 | | Fiona Apple defied categorization or any easy career path, almost running the pattern in reverse, opening her career as a highly touted and popular alternative singer/songwriter, then transitioning into a cult artist. |
 | | Tori Amos (born Myra Ellen Amos) was one of several female singer/songwriters who combined the stark lyrical attack of alternative rock with a distinctly '70s musical approach, creating music that fell between the orchestrated meditations of Kate Bush and the stripped-down poetics of Joni Mitchell. |
 | | After rising to fame at the helm of the popular folk-rock band 10,000 Maniacs, Natalie Merchant enjoyed even greater success as a solo artist during the mid-'90s. |
 | | Since her debut in 1988, Sarah McLachlan's atmospheric folk-pop has gained a devoted following not only in her native Canada, where she established star status with her first album, but also in the U. |
 | | Shawn Colvin is one of the leading lights of the so-called "new folk movement" that began in the late '80s. |
 | | Singer/songwriter Beth Orton combined the passionate beauty of the acoustic folk tradition with the electronic beats of trip-hop to create a fresh, distinct fusion of roots and rhythm. |
 | | Suzanne Vega was the first major figure in the bumper crop of female singer/songwriters who rose to prominence during the late '80s and '90s. |
 | | If she had never made another record, Lisa Loeb would still go down in the record books as the first unsigned artist to top the American charts, as her meteoric single "Stay" -- from the soundtrack to 1994's Reality Bites -- spent three weeks at number one soon after the film's release. |
 | | Born in 1975, Scottish singer/songwriter KT Tunstall -- not short for anything, the KT is just an alternate spelling of Katie -- comes from the quaint university town of St. |
 | | The electronic pop chanteuse Dido entered London's Guildhall School of Music at age six; by the time she reached her teens, the budding musician had already mastered piano, violin, and recorder. |
 | | Leslie Feist -- best known simply as Feist -- was a respected member of the Canadian alternative music community before becoming an international pop sensation with the success for her albums Let It Die and The Reminder. |
 | | Tracy Chapman helped restore singer/songwriters to the spotlight in the '80s. The multi-platinum success of Chapman's eponymous 1988 debut was unexpected, and it had lasting impact. |
 | | Sultry vocalist and pianist Norah Jones developed her unique blend of jazz and traditional vocal pop with hints of bluesy country and contemporary folk due in large part to her unique upbringing. |
 | | British singer/songwriter David Gray had already released three overlooked albums by the time White Ladder (and its international breakthrough hit, "Babylon") brought his mix of acoustic instruments and electronic samples to the mainstream. |
 | | While they came into prominence as part of the late-'80s folky singer/songwriter revival, the Indigo Girls had staying power where other artists from the same era quickly faded. |
 | | A veteran of New York's anti-folk scene, songwriter Regina Spektor makes quirky, highly eclectic, but always personal music. |
 | | Sheryl Crow's fresh, updated spin on classic roots rock made her one of the most popular mainstream rockers of the '90s. |
 | | A singer/songwriter whose lush, theatrical pop harked back to the traditions of Tin Pan Alley, cabaret, and even opera, Rufus Wainwright was born in 1973; the son of folk music luminaries Loudon Wainwright III and Kate McGarrigle, his parents divorced while he was a child, and he was raised by his mother in Montreal. |
 | | Mixing the heartfelt angst of a singer/songwriter with the cocky brashness of a garage rocker, Ryan Adams is at once one of the few artists to emerge from the alt-country scene to achieve mainstream commercial success and the one who most strongly refused to be defined by the genre, leaping from one spot to another stylistically while following his increasingly prolific muse. |
 | | A folkie in punk's clothing, Ani DiFranco battled successfully against the Goliath of corporate rock to emerge as one of the most influential and inspirational cult heroines of the 1990s. |
 | | With a voice that recalls a huskier, sandpapery version of Van Morrison and Tim Buckley, Ray LaMontagne joins such artists as Iron & Wine in creating folk songs that are alternately lush and intimately earthy. |
 | | Combining the melodic jangle of post-Smiths indie guitar pop with the lilting, trance-inducing sonic textures of late-'80s dream pop and adding a slight Celtic tint, the Cranberries became one of the more successful groups to emerge from the pre-Brit-pop U. |
 | | Irish singer/songwriter Damien Rice launched his music career in the late-'90s with the hard-hitting indie rock outfit Juniper. |
 | | Much can be said about the late Amy Winehouse, one of the U.K.'s flagship vocalists during the 2000s. |
 | | Edie Brickell was born in 1966 in the Oak Cliff section of Dallas. She attended Southern Methodist University for a year and a half before mustering the courage in a bar one night in 1985 to get up on-stage with a local band, the New Bohemians. |
 | | Singer/pianist Ben Folds (born September 12, 1966, in Winston-Salem, North Carolina) is best known as the leader of the power pop trio Ben Folds Five, but has also struck out on his own as a solo artist. |
 | | As a story, Jewel's origin is impossible to beat: on her way up, the singer/songwriter lived in a van on the West Coast, struggling to find an entrance to a career as a professional musician. |
 | | Alanis Morissette was one of the most unlikely stars of the mid-'90s. A former child actress turned dance-pop diva, Morissette later transformed herself into a confessional alternative singer/songwriter in the vein of Liz Phair and Tori Amos. |
 | | With her piano-fueled songwriting, witty wordplay, and slight vocal vibrato, Ingrid Michaelson carries the tradition of the female singer/songwriter into the 21st century. |
 | | Like simpatico songwriter Lily Allen, Kate Nash launched her career on MySpace, where her piano-driven pop songs and lyrics (delivered in a distinctive London accent) found a number of listeners. |
 | | With her omnivorous musical tastes and cheeky attitude, London-based pop singer/songwriter Lily Allen made a name for herself almost as soon as she released her demos on the Internet. |
 | | A literate singer/songwriter whose music splits the difference between pop/rock and folksy Americana, Brandi Carlile was born in the small town of Ravensdale, Washington, an isolated community 50 miles from Seattle. |
 | | Growing out of the American underground of the late '80s, Liz Phair fused lo-fi indie rock production techniques with the sensibility and structure of classic singer/songwriters. |
 | | New Jersey native Pete Yorn took a rather unique route to singer/songwriter acclaim, gaining his first big break by providing the score to a Farrelly Brothers film. |
 | | 10,000 Maniacs (named after the low-budget horror movie 2,000 Maniacs) was formed in Jamestown, New York, in 1981 by singer Natalie Merchant and guitarist John Lombardo. |
 | | The youngest of seven children, Patty Griffin grew up hearing her mother sing while doing housework and her grandmother's family sing on the front porch at night. |
 | | Alternative country singer/songwriter Neko Case won a steadily growing cult audience for her smoky, sophisticated vocals and the downcast beauty of her music. |
 | | Combining funky, groove-laden soul with handcrafted acoustic folk-rock, Ben Harper enjoyed cult status during the course of the '90s before gaining wider attention toward the decade's end. |
 | | Since he was the son of cult songwriter Tim Buckley, Jeff Buckley faced more expectations and pre-conceived notions than most singer/songwriters. |
 | | Sinéad O'Connor ranked among the most distinctive and controversial pop music stars of the 1990s, the first and in many ways the most influential of the numerous female performers whose music dominated airwaves throughout the decade. |
 | | Building on the jangly guitar pop of the Smiths and the trance-like dream pop of bands like the Cocteau Twins, the Sundays cultivated a dedicated following in indie rock circles, both in their native England and in America, in the early '90s. |
 | | British singer Joss Stone was only 16 years old when she hit the mainstream in 2003, armed with a powerful voice and a vintage, soul-based sound. |
 | | Before Jack Johnson became the 21st century kingpin of beachside pop/rock, he was a champion surfer on the professional route. |
 | | Paula Cole was one of the many female singer/songwriters who rose to prominence in the mid-'90s in the wake of alternative's commercial breakthrough. |
 | | Singer/songwriter Rachael Yamagata grew up listening to Carole King, Roberta Flack, James Taylor, and the like, for music was the one thing in Yamagata's life that remained consistent. |
 | | One of the most successful and popular solo female performers to come out of England during the last several decades of the 20th century, Kate Bush was also one of the most unusual, with her keening vocals and unusually literate and complex body of songs. |
 | | A gifted songwriter and a versatile pianist with no formal training, Sara Bareilles burst onto the pop scene with a naturally skilled voice that ranged from powerful and soulful to sweet and gentle, earning her instant comparisons to Fiona Apple and Norah Jones. |
 | | Penning songs that are offbeat in narrative, but literate and emotionally revealing, and performing them in a soulful, idiosyncratic style that reveals both strength and fragility, Cat Power was one of the most acclaimed singer/songwriters to emerge from the 1990s indie rock scene, a one of a kind artist unafraid to reveal her inner self in her music and follow her muse in a variety of different directions. |
 | | As a rule, group efforts are normally launched before a solo career -- not after a solo career is in full swing. |
 | | Singer Joan Osborne was born on July 8, 1962, in the town of Anchorage, KY, but it wasn't until relocating to New York City in the early '90s (to study at NYU's film school) that she began to take a singing career seriously after singing Billie Holiday's classic "God Bless the Child" at a local bar's open-mike night. |