 | | Upon the release of their debut album, Yourself or Someone Like You, in fall 1996, Matchbox Twenty was pigeonholed as one of the legions of post-grunge guitar bands that roamed the American pop scene in the middle of that decade. |
 | | Sheryl Crow's fresh, updated spin on classic roots rock made her one of the most popular mainstream rockers of the '90s. |
 | | As a story, Jewel's origin is impossible to beat: on her way up, the singer/songwriter lived in a van on the West Coast, struggling to find an entrance to a career as a professional musician. |
 | | Combining the melodic jangle of post-Smiths indie guitar pop with the lilting, trance-inducing sonic textures of late-'80s dream pop and adding a slight Celtic tint, the Cranberries became one of the more successful groups to emerge from the pre-Brit-pop U. |
 | | Since her debut in 1988, Sarah McLachlan's atmospheric folk-pop has gained a devoted following not only in her native Canada, where she established star status with her first album, but also in the U. |
 | | Early in their career, the Goo Goo Dolls were frequently dismissed by critics as mere imitators of the Replacements; however, they refined and mainstreamed their sound to become one of the most popular adult alternative rock bands of the 1990s, selling millions of records to audiences largely unfamiliar with their influences. |
 | | For a short time, Hootie & the Blowfish was the most popular band in America. Grunge music ruled the airwaves during the mid-'90s, but Hootie played a mainstream pop variation of blues-rock, and their easy-going sound netted them a string of Top 40 hits. |
 | | When the U.K. press began dubbing Adele "the next Amy Winehouse" in late 2007, the hype didn't touch upon the heavy singer/songwriter influence found in the Londoner's music. |
 | | With their angst-filled hybrid of Van Morrison, the Band, and R.E.M., Counting Crows became an overnight sensation in 1994. |
 | | Train was inescapable during the turn of the 21st century, when songs like "Calling All Angels" and "Drops of Jupiter" made the San Francisco residents some of America's most popular balladeers. |
 | | After surfacing in 2000 with the breakthrough single "Yellow," Coldplay quickly became one of the biggest bands of the new millennium, honing a mix of introspective Brit-pop and anthemic rock that landed the British quartet a near-permanent residence on record charts worldwide. |
 | | Although often lumped into the post-grunge category, Third Eye Blind sported a brighter sound than many of their late-'90s peers, taking as much influence from classic pop/rock traditions as the angst-ridden music that dominated the decade. |
 | | With the return of the punks in the mid-'90s came a resurgence of their slightly more commercial rivals, new wave bands. |
 | | After making his introduction as a sensitive, acoustic-styled songwriter on 2001's Room for Squares, John Mayer steadily widened his approach over the subsequent years, encompassing everything from blues-rock to adult contemporary in the process. |
 | | Led by singer/songwriter Jason Wade, Lifehouse emerged in the early 2000s with a commercial blend of pop/rock melody and throaty, post-grunge vocals. |
 | | Formed in the early '90s by South African vocalist/guitarist Dave Matthews, the Dave Matthews Band presented a more pop-oriented version of the Grateful Dead crossed with elements of jazz, funk, and the worldbeat explorations of Paul Simon and Sting. |
 | | A mix of polished pop/rock and neo-soul made Maroon 5 one of the most popular bands of the 2000s, with songs like "This Love," "She Will Be Loved," and "Makes Me Wonder" all topping the charts worldwide. |
 | | The electronic pop chanteuse Dido entered London's Guildhall School of Music at age six; by the time she reached her teens, the budding musician had already mastered piano, violin, and recorder. |
 | | By mixing Lisa Loeb/Alanis Morissette-like singing with music that sounds similar to a more mainstream Portishead at times, Natalie Imbruglia became one of the biggest pop sensations in Europe. |
 | | As the lead singer and principal songwriter for Matchbox Twenty, Rob Thomas found success with a blend of '70s rock influences, slick hooks, and 1990s post-grunge crunch. |
 | | Jason Mraz hails from Mechanicsville, Virginia, where the singer/songwriter grew up amidst the sounds of the Dave Matthews Band and local roots musicians the Agents of Good Roots. |
 | | By combining humor with an eclectic mix of folk and pop/rock, the Barenaked Ladies enjoyed considerable popularity in their native Canada before rising to international status with 1998's "One Week. |
 | | Although initially viewed as another face in the late-'90s crowd of teen pop acts, Pink (professionally known as P!nk) quickly transcended and outgrew that label with her combination of pop songcraft and powerhouse, rock-influenced vocals. |
 | | Tracy Chapman helped restore singer/songwriters to the spotlight in the '80s. The multi-platinum success of Chapman's eponymous 1988 debut was unexpected, and it had lasting impact. |
 | | As part of the mid-'90s revival of roots-rock, the Wallflowers held a special connection to one of the original inspirations: vocalist/songwriter/guitarist Jakob Dylan. |
 | | Sultry vocalist and pianist Norah Jones developed her unique blend of jazz and traditional vocal pop with hints of bluesy country and contemporary folk due in large part to her unique upbringing. |
 | | Fiona Apple defied categorization or any easy career path, almost running the pattern in reverse, opening her career as a highly touted and popular alternative singer/songwriter, then transitioning into a cult artist. |
 | | By age 21, vocalist Colbie Caillat had evolved swiftly from an aspiring R&B/folk singer to a pop sensation, a feat that owed as much to the marketing assistance of MySpace as the meteoric popularity of her debut single, "Bubbly. |
 | | By pitching their music somewhere between the arena-friendly style of U2 and the mature pop/rock of bands like Maroon 5 and Counting Crows, the Fray rose to commercial prominence with their 2005 debut, How to Save a Life. |
 | | Although she rose to fame during the teen pop era, Michelle Branch -- who was 17 years old when her debut album, The Spirit Room, began its double-platinum run in 2001 -- modeled her own songs after iconic alt-rock females like Lisa Loeb and Melissa Etheridge. |
 | | A gifted songwriter and a versatile pianist with no formal training, Sara Bareilles burst onto the pop scene with a naturally skilled voice that ranged from powerful and soulful to sweet and gentle, earning her instant comparisons to Fiona Apple and Norah Jones. |
 | | If she had never made another record, Lisa Loeb would still go down in the record books as the first unsigned artist to top the American charts, as her meteoric single "Stay" -- from the soundtrack to 1994's Reality Bites -- spent three weeks at number one soon after the film's release. |
 | | After rising to fame at the helm of the popular folk-rock band 10,000 Maniacs, Natalie Merchant enjoyed even greater success as a solo artist during the mid-'90s. |
 | | Initially embraced as "the Southern Strokes" for their resurrection and reinvention of Dixie-styled rock & roll, Kings of Leon steadily morphed themselves into an experimental rock outfit during the 2000s. |
 | | Formed in the early '90s by South African vocalist/guitarist Dave Matthews, the Dave Matthews Band presented a more pop-oriented version of the Grateful Dead crossed with elements of jazz, funk, and the worldbeat explorations of Paul Simon and Sting. |
 | | Out of all the post-Nirvana alternative bands to break into the pop mainstream, Green Day were second only to Pearl Jam in terms of influence. |
 | | Much can be said about the late Amy Winehouse, one of the U.K.'s flagship vocalists during the 2000s. |
 | | Featuring the anthemic songwriting of Ryan Tedder, OneRepublic rose to prominence in 2007, when "Apologize" began its reign as the most popular digital download in American history. |
 | | A former British Army officer, singer/songwriter James Blunt is a thoughtful performer with a knack for crafting melodic contemporary soft rock tunes. |
 | | Years before "I Don't Want to Be" propelled him to pop/rock success, songwriter Gavin DeGraw began honing his piano skills at the age of eight, followed by his participation in several cover bands with his older brother in upstate New York. |
 | | Combining elements of acoustic rock, folk, and jangle pop, Sister Hazel formed in 1993 in Gainesville, FL. |
 | | Launched in 1991 as a folk-based acoustic duo, Vertical Horizon gradually molded itself into a slick pop/rock outfit, culminating in the band's brief (but significant) heyday at the turn of the 21st century. |
 | | Bo Bice proved that American Idol could have a rocker as a finalist, but Chris Daughtry proved that the show could generate a successful rocker outside the context of the show. |
 | | Originally from New Zealand, Natasha Bedingfield grew up in southeast London, where she and her siblings were raised around music. |
 | | Five for Fighting is the one-man band of John Ondrasik, who rose to fame in 2001 on the strength of the pop/rock ballad "Superman (It's Not Easy). |
 | | The winner of Fox TV's first American Idol competition during the summer of 2002, Kelly Clarkson went from an anonymous talent to a nationally known singer in a matter of months, performing for an audience of millions. |
 | | Hailing from the small town of Escatawpa, Mississippi, 3 Doors Down hit their peak in the early 2000s with a string of post-grunge singles, most notably "Kryptonite," "When I'm Gone," and the ballad "Here Without You. |
 | | A New York-based blues-rock quartet formed in 1988 by singer/harmonica player John Popper, guitarist Chan Kinchla, bassist Bobby Sheehan, and drummer Brendan Hill, Blues Traveler were part of a revival of the extended jamming style of '60s and '70s groups like the Grateful Dead and Led Zeppelin. |
 | | Few rock groups of the '80s broke down as many musical barriers and were as original as the Red Hot Chili Peppers. |
 | | Oasis shot from obscurity to stardom in 1994, becoming one of Britain's most popular and critically acclaimed bands of the decade in the process. |