 | | The Big Tymers, comprised of Cash Money Records co-founder Brian "Baby" Williams and in-house production workhorse Mannie Fresh, were a staple of the label, appearing as featured guests on most of the label's album releases and releasing several albums of their own, including a couple -- I Got That Work (2000) and Hood Rich (2002) -- that were quite successful. |
 | | Rather than taking the underground route like most Southern rappers, Petey Pablo took the direct route into the rap game: he went straight to the top. |
 | | Once one of the leading rappers on Master P's No Limit record label, Mystikal quickly evolved beyond the label's clichéd thug trappings and found himself one of the Dirty South's most recognized rappers, alongside the likes of Juvenile and Ludacris. |
 | | Having come up in the Hot Boys group alongside superstar Lil Wayne, New Orleans rapper Juvenile is a Southern hip-hop veteran, and a chart-topping one as well, having climbed the U. |
 | | Outside his primary roles as André 3000's partner in OutKast and as one of the central members of the Dungeon Family, Big Boi (born Antwan André Patton) appeared on tracks by Missy Elliott ("All N My Grill"), Trick Daddy ("In da Wind"), Jay-Z ("Poppin' Tags"), Killer Mike ("A. |
 | | To most, rapper Young Buck was a fresh face when he became a member of 50 Cent's crew G-Unit, but he spent a long time waiting on the bench before that. |
 | | Born Wayne Hardnett, Atlanta rapper Bone Crusher made his mark with a likeable playground machismo and a street-smart pop sensibility. |
 | | Formed in 1997, the Hot Boys consisted of four youthful rappers from the same neighborhood of New Orleans, LA. |
 | | C-Murder is the younger brother of Master P, the founder and president of No Limit Records. That explains his membership in the No Limit family, the label where nepotism rules, but he's actually one of the stronger rappers on the label. |
 | | Master P created a hip-hop empire without registering on any mainstream radar. For several years, he operated solely in the rap underground, eventually surfacing in the mid-'90s as a recording artist and producer who knew exactly what his audience wanted. |
 | | Prior to gaining mainstream exposure during late 2004 and early 2005 with his single "Still Tippin'," Houston-based MC and self-promoter extraordinaire Mike Jones had long been a stalwart of the Swishahouse label, with a handful of releases under his belt. |
 | | Dubbed "the Mixtape Messiah," Houston's Chamillionaire arrived late as a major-label artist during his city's 2005 takeover of mainstream rap -- the Top Ten Sound of Revenge, released during November that year, followed albums from Mike Jones, Slim Thug, and former Color Changin' Click partner Paul Wall -- but he had already built a loyal following outside the South and received significant print coverage. |
 | | At Atlanta's Miller Grove Middle School, two young wannabe rappers met up with each other, left their individual rap crews, and joined forces to become YoungBloodZ. |
 | | Rapper Cam'ron was born and raised in Harlem, attending Manhattan Center High School, where one of his basketball teammates was Mason "Mase" Betha, who also became a successful rapper. |
 | | While hip-hop prides itself on being the soundtrack to the streets, Field Mob have done their best to represent the country. |
 | | B.G. was among the first rappers on Cash Money Records, and though he eventually departed from the label and forged his own path through the rap industry, he remains associated with Cash Money, with which he enjoyed his greatest success, most notably the epochal 1999 hit "Bling Bling. |
 | | Amid the flourishing underground rap scene of Houston, Lil' Flip rose to quick and prosperous fame after his independently released 2000 album The Leprechaun broke through to a national audience, prompting the young rapper's signing to Universal Records soon after. |
 | | An imposing figure with a voice to match, Slim Thug had been dropping in for guest verses -- on mixtapes and other artists' albums -- for several years before making his full-length debut through the Neptunes' Star Trak label. |
 | | One of the pioneers of Southern rap, Eightball & MJG, emerged from Memphis, Tennessee in the early '90s and, aligned with the Houston, Texas-based independent label Suave Records, quickly garnering a tremendous regional following while proving highly influential to a generation of aspiring, independent-minded rap artists and entrepreneurs. |
 | | MC and DJ Paul Wall (born Paul Slayton) grew up as a hardcore disciple of fellow Houstonian DJ Screw and became so familiar with the pioneering DJ's woozy, slowed-down style of remixing that he had to adjust to hearing hip-hop at any other tempo. |
 | | Da Brat was one of the first of a new breed of hard-edged female MCs to hit the hip-hop scene during the '90s. |
 | | Young Gunz began as just two of the numerous rappers in Roc-a-Fella's State Property collective, yet all it took was one runaway hit, "Can't Stop, Won't Stop," to distance them from the pack and elevate them into the spotlight. |
 | | After sending their homeboy Lil Scrappy up the charts, the Atlanta-based label/management team Crunk Incorporated turned to the six-member Crime Mob for their next big hit. |
 | | The boisterous and brash Trillville began their bid for the title "Gods of Crunk" in 1997 while attending ninth grade in Atlanta's public school system. |
 | | Atlanta rapper and T.I. protégé Young Dro decided to pursue a career in rap music in order to break the cycle of tribulations from hustling and inner-city life. |
 | | Boyz N da Hood feature Miguel "Big Gee" Scott, Lee "Big Duke" Dixon, Jay "Young Jeezy" Jenkins, and Jacoby "Jody Breeze" White, four MCs from Atlanta who signed with P. |
 | | Southern gangsta rappers Pimp C and Bun B formed UGK (aka Underground Kingz) in the late '80s and signed to Jive Records for their major-label debut album, 1992's Too Hard to Swallow. |
 | | Bad Boy Records rapper Black Rob began his recording career appearing on albums like the Cru's Da Dirty 30 and collaborating with artists like L. |
 | | Junior Masters at Finding Intelligent Attitudes, or Junior M.A.F.I.A., were able to grab instant notoriety with two hit singles, "Get Money" and "Player's Anthem," thanks to their childhood crony and producer, the Notorious B. |
 | | Recognized for the lyrical self-consciousness, thoughtfulness, and sincerity he injects into his otherwise standard approach to Dirty South rap, Pastor Troy stood out among the masses of up-and-coming Southern MC trying to break out nationally in the early 2000s. |
 | | One half of the rap duo Crooked Lettaz, David Banner helped put Mississippi on the map in 1999. In 2000, he released his first solo album in Them Firewater Boyz, Vol. |
 | | Crunk practitioner Lil Scrappy was born Darryl Richards in the ATL. Discovered by BME Recordings and Lil Jon, Scrap built his rep throughout the Southeast before breaking nationally in 2003 with the hit "Head Bussa. |
 | | Jadakiss (born Jason Phillips) became a member of the Ruff Ryders in 1999. Five years earlier, he joined the LOX (who started their saga as a group called the Warlocks) and has remained a member of both groups since. |
 | | As the flagship artist for producer Irv Gotti's Def Jam-affiliated Murder Inc. label, Ja Rule became one of the rap industry's most commercially successful artists during the early 2000s, working closely with the hitmaking producer and his stable of talent. |
 | | Rapper Bun B (born Bernard Freeman) rose to fame in the duo UGK. Bun B and Pimp C formed UGK in the late '80s when their former crew, Four Black Ministers, fell apart. |
 | | Southern rap group Dem Franchize Boyz includes members Gerald "Buddie" Tiller, Bernard "Jizzal Man" Leverette, Maurice "Parlae" Gleaton, and Jamall "Pimpin" Willingham. |
 | | Atlanta's party rap duo Ying Yang Twins scored a hit with the single "Whistle While You Twurk," which received nationwide airplay on urban and crossover radio stations. |
 | | Tru is a three-piece gangsta rap group that No Limit mastermind Master P formed with his younger brothers, Silkk and C-Murder. |
 | | After the release of his debut album, the career of Texas-born rapper the D.O.C. was shattered by a car crash that almost took his life. |
 | | The Cash Money Millionaires included whatever rappers happened to rap for Cash Money Records at the given moment. |
 | | Evolving slowly but steadily over the years, Three 6 Mafia began as an exploitative, horror-themed underground hardcore rap sensation ("666 Mafia," get it?) yet went on to enjoy relatively mainstream success years later, eventually winning an Oscar and scoring some major hits. |
 | | Though G-Unit became generally recognized as the brand name associated with 50 Cent, for instance serving as a catch phrase ("G-G-G-G-G-Unit!") as well as a record label (G-Unit Records), it in fact began as the name of his backing posse. |
 | | Chicago's Do or Die gained a hit with their first single, Po Pimp. Released on a tiny Chicago label, the track became a local hit and sparked the group's signing by Houston's Rap-A-Lot Records. |
 | | Next to Master P (and maybe C-Murder), Silkk the Shocker (born Vyshonne Miller) was the preeminent rapper on No Limit Records, the underground hardcore rap label that became a sensation in the late '90s. |
 | | Hailing from Virginia, Clipse -- brothers Pusha T and Malice -- were one of the first artists to associate with the Neptunes. |
 | | Far from prolific, Terror Squad nonetheless became notable amid the late-'90s/early-2000s East Coast rap scene, mainly for boasting both Big Punisher and Fat Joe among the group's membership. |
 | | Best known as Puff Daddy's favorite sidekick, Mase secured his place as a Bad Boy label favorite through a series of guest appearances on hit singles by other artists. |
 | | Another of Master P's No Limit soldiers, rapper Soulja Slim made his solo debut in 1998 with Give It 2 'Em Raw. |
 | | An above-average rapper blessed with a bit of luck and connections as well as talent, Craig Mack practically made Puff Daddy's Bad Boy label with a remix of his 1994 hit "Flava in Ya Ear. |
 | | Obie Trice went from no one to someone in the rap world quickly when Eminem signed him to Shady Records and executive produced his debut. |