masterminded by their brother Ben, A Sunny Day in Glasgow emerged in the early 2000s with synth-laden experimental noise-pop that echoed 1980's shoegaze acts like the Jesus and Mary Chain. |
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 | | Formed in New York in 2003 by Brad Hargett and JB Townsend, multi-influenced indie rock band Crystal Stilts released their first work -- some singles and an EP -- in 2004 on the Feathery Tongue label. |
 | | Boston, MA's the Drop Nineteens were one of America's contributions to England's shoegazer movement. |
 | | Chaz Bundick started making bedroom recordings under the name Toro y Moi in his native Columbia, South Carolina in 2001. |
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 | | Fusing low-res electronic noise and pop hooks so effortlessly that it can seem accidental, Crystal Castles began as producer/multi-instrumentalist Ethan Kath's solo project in late 2003. |
 | | Ultra Vivid Scene is Kurt Ralske like Nine Inch Nails is Trent Reznor. Although Ralske's atmospheric art pop could not sound less like Reznor's thudding industrial disco, the two are not that far apart in terms of aesthetics; Ralske's lyrical obsessions with such gothy standbys as sex, religion, and death make the band's three albums naturals for the mopey black-clad teenager in us all. |