 | | Kasabian took the British press by storm in the early 2000s by mixing traces of the Stone Roses, Happy Mondays, and Primal Scream with Oasis-sized confidence and DJ Shadow-influenced electronics. |
 | | Glasgow's art-damaged rock quartet Franz Ferdinand -- named for the Austro-Hungarian Archduke whose murder sparked World War I -- feature bassist Bob Hardy, guitarist Nick McCarthy, drummer Paul Thomson, and singer/guitarist Alex Kapranos. |
 | | They're not like Echo & the Bunnymen and they claim they're not seaside scousers of their hometown of Hoylake, for the Coral are crazy geezers, Happy Mondays-style. |
 | | When Tears for Fears sang "Kick out the Style/Bring back the Jam" in "Sowing the Seeds of Love," one can imagine the lads in Kaiser Chiefs raising their mugs of ale in agreement. |
 | | The Libertines joined the pop fray of 2002, competing with the likes of the Strokes, Hives, Vines, and Doves with their debut single, "What a Waster. |
 | | The British indie rock band Razorlight formed in London in 2002 around vocalist/guitarist Johnny Borrell and guitarist/vocalist (and Swedish ex-pat) Björn Ågnen. |
 | | By distilling the sounds of Franz Ferdinand, the Clash, the Strokes, and the Libertines into a hybrid of swaggering indie rock and danceable neo-punk, Arctic Monkeys became one of the U. |
 | | Staines, England's Hard-Fi feature Richard Archer (vocals), Ross Philips (guitar), Kai Stephens (bass), and Steve Kemp (drums). |
 | | A brashly melodic indie rock outfit from Glasgow, the Fratellis feature vocalist/guitarist Jon Fratelli, drummer Mince Fratelli, and bassist Barry Fratelli. |
 | | Few bands in the early 2000s rose so quickly to the forefront of pop music as the Killers. With a mix of '80s-styled synth pop and fashionista charm, the band's street-smart debut, Hot Fuss, became one of 2004's biggest releases, spawning four singles and catapulting the group -- particularly their dandyish, 22-year-old frontman, Brandon Flowers -- into the international spotlight. |
 | | Equally inspired by classic tunesmiths like Buddy Holly and John Lennon and the street-smart attitude and angular riffs of fellow New Yorkers Television and the Velvet Underground, the Strokes were also equally blessed and cursed with an enormous amount of hype -- particularly from the U. |
 | | Luke Pritchard (vocals/guitar), Hugh Harris (guitar), Max Rafferty (bass), and Paul Garred (drums) generate the rubbishy garage rock sounds of the Kooks. |
 | | Equally inspired by Sonic Youth, Joy Division, Gang of Four, and the Cure, East London art punkers Bloc Party mix angular sonics with pop structures. |
 | | With their heady blend of precision punk and serpentine classic rock (the band has drawn comparisons to everyone from the Pixies and Sonic Youth to Elvis Costello and Tom Petty), enigmatic, Texas-based indie pop outfit Spoon went from underground press darlings to one of the genre’s premier commercially and critically acclaimed alternative rock acts. |
 | | Taking the best of post-punk, new wave, and pop as inspiration, Sunderland's Futureheads were among the best of the U. |
 | | The White Stripes formed on Bastille Day in 1997, aiming to create simple, vigorous rock & roll with little more than Meg White's percussion and Jack White's guitar-and-vocal attack. |
 | | Although formed during the late '90s, Interpol rose to international attention in 2002 as part of New York City's post-punk revival. |
 | | Before embracing Brit-pop in the late '90s, Doves' three members -- vocalist/bassist Jimi Goodwin, guitarist Jez Williams, and drummer Andy Williams -- figured prominently in the Madchester scene, where they scored a Top Five single as part of the dance combo Sub Sub. |
 | | The London-based Klaxons feature the combined talents of Jamie Reynolds, James Righton, and Simon Taylor. |
 | | Formed in 2003, Editors became one of the leading bands in the post-punk revival that swept America and England during the early 21st century. |
 | | A self-described "new band made up of old friends," the Raconteurs feature the White Stripes' Jack White and power pop maestro Brendan Benson on vocals, keyboards, and guitars, and the Greenhornes' drummer Patrick Keeler and bassist Jack Lawrence as the group's rhythm section. |
 | | Beginning as a noisy, synth-based combo in 1999, Victoria, British Colombia's Hot Hot Heat evolved into an aggressively catchy indie rock band two years later, when keyboardist Steve Bays took on the vocal duties, and guitarist Dante DeCaro joined their ranks. |
 | | Eight years into their career, the Hives rose from garage rock stalwarts to one of the trendiest bands of the early 2000s, along with the Strokes and the White Stripes. |
 | | Newcastle's angular pop quintet Maxïmo Park consists of singer Paul Smith, guitarist Duncan Lloyd, bassist Archie Tiku, keyboardist Lukas Wooller, and drummer Tom English. |
 | | After the Libertines broke up in fall 2004, singer/songwriter and guitarist Carl Barat began work on his next musical project. |
 | | Radiohead were one of the few alternative bands of the early '90s to draw heavily from the grandiose arena rock that characterized U2's early albums. |
 | | Formed during the height of New York City's post-punk revival in 2003, the Bravery took equal influence from dance music and stylish indie rock. |
 | | Muse's fusion of progressive rock, glam, electronica, and Radiohead-influenced experimentation is crafted by guitarist/vocalist Matthew Bellamy, bassist Chris Wolstenholme, and drummer Dominic Howard. |
 | | A combination of indie rock muscle and theatrical, unapologetic bombast turned Arcade Fire into indie royalty in the early 2000s. |
 | | Although formed on the West Coast by three California-based college students, We Are Scientists officially took flight after frontman Keith Murray, bass player Chris Cain, and drummer Michael Tapper relocated to Brooklyn and began building a small, devoted following. |
 | | Keane's piano-driven pop/rock is created by vocalist Tom Chaplin, drummer Richard Hughes, and pianist Tim Rice-Oxley, three childhood friends from the small town of Battle in East Sussex, England. |
 | | Modest Mouse were one of the most surprising commercial success stories of the new millennium -- while their music was by turns taut and elliptical, and the lyrics sometimes cryptic and introspective, the band broke through to the mainstream audience with the platinum-selling Good News for People Who Love Bad News, and they became genuine rock stars at a time when their musical peers remained cult figures. |
 | | Super Furry Animals were one of the first post-alternative bands, fusing together a number of disparate musical genres -- including power pop, punk rock, techno, and progressive rock -- creating a shimmering, melodic, irreverent, and willfully artsy rock & roll. |
 | | A bright new noise in U.K. alternative rock in the '90s and into the new millennium, Stereophonics are comprised of vocalist/guitarist Kelly Jones, bassist Richard Jones, and drummer Stuart Cable (until the latter's replacement by Javier Weyler). |
 | | Proof that one fantastic single is all it takes to make a band's name, the Rakes burst onto the London music scene in 2004 with "22 Grand Job," a pithy punk satire of crappy entry-level office jobs. |
 | | Chris Peck (vocals/guitar), Shaz (drums), Pete Carr (keyboards), and Kevin Chase (bass/vocals) comprise the bright indie rock sounds of Boy Kill Boy. |
 | | Oasis shot from obscurity to stardom in 1994, becoming one of Britain's most popular and critically acclaimed bands of the decade in the process. |
 | | Along with Cast, Ocean Colour Scene, Kula Shaker, and Embrace, Travis was one of the most prominent British trad rock bands in the mid- to late '90s. |
 | | A classic guitar pop group almost nine years in the making, Albuquerque, New Mexico's the Shins began in 1997 as the side project of singer/songwriter and guitarist James Mercer's primary band, Flake. |
 | | Initially, Blur were one of the multitude of British bands that appeared in the wake of the Stone Roses, mining the same swirling, pseudo-psychedelic guitar pop, only with louder guitars. |
 | | Initially pegged as something as a voice of a generation when “Loser” turned into a smash crossover success, Beck did wind up crystallizing much of the post-modern ruckus of the ‘90s alternative explosion, but in unexpected ways. |
 | | Jet found international popularity during the early 2000s, a period in which the band's mix of Exile on Main St. |
 | | Long acclaimed as one of the most innovative and spellbinding bands on the contemporary British pop scene, the Verve finally broke through to a mass international audience in 1997 with the instant classic "Bittersweet Symphony. |
 | | Discovered in the wake of the Strokes' popularity and the subsequent garage rock revival, New York's art punk trio the Yeah Yeah Yeahs are comprised of singer Karen O, guitarist Nicolas Zinner, and drummer Brian Chase. |
 | | Like many other British bands of the '90s, Supergrass' musical roots lie in the infectiously catchy punk-pop of the Buzzcocks and the Jam, as well as the post-punk pop of Madness and the traditional Brit-pop of the Kinks and Small Faces. |
 | | OK Go didn't find an audience until 2005, when the band began creating homemade music videos to support their combination of off-kilter guitars, Pixies/Cars fetishism, and straightforward power pop sensibilities. |
 | | After failing to secure an international audience for nearly ten years, Snow Patrol broke into the mainstream with 2003's Final Straw, a mega-selling album that showcased the band's fondness for epic, melancholic rock. |
 | | Describing their sound as "Upper West Side Soweto," New York City's Vampire Weekend mix preppy, well-read indie rock with joyful, Afro-pop-inspired melodies and rhythms. |
 | | Initially embraced as "the Southern Strokes" for their resurrection and reinvention of Dixie-styled rock & roll, Kings of Leon steadily morphed themselves into an experimental rock outfit during the 2000s. |
 | | Five pals from Leeds, England, who play scruffy but energetic rock & roll with no shortage of swagger, the Pigeon Detectives formed in 2002, but the group's members -- Matt Bowman on lead vocals, Oliver Main and Ryan Wilson on guitars, Dave Best on bass, and Jimmi Naylor on drums -- were mates from school and had known one another since they were 12. |