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Asobi Seksu

Bearing a hyper-stylized and glitzy graphic design sense, a pretty and petite Japanese female singer who sings alternately in Japanese and English, and a band name with a hint of nod-and-a-wink naughtiness (it's claimed to be a Tokyo-based slang term that means "playful sex"), Asobi Seksu come across like the latest Japanese import, the newest in a long line of ironic Shibuya-kei indie pop artists following Puffy AmiYumi, Cibo Matto, and Pizzicato Five. In fact, the quartet is based out of New York City, and besides the heavy Japanese pop influences, Asobi Seksu bear comparison both to the British shoegazer bands of the early '90s (My Bloody Valentine in particular) and to New York guitar noise acts ranging from Sonic Youth to Yo La Tengo. Singer and keyboardist Yuki Chikudate, guitarist James Hanna, bassist Glenn Waldman, and drummer Keith Hopkin formed Asobi Seksu in late 2001, self-releasing their self-titled debut album the following year. Garnering a strong local buzz at a time when the New York club scene was hot again following the success of the Strokes and Interpol, Asobi Seksu came to the attention of the indie Friendly Fire Records, which reissued Asobi Seksu with new cover art in 2004. The album's single, "I'm Happy But You Don't Like Me," raised the band's college radio and online profile; that song and two others from the album, "Sooner" and "Walk on the Moon," were placed in the indie film In Between Days, which won a special jury prize at the 2006 Sundance Film Festival. Before recording their second album, Asobi Seksu underwent a major personnel shift, with the core duo of Chikudate and Hanna replacing Waldman and Hopkins with new bassist Haji and drummer Mitch Spivak. Produced by hot New York indie producer/engineer Chris Zane (Human Television, Ambulance LTD, etc.), the more polished, multi-layered Citrus was released to solid reviews in May 2006. At some point near the end of the nearly two years spent touring behind the album, Hanna had a revelation that led him to rethink the sound of the band, namely that he was sick and tired of the guitar sound the band had utilized up to then. For the next album, the band (then down to the core duo of Chikudate and Hanna) stripped back the layers of guitar noise and aimed for a more atmospheric and lush sound. Hush was released by new label Polyvinyl in February of 2009, and Chikudate and Hanna continued in this cleaner direction for 2011’s Fluorescence. ~ Stewart Mason & Tim Sendra
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Stations Featuring
Asobi Seksu

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Albums by
Asobi Seksu

Top Songs by
Asobi Seksu

  1.   Song
  2.   Goodbye
  3.   Thursday
  4.   New Years
  5.   Transparence
  6.   Gliss
  7.   Never Understand
  8.   Walk on the Moon
  9.   Suzanne
  10.   Umi de No Jisatsu
  11.   Minature Cities
  12.   Vicious Bears
  13.   Ocean
  14.   Deep Weird Sleep
  15.   Counterglow
  16.   Miniature Cities
  17.   Sing Tomorrow's Praise
  18.   Meh No Mae
  19.   Layers
  20.   I Can't See
  21.   Familiar Light
  22.   Blind Little Rain
  23.   Lions and Tigers
  24.   Everything Is On
  25.   Asobi Masho
  26.   Taiyo
  27.   Let Them Wait
  28.   It's Too Late
  29.   Risky And Pretty
  30.   Glacially
  31.   End at the Beginning
  32.   Strings
  33.   I'm Happy But You Don't Like Me
  34.   Little House of Savages
  35.   Trails
  36.   Sighs
  37.   Perfectly Crystal
  38.   My Baby
  39.   Leave the Drummer Out There
  40.   In My Head
  41.   Breathe Into Glass
  42.   Urusai Tori
  43.   Me & Mary
  44.   In The Sky
  45.   Intro
  46.   Mizu Asobi
  47.   Exotic Animal Paradise
  48.   Nefi+Girly
  49.   Red Sea
  50.   Pink Cloud Tracing Paper
  51.   Strawberries
  52.   Before We Fall
  53.   Stay
  54.   Sooner
  55.   Trance Out
  56.   Then He Kissed Me
  57.   Coming Up
  58.   Pink Light
  59.   Red Sed
  60.   All Around

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