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Asobi Seksu

Bearing a hyper-stylized and glitzy graphic design sense, a pretty and petite Japanese female singer who sings alternately in Japanese and English, and a band name with a hint of nod-and-a-wink naughtiness (it's claimed to be a Tokyo-based slang term that means "playful sex"), Asobi Seksu come across like the latest Japanese import, the newest in a long line of ironic Shibuya-kei indie pop artists following Puffy AmiYumi, Cibo Matto, and Pizzicato Five. In fact, the quartet is based out of New York City, and besides the heavy Japanese pop influences, Asobi Seksu bear comparison both to the British shoegazer bands of the early '90s (My Bloody Valentine in particular) and to New York guitar noise acts ranging from Sonic Youth to Yo La Tengo. Singer and keyboardist Yuki Chikudate, guitarist James Hanna, bassist Glenn Waldman, and drummer Keith Hopkin formed Asobi Seksu in late 2001, self-releasing their self-titled debut album the following year. Garnering a strong local buzz at a time when the New York club scene was hot again following the success of the Strokes and Interpol, Asobi Seksu came to the attention of the indie Friendly Fire Records, which reissued Asobi Seksu with new cover art in 2004. The album's single, "I'm Happy But You Don't Like Me," raised the band's college radio and online profile; that song and two others from the album, "Sooner" and "Walk on the Moon," were placed in the indie film In Between Days, which won a special jury prize at the 2006 Sundance Film Festival. Before recording their second album, Asobi Seksu underwent a major personnel shift, with the core duo of Chikudate and Hanna replacing Waldman and Hopkins with new bassist Haji and drummer Mitch Spivak. Produced by hot New York indie producer/engineer Chris Zane (Human Television, Ambulance LTD, etc.), the more polished, multi-layered Citrus was released to solid reviews in May 2006. At some point near the end of the nearly two years spent touring behind the album, Hanna had a revelation that led him to rethink the sound of the band, namely that he was sick and tired of the guitar sound the band had utilized up to then. For the next album, the band (then down to the core duo of Chikudate and Hanna) stripped back the layers of guitar noise and aimed for a more atmospheric and lush sound. Hush was released by new label Polyvinyl in February of 2009, and Chikudate and Hanna continued in this cleaner direction for 2011’s Fluorescence. ~ Stewart Mason & Tim Sendra
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Stations Featuring
Asobi Seksu

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Albums by
Asobi Seksu

Top Songs by
Asobi Seksu

  1.   Song
  2.   Goodbye
  3.   Thursday
  4.   New Years
  5.   Transparence
  6.   Walk on the Moon
  7.   Never Understand
  8.   Gliss
  9.   Suzanne
  10.   Strings
  11.   Sooner
  12.   Counterglow
  13.   Then He Kissed Me
  14.   I Can't See
  15.   Risky And Pretty
  16.   Strawberries
  17.   In My Head
  18.   Miniature Cities
  19.   Nefi+Girly
  20.   My Baby
  21.   Leave the Drummer Out There
  22.   Red Sed
  23.   I'm Happy But You Don't Like Me
  24.   All Around
  25.   Trance Out
  26.   Trails
  27.   Sighs
  28.   Perfectly Crystal
  29.   Ocean
  30.   Deep Weird Sleep
  31.   Coming Up
  32.   Breathe Into Glass
  33.   Urusai Tori
  34.   Meh No Mae
  35.   Layers
  36.   In The Sky
  37.   Glacially
  38.   Familiar Light
  39.   Blind Little Rain
  40.   Intro
  41.   Mizu Asobi
  42.   Lions and Tigers
  43.   Red Sea
  44.   Pink Cloud Tracing Paper
  45.   Everything Is On
  46.   Asobi Masho
  47.   End at the Beginning
  48.   Taiyo
  49.   Stay
  50.   Minature Cities
  51.   It's Too Late
  52.   Before We Fall
  53.   Pink Light
  54.   Sing Tomorrow's Praise
  55.   Little House of Savages
  56.   Umi de No Jisatsu
  57.   Exotic Animal Paradise
  58.   Vicious Bears
  59.   Let Them Wait
  60.   Me & Mary

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