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Arif Mardin

A longtime house producer and arranger with Atlantic Records, the versatile Arif Mardin assisted in the creation of many of the classic pop and jazz recordings of his era, enjoying perhaps his greatest success in collaboration with Aretha Franklin. Born in Istanbul, Turkey, on March 15, 1932, Mardin studied at Istanbul University and the London School of Economics while pursuing music as a hobby. In 1956, however, he met Dizzy Gillespie on the trumpeter's tour of Turkey, and was inspired to take up music as a profession. He won a scholarship to the Berklee College of Music and graduated in 1961, signing on with Atlantic two years later as an assistant to Nesuhi Ertegun. He soon became a studio manager and then a house producer and arranger. Mardin's earliest production duties focused on projects with jazz artists including Sonny Stitt, Freddie Hubbard, Mose Allison, and Eddie Harris, but his stock truly began to rise in the wake of Franklin's 1967 arrival on the label roster. In conjunction with the legendary producer Jerry Wexler and engineer Tom Dowd, Mardin set the stage for the singer's artistic and commercial breakthrough, arranging Franklin's landmark 1967 LP I Never Loved a Man the Way I Love You and its classic single "Respect"; another Franklin watershed, Lady Soul, followed from the same studio team a year later. He continued a long partnership with the Rascals, overseeing perennial hits like "Good Lovin'" and "Groovin'" and earning the title of the group's unofficial fifth member. In 1969, Mardin worked on the Dusty Springfield masterpiece Dusty in Memphis, and accepted a post as an Atlantic vice president; a year later, he moved on to produce Laura Nyro's Christmas and the Beads of Sweat, and also released his first solo LP, Glass Onion. His collaboration with Franklin continued on as well, yielding superb records like Spirit in the Dark, Young, Gifted & Black, and Amazing Grace. In 1971, Mardin shifted gears entirely to helm folkie John Prine's acclaimed self-titled debut. From there, he went on to work with a tremendous variety of new Atlantic signings, including Hall & Oates, Bette Midler, Roberta Flack, Donny Hathaway, Willie Nelson, and Doug Sahm. In 1974, Mardin traveled to Miami to produce the Bee Gees, who were at the time struggling to recapture their late-'60s pop success. On the orders of manager Robert Stigwood, Mardin reinvented the group's sound to capture the flavor of American R&B; while his first attempt, Mr. Natural, was not a success, the 1975 follow-up, Main Course, found the Bee Gees pioneering the commercial rise of disco, scoring a number one hit with the single "Jive Talkin'." Mardin's knack for blue-eyed funk also came to the fore through his concurrent work with the Average White Band, most notably the number one hit "Pick Up the Pieces." Albums with Rod Stewart, George Benson, and Carly Simon followed, and in 1980 he also began an extended partnership with Chaka Khan, resulting in her biggest hit, "I Feel for You." Although Mardin's pace slowed in the years to follow, he continued to work with high-profile younger artists like Culture Club and Howard Jones, and also reunited with the likes of the Bee Gees, Hall & Oates, and Roberta Flack. His work with Phil Collins on albums like Face Value and No Jacket Required resulted in his biggest commercial successes of the '80s, and he also helped bring Bette Midler back to the top of the charts with "Wind Beneath My Wings." Mardin remained active into the '90s, working most often with female solo artists: Midler, Carly Simon, Barbra Streisand, Patti LaBelle, Diana Ross, and Jewel. He also produced the original Broadway cast recordings of the hit musicals Smokey Joe's Cafe: The Songs of Leiber & Stoller and Rent in 1996 and 1997, respectively. In May 2001, amid numerous honors for his longevity and enormous legacy (12 Grammys and counting), Mardin retired as Atlantic's senior vice president. However, he wasn't finished -- he signed on with Manhattan/EMI several months later in several capacities, chief among them signing and producing new artists with adult appeal. His first major success with the label was the jazzy singer/songwriter Norah Jones, whose Blue Note debut album, Come Away with Me, topped the pop charts in early 2003. In early 2005, Mardin was diagnosed with pancreatic cancer, and began working on a final album that would sum up his life's work as well as introduce some of his unknown compositions to listeners for the first time. The album was nearly complete at the time of his death on June 26, 2006. It was finished by his son, co-producer, and longtime collaborator Joe Mardin. Entitled All My Friends Are Here, it features jazz and pop compositions from throughout the elder Mardin's life, performed by a house band and an all-star lineup of performers including Hall & Oates, Chaka Khan, Norah Jones, Willie Nelson, Carly Simon, David Sanborn, Jon Faddis, Bette Midler, and Dr. John. It was released in 2010 along with the accompanying session documentary DVD, The Greatest Ears in Town, co-directed by Joe Mardin and Doug Biro. ~ Jason Ankeny & Steve Huey
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Stations Featuring
Arif Mardin

Albums by
Arif Mardin

Top Songs by
Arif Mardin

  1.   Song
  2.   Glass Onion
  3.   Walk on By
  4.   So Blue featuring Chaka Khan
  5.   Calls a Soft Voice by Carly Simon
  6.   Willie's After Hours (Lone Star Blues) featuring Katreese Barnes
  7.   Mary Ann
  8.   Goodbye to Rio by Raul Midón
  9.   All My Friends Are Here featuring Barry Gibb
  10.   How Can I Be Sure
  11.   Wistful
  12.   Longing for You by Norah Jones
  13.   Sympathy for the Devil
  14.   (Sittin' On) The Dock of the Bay
  15.   Proud Mary
  16.   No Way Out featuring Nicki Parrot
  17.   So Many Nights by Danny O'Keefe
  18.   Chez Twang's by Dr. John
  19.   Strange Brew
  20.   Tangos by Vince Mendoza
  21.   The Greatest Ears in Town featuring Barry Gibb
  22.   No One by Dianne Reeves
  23.   Dual Blues by Amy Kohn
  24.   Forms
  25.   Listen Here
  26.   Ain't No Way
  27.   Midnight Walk
  28.   Street Scene: Strollin'/Dark Alleys/Love on a Rainy Afternoon/Parade
  29.   A Sunday Afternoon Feeling
  30.   Yesteryear
  31.   Street Scene: Dark Alleys
  32.   Street Scene: Love on a Rainy Afternoon
  33.   Street Scene: Parade
  34.   Journey: Journey
  35.   Journey: Flight
  36.   El Vito Cante by Vince Mendoza
  37.   Entre Tinieblas by Vince Mendoza
  38.   Tanguillo by Vince Mendoza
  39.   Soy Gitano by Vince Mendoza
  40.   Buleria by Vince Mendoza
  41.   Suite Fraternidad/First by Vince Mendoza
  42.   Suite Fraternidad/Second by Vince Mendoza
  43.   El Vito El Gran Tamano by Vince Mendoza

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