 | | One of the most popular female country singers of the '90s, Trisha Yearwood initially rose to fame as a protégée of Garth Brooks but quickly staked out her own identity as an assertive yet vulnerable modern woman. |
 | | Reba McEntire was the most successful female recording artist in country music in the 1980s and 1990s, during which time she scored 22 number one hits and released five gold albums, six platinum albums, two double-platinum albums, four triple-platinum albums, a quadruple-platinum album, and a quintuple-platinum album, for certified album sales of 33. |
 | | After spending several years as a professional songwriter, Lee Ann Womack became one of the breakout contemporary country stars of 1997 with her eponymous debut album. |
 | | Contemporary country singer Martina McBride rose to stardom in the late '90s, starting out with a more traditionalist approach and later moving into more pop-friendly territory. |
 | | Part of country music's late-'90s crop of female crossover stars, Jo Dee Messina's appeal nonetheless remained more with country fans than pop audiences. |
 | | One of the biggest female country stars of the '90s and 2000s, Faith Hill also took advantage of the inroads Shania Twain made into pop territory, becoming an enormous crossover success by the end of the millennium. |
 | | Emerging in the mid-'90s, Shania Twain became the most popular country music artist since Garth Brooks. |
 | | One of the most popular female singers of the new traditionalist movement, Patty Loveless rose to stardom thanks to her blend of honky tonk and country-rock, not to mention a plaintive, emotional ballad style. |
 | | Formed in 1989 as a Western-themed bluegrass band, the Dixie Chicks eventually became one of the most popular acts in contemporary country music, as well as the highest-selling female group in America. |
 | | Tanya Tucker had her first country hit in 1972, when she was just 13 years old. Over the succeeding decades, Tucker became one of the few child performers to mature into adulthood without losing her audience, and during the course of her career, she notched a remarkable streak of Top Ten and Top 40 hits. |
 | | A country music traditionalist from Texas, Clint Black was one of the first artists to kick-start the mass-market popularity of country in the '90s. |
 | | Like the Beatles in rock, Randy Travis marks a generational shift in country music. When his Storms of Life came out in 1986, country music was still wallowing in the post-urban cowboy recession, chasing elusive crossover dreams. |
 | | The undisputed kings of the '90s line-dancing craze, Brooks & Dunn are not only the biggest-selling duo in country music history, they've also sold more records than any other duo period, including Simon & Garfunkel. |
 | | Garth Brooks is a pivotal figure in the history of country music, no matter how much some country purists would like to deny it. |
 | | Vince Gill paid nearly a decade-and-a-half of dues en route to becoming one of the most popular country stars of the '90s. |
 | | Travis Tritt was one of the leading new country singers of the early '90s, holding his own against Garth Brooks, Clint Black, and Alan Jackson. |
 | | Up until the rise of Brooks & Dunn in the '90s, the Judds were the most commercially successful duo in country music history. |
 | | Part of the '90s wave of honky tonk hitmakers that brought country to new commercial heights, John Michael Montgomery made his name primarily as a romantic balladeer. |
 | | Though she didn't begin her musical career until relatively late, Deana Carter managed to defy conventional expectations and unexpectedly shot to the top of the country charts upon the release of her 1996 debut, Did I Shave My Legs for This? Carter's success was equally unexpected considering that she didn't quite fit into the mold of a standard female contemporary country singer. |
 | | Before Alabama, bands were usually relegated to a supporting role in country music. In the first part of the century, bands were popular with audiences across the country, but as recordings became available, nearly every popular recording artist was a vocalist, not a group. |
 | | After Garth Brooks, Alan Jackson was the most popular male country singer of the '90s. An heir to the new traditionalist movement of the '80s, Jackson's approach was rooted in classic honky tonk yet remained comfortably within the contemporary mainstream. |
 | | Diamond Rio found major commercial success in the '90s by playing an eclectic hybrid of modern country, traditional bluegrass (especially in their harmony singing), and a hint of rock & roll. |
 | | Though their name might lead you to believe that Lonestar was formed in Texas, the quintet actually hails from Tennessee. |
 | | One of those rare acts who actually became stars directly from winning Star Search, country-rockers Sawyer Brown wound up enjoying a long, hit-filled career and remained commercially viable into the new millennium. |
 | | Out of all the new country singers to emerge in the early '80s, George Strait stayed the closest to traditional country. |
 | | When Tim McGraw debuted in the early '90s, few would have predicted that he would eventually take over Garth Brooks' position as the most popular male singer in country music. |
 | | One of the most popular country bands of the early '90s, Little Texas was influenced by modern country outfits like Alabama and Restless Heart, as well as country-rock groups like the Eagles. |
 | | Trace Adkins helped keep country's traditionalist flame burning during the crossover-happy late '90s, mixing classic honky tonk with elements of gospel, blues, and rock & roll. |
 | | Part of the commercial rise of rock-tinged honky tonk in the early '90s, Tracy Lawrence was one of the decade's most reliable country hitmakers. |
 | | Aaron Tippin was part of the commercial explosion of new traditionalist country in the early '90s, making his name with a mixture of macho, rowdy honky tonkers, sentimental ballads, and patriotic working-man's anthems. |
 | | Sammy Kershaw rode in on the new traditionalist wave in the early '90s, finding success with a penchant for ballads and a blend of updated honky tonk (especially the vocal stylings of George Jones), Southern rock, and a hint of Cajun flavor. |
 | | Neo-honky tonker Mark Chesnutt parlayed a solid grounding in classic country into chart-topping stardom during the '90s. |
 | | With his first two singles reaching number one upon their release, Clay Walker immediately established himself as a commercial success. |
 | | Contemporary country star Collin Raye burned up the sales charts in the '90s, thanks to a blend of country-rock and smooth balladry, and a willingness to record socially conscious material in between the dance and romance tunes. |
 | | The daughter of country legend Mel Tillis, Pam Tillis made her own way in the music business, eventually becoming a contemporary country star in the '90s. |
 | | Toby Keith spent the '90s as a solid, workmanlike country star who met with considerable chart success, yet never quite broke free of the neo-traditionalist pack to become a household name like Garth Brooks or Alan Jackson. |
 | | Most country groups of the '80s favored a commercial pop-oriented approach that alienated many traditional listeners but captured the ear of the mainstream. |
 | | Tracy Byrd's brand of new traditionalist country made him a star in the '90s, particularly his playful, good-time party singalongs (though he also turned in the occasional ballad success). |
 | | Neal McCoy's brand of neo-traditionalist honky tonk brought him a string of hits in the mid-'90s. McCoy was born Hubert Neal McGaughey, Jr. |
 | | Contemporary country star Kenny Chesney didn't have the immediate breakout success that many of his peers enjoyed upon signing with major labels, but gradually built up a significant following via hard work, pop-friendly ballads, and a likable, "Average Joe" persona. |
 | | Joe Diffie was regarded by many of his peers as one of the better vocalists in contemporary country, and lent his traditional sensibilities to humorous, rock-tinged novelties and plaintive ballads. |
 | | With his stripped-down approach to traditional honky tonk and Bakersfield country, Dwight Yoakam helped return country music to its roots in the late '80s. |
 | | In 1996, LeAnn Rimes burst out of nowhere with her debut single "Blue," which immediately captured the attention of country fans across America. |
 | | Like her contemporary Shania Twain, singer/songwriter Terri Clark came storming out of Canada and captured the attention of America's country music industry in the mid-'90s. |
 | | Contemporary country star Doug Stone made his name as a lonesome baritone balladeer, though he's also adept at hard uptempo country. |
 | | Neo-honky tonker John Anderson was born in Apopka, FL, in 1955 and grew up listening to rock & roll, until he discovered country music at age 15 through Merle Haggard. |
 | | Mary Chapin Carpenter was part of a small movement of folk-influenced country singer/songwriters of the late '80s. |
 | | One of country music's most versatile performers, Steve Wariner grew up in suburban Indianapolis, interested in the Beatles on the radio as well as Chet Atkins and George Jones, the artists his father listened to most frequently. |
 | | Billy Dean received a basketball scholarship to attend East Central Junior College in Decatur, MS, where he majored in physical education, but instead of wearing a whistle around his neck, he opted for a guitar strap. |
 | | Sugarland, the platinum-selling contemporary country act, began as a trio of songwriters from the Atlanta area, each of whom had enjoyed some level of renown as a solo country artist. |