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 | | Atlanta's Luxury consists of vocalist Lee Bozeman, guitarist Jamie Bozeman, bassist Chris Foley and drummer Glenn Black. |
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 | | A British trio influenced by the Jesus Lizard, Therapy?, and Killing Joke, Headcleaner released the agressive No Offence Meant. |
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 | | It is not that hard to pinpoint British producer David M. Allen's entry into the professional music business. |
 | | Named after a small island off the coast of Antarctica, This is Adelaide began in Lansing, MI in January of 2000. |
 | | Often described by critics as disposable, '80s synth pop acts such as Erasure and Depeche Mode continued to inspire young musicians to write hummable songs with a plethora of keyboards even into the '90s. |
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 | | Not to be confused with the Tucson-based indie band of the same name, the Phantom Limbs are a Bay Area-based death rock band most influenced by early Christian Death's mix of thrashy, metallic punk and eerie, keyboard-driven goth rock, adding their own cabaret theater touch. |
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 | | The new wave/post-punk revival band Dead Kids from London created a buzz for themselves well before they even released a full-length album. |
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 | | NiNa are a multinational pop supergroup formed in 1999 and featuring '80s new wave musicians Kate Pierson of American band the B-52's, Mick Karn from the British group Japan, Takemi Shima and Masahide Sakuma from Japanese group the Plastics, as well as Yuki from Japanese '90s J-Pop legends Judy & Mary. |
 | | Originally hailing from England, the Primms moved to New York City and brought with them several hundred dollars, their instruments, and a few recorded tracks. |
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 | | London-based indie band Pull In Emergency make urgent, passionate, post-punk inflected rock centered around lead-vocalist Faith Barker. |
 | | First gracing stages in Glasgow, Scotland in 2005, We Are the Physics (Originally the band went by the exhaustive moniker We Are the Physics Club and Therefore Everything We Say Is Fact, but -- thankfully -- shortened it soon after forming. |
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 | | Blip Blip Bleep began as the solo project of New York-based songwriter Sean Han, who started recording under the name in 2006. |
 | | Nova Scotia melodic rock and post-punk revival trio Air Traffic Control center around brothers Kirk and Jordi Comstock and their cousin Luke Comstock. |
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 | | New York City-based rock trio Zerobridge features the talents of lead singer/guitarist Mubashir Mohi-ud-Din and drummer Mohsin Mohi-ud-Din. |
 | | One of several solo projects pursued by Steve Mason following the Beta Band's breakup in 2004, Black Affair formulated a style of sleek, reverb-kissed, nocturnal synth pop that nodded to acts like New Order, the Scissor Sisters, and the Legends. |
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 | | Winning over Charlatans frontman Tim Burgess and former Creation Records honcho Alan McGee, Hatcham Social made a fairly successful early bid for pop stardom in their native England. |
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 | | A dark-edged trio hailing from London, White Lies take sonic cues from the likes of Joy Division, the Teardrop Explodes, and Echo & the Bunnymen. |
 | | Ana Analogica and Alex Cuadrado formed the Valencia, Spain-based duo Cof Cof in the early 2000s, forging a sweaty, glittery lo-fi dance pop sound that sounded like a hodgepodge of any number of their contemporaries, including Yelle, CSS, and Architecture in Helsinki. |
 | | The brilliant juxtaposition of Sarah Tanat Jones' vocals with brash post-punk guitar riffs and solid backbeat are what defines Edinburgh, Scotland's Come on Gang. |
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 | | The new wave-influenced ensemble Performance-- sometimes billed as (We Are) Performance-- make catchy, '80s inspired pop with a dance-rock bent. |
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 | | Trippple Nippples are a performance art-oriented electro-pop group from Tokyo, Japan, with an international following. |
 | | Drawing from the chilly, nocturnal sound of 1980s post-punk and new wave acts (the Cure and New Order chief among them), the French duo Frank (Just Frank) developed out of the friendship between Chris (aka Anthem) and Kirti (aka KD). |
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