 | | Although they didn't reach platinum status until 2003, hardcore punk revivalists AFI originally formed in 1991, when the band's four founding members -- vocalist Davey Havok, guitarist Markus Stopholese, bassist Vic Chalker, and drummer Adam Carson -- were attending high school in Ukiah, CA. |
 | | Chicago's Rise Against began in 1999 when ex-88 Fingers Louie bassist Joe Principe tapped area vocalist Tim McIlrath for a new project rooted in the sound and social vision of traditionalist hardcore. |
 | | Formed in Berkeley, California, in 1983 and relocating to Los Angeles not long afterwards, NOFX steered clear of major labels and commercial exposure over the course of their career, recording an impressive number of full-length albums plus an assortment of EPs and singles. |
 | | Before becoming a full-fledged punk band, Against Me! was an acoustic solo project spearheaded by Tom Gabel, who began playing shows as a 17-year-old in Gainesville, Florida. |
 | | Out of all of the Southern Californian hardcore punk bands of the early '80s, Bad Religion stayed around the longest. |
 | | Hailing from Coral Springs, Florida, punk-pop band New Found Glory were formed in mid-1997 by vocalist Jordan Pundik, bassist Ian Grushka, drummer Joe Moreno (replaced by longtime drummer Cyrus Bolooki after the band's first release), and guitarists Chad Gilbert (previously the vocalist for Shai Hulud) and Steve Klein. |
 | | Formed in 1999 in Amityville, New York, Taking Back Sunday modeled their interpretation of melodic hardcore after bands like Lifetime, Endpoint, and Sunny Day Real Estate, as well as guitarist Ed Reyes' emo outfit the Movielife. |
 | | The new-school punk trio blink-182 were formed in the suburbs of San Diego, California around guitarist/vocalist Tom DeLonge, bassist/vocalist Mark Hoppus, and drummer Scott Raynor. |
 | | The Bouncing Souls started out in 1987 with the intention of playing loud fast three-chord party music around their native New Jersey; besides, it gave them something to do while they were in high school. |
 | | Pennywise were one of the key bands of the punk revival of the '90s. Using California hardcore as a foundation, the group incorporated funk-metal and skatepunk into its sound, developing a something that functioned as edgy, post-punk frat rock -- it was speedy and occasionally stupidly catchy, with heavy, propulsive rhythms and positive, optimistic lyrics that stood in pointed contrast to their grunge-addled peers. |
 | | One of the cornerstone bands of the '90s punk revival, Rancid's unabashedly classicist sound drew heavily from the Clash's early records, echoing their left-leaning politics and fascination with ska, while adding a bit of post-hardcore crunch. |
 | | Scandinavian skatepunk unit Millencolin formed in Örebro, Sweden, in late 1992 with its members coming together from other area punk bands. |
 | | Fueled by "rejection, food, coffee, girls, fishing and food," the Descendents sprang up during the halcyon days of the Los Angeles punk scene; fusing the blind rage of hardcore with an unexpectedly wry, self-deprecating wit and a strong melodic sensibility which set them distinctly apart from their West Coast brethren, they gradually emerged as one of the most enduring and adored bands of their time. |
 | | The Christian-themed punk-pop outfit MxPx formed in 1993 in Bremerton, WA. Originally dubbed Magnified Plaid, the group launched while its three members -- vocalist/bassist Mike Herrera, drummer Yuri Ruley, and guitarist Andy Husted -- were still attending high school. |
 | | Although formed in 1992 as a power pop trio with heavy punk leanings, Less Than Jake steadily transformed into a ska-inspired punk band with the addition of a horn section. |
 | | Southern California punks Lagwagon formed in the small town of Goleta in 1990. Originally dubbed Section 8, Lagwagon's lineup frequently fluctuated during their formative period and, by the time of the band's 1992 debut, Duh, was comprised of singer Joey Cape, guitarists Chris Flippin and Shawn Dewey, bassist Jesse Buglione, and drummer Derrick Plourde. |
 | | The hardcore punk/Celtic folk outfit Dropkick Murphys formed in South Boston in 1995; vocalist Mike McColgan, guitarist Rick Barton, and bassist Ken Casey comprised the original nucleus of the group, with a series of drummers passing through the lineup before the addition of Matt Kelly in 1997. |
 | | Sum 41 hit worldwide radar in 1996 after tiny Ajax, Ontario, proved unable to fully contain the foursome's blathering mixture of punk-pop riffing, hip-hop poses, and toilet-bowl humor. |
 | | Making their debut at a local Pittsburgh radio station in 1993, Anti-Flag got together for the sake of responding to their disgust at religion, nationalism, and fascism. |
 | | Although the members of Brand New cut their teeth in various hardcore bands, the group took a more melodic approach to its own work, embracing punk-pop on the debut album Your Favorite Weapon and incorporating aspects of indie rock during future projects. |
 | | Punk's premier cover artists, Me First and the Gimme Gimmes are a conglomerate of some of the most recognizable faces in new-school punk. |
 | | Hardcore punks No Use for a Name formed in Sunnyvale, California, in 1987, originally comprised of singer/guitarist Tony Sly, guitarist Chris Dodge, bassist Steve Papoutsis, and drummer Rory Koff. |
 | | The enduring L.A. punk band Social Distortion has overcome numerous personnel shifts, the demise of the Los Angeles hardcore scene that spawned them, and the heroin addiction of singer/guitarist/bandleader Mike Ness to achieve a measure mainstream acceptance for their rootsy, hard-hitting punk without compromise. |
 | | The Los Angeles-based post-grunge seven-piece Flogging Molly are an interesting mix of traditional Irish music and spunky punk rock. |
 | | Southern California punks Face to Face formed in 1991, originally comprised of singer/guitarist Trever Keith, drummer Rob Kurth, and bassist Matt Riddle. |
 | | Perfecting their power pop rock since the mid-'90s, New Jersey's Saves the Day call it like it is. They refrain from characteristic pogo-bouncing anthems for their own quirky post-punk and energetic live shows, influencing a new school of emo/punk bands along the way. |
 | | The post-hardcore quartet Thrice formed in 1998 in Irvine, California. Guitarist/vocalist Dustin Kensrue, guitarist Teppei Teranishi, bassist Eddie Breckenridge, and drummer Riley Breckenridge all knew each other from high school and the neighborhood skate park, and the usual round of practices, music competitions, and local gigs helped hone their new band's sound. |
 | | The Ataris have produced several full-length recordings of relatively cookie-cutter pop-punk. Taking more influence from mainstream alternative acts than the punk artists they tour with, the Ataris were discovered by Vandals founder Joe Escalante in early 1997, after songwriter Kris Roe met him at a Vandals concert. |
 | | Once a trailblazing name in the mid-'90s emocore scene, Jimmy Eat World eventually found a larger audience by embracing a blend of alternative rock and power pop that targeted the heart as well as the head. |
 | | The members of the Used had to overcome poverty, homelessness, and substance abuse, not to mention the straitlaced attitudes of their hometown of Orem, Utah, to bring their screamo-tinged brand of post-hardcore to life. |
 | | A leading light in the punk-pop genre, Motion City Soundtrack includes members Joshua Cain (guitar), Tony Thaxton (drums), Justin Pierre (vocals/guitar), Jesse Johnson (Moog), and Matthew Taylor (bass). |
 | | One of the first bands to fuse revivalist ska with the energy and aggression of post-hardcore punk rock (after the Mighty Mighty Bosstones), Operation Ivy were also one of the few ska-punk bands to earn critical acclaim. |
 | | The punk-inspired quintet Yellowcard formed in Jacksonville, Florida, in 1997 but didn't solidify their lineup until a move to Southern California in early 2000. |
 | | Although originally forming as a rock trio in 1995, New York's Coheed and Cambria officially took root in 2001, shedding their former name of Shabutie and embracing a fusion of progressive rock, emocore, and highly conceptual album themes. |
 | | Along with No Doubt, Sublime, and Rancid, the Los Angeles quartet Goldfinger helped contribute to a mini-U. |
 | | Southern California punkers Strung Out were formed in 1992, with a lineup featuring vocalist Jason Cruz, guitarists Jake Kiley and Rob Ramos, bassist Jim Cherry, and drummer Jordan Burns (formerly of Ten Foot Pole, who joined up after the band's first 7"). |
 | | Say Anything are the pop-punk brainchild of Max Bemis, who founded the band while its initial members were still attending high school in Los Angeles. |
 | | Comprised of vocalist James "Buddy" Nielsen, guitarists Dave Miller and Garrett Zablocki, bassist Michael Glita (former percussionist for Tokyo Rose), and drummer Dan Trapp, the New Jersey outfit Senses Fail developed a slick amalgam of post-hardcore chuggery and emo heartbreak that recalled such fellow New Jersey-based groups as Saves the Day. |
 | | Genuinely shocking or tasteless, campy fun? It was sometimes hard to tell which way the Misfits wanted to be taken, and the immense cult following that has grown up in the years after their actual existence (1977-1983) seems divided in its own assessment. |
 | | As one of Fat Wreck Chords' very first bands, Propagandhi have long been going against the grain of not just society, but even their own record label. |
 | | The Dead Kennedys merged revolutionary politics with hardcore punk music and, in the process, became one of the defining hardcore bands. |
 | | The Offspring's metal-inflected punk became a popular sensation in 1994, selling over four million albums on an independent record label. |
 | | Chicago's Screeching Weasel generally have a polarizing effect on most punk fans -- either you love their amateurish, tuneful Ramones imitation and singer/guitarist Ben Weasel's smartass suburbanite, often pop culture-oriented lyrics, or you hate them. |
 | | Pennsylvanian punk-poppers the Starting Line originally came together in 1999 via version 2.0 of the old "vocalist wanted" flyer hanging at the local record store. |
 | | Reel Big Fish were one of the legions of Southern California ska-punk bands to edge into the mainstream following the mid-'90s success of No Doubt and Sublime. |
 | | With their emo-punk songwriting, theatrical vocals, and neo-goth appearance, My Chemical Romance rose from the East coast underground to the forefront of modern rock during the early 2000s. |
 | | California-based emo rockers Finch, originally called Numb, include vocalist Nate Barcalow, guitarists Randy Strohmeyer and Alex Linares, bassist Derek Doherty, and drummer Alex Pappas. |
 | | As one of the most popular groups to emerge in the post-grunge alternative rock aftermath, Weezer received equal amounts of criticism and praise for their hook-heavy guitar pop. |
 | | Hailing from Orlando, Florida, Anberlin formed from the ashes of various other area projects. Led by the soaring vocals of Stephen Christian, the positive-thinking Anberlin also included Joseph Milligan (guitar), Nathan Young (drums), Joey Bruce (guitar), and Deon Rexroat (bass), and presented an alternative pop/rock sound that, while inflected with the earnestness of emo, was closer to the mature stylings of Third Eye Blind. |
 | | More of a power pop band than anything else, though they're nestled in Southern California's skate/snowboard punk scene, Unwritten Law formed early in the 1990s, with drummer Wade Youman the only holdover from the band's early days. |