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Asobi Seksu

Bearing a hyper-stylized and glitzy graphic design sense, a pretty and petite Japanese female singer who sings alternately in Japanese and English, and a band name with a hint of nod-and-a-wink naughtiness (it's claimed to be a Tokyo-based slang term that means "playful sex"), Asobi Seksu come across like the latest Japanese import, the newest in a long line of ironic Shibuya-kei indie pop artists following Puffy AmiYumi, Cibo Matto, and Pizzicato Five. In fact, the quartet is based out of New York City, and besides the heavy Japanese pop influences, Asobi Seksu bear comparison both to the British shoegazer bands of the early '90s (My Bloody Valentine in particular) and to New York guitar noise acts ranging from Sonic Youth to Yo La Tengo. Singer and keyboardist Yuki Chikudate, guitarist James Hanna, bassist Glenn Waldman, and drummer Keith Hopkin formed Asobi Seksu in late 2001, self-releasing their self-titled debut album the following year. Garnering a strong local buzz at a time when the New York club scene was hot again following the success of the Strokes and Interpol, Asobi Seksu came to the attention of the indie Friendly Fire Records, which reissued Asobi Seksu with new cover art in 2004. The album's single, "I'm Happy But You Don't Like Me," raised the band's college radio and online profile; that song and two others from the album, "Sooner" and "Walk on the Moon," were placed in the indie film In Between Days, which won a special jury prize at the 2006 Sundance Film Festival. Before recording their second album, Asobi Seksu underwent a major personnel shift, with the core duo of Chikudate and Hanna replacing Waldman and Hopkins with new bassist Haji and drummer Mitch Spivak. Produced by hot New York indie producer/engineer Chris Zane (Human Television, Ambulance LTD, etc.), the more polished, multi-layered Citrus was released to solid reviews in May 2006. At some point near the end of the nearly two years spent touring behind the album, Hanna had a revelation that led him to rethink the sound of the band, namely that he was sick and tired of the guitar sound the band had utilized up to then. For the next album, the band (then down to the core duo of Chikudate and Hanna) stripped back the layers of guitar noise and aimed for a more atmospheric and lush sound. Hush was released by new label Polyvinyl in February of 2009, and Chikudate and Hanna continued in this cleaner direction for 2011’s Fluorescence. ~ Stewart Mason & Tim Sendra
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Stations Featuring
Asobi Seksu

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Albums by
Asobi Seksu

Top Songs by
Asobi Seksu

  1.   Song
  2.   Goodbye
  3.   Thursday
  4.   Never Understand
  5.   Suzanne
  6.   New Years
  7.   Walk on the Moon
  8.   Gliss
  9.   Pink Light
  10.   All Around
  11.   Vicious Bears
  12.   Trails
  13.   Nefi+Girly
  14.   My Baby
  15.   Me & Mary
  16.   Trance Out
  17.   Leave the Drummer Out There
  18.   End at the Beginning
  19.   Transparence
  20.   Intro
  21.   I'm Happy But You Don't Like Me
  22.   Minature Cities
  23.   Breathe Into Glass
  24.   Urusai Tori
  25.   Risky And Pretty
  26.   Meh No Mae
  27.   Layers
  28.   I Can't See
  29.   Glacially
  30.   Familiar Light
  31.   Blind Little Rain
  32.   Then He Kissed Me
  33.   Red Sed
  34.   Lions and Tigers
  35.   Pink Cloud Tracing Paper
  36.   Strings
  37.   Strawberries
  38.   Everything Is On
  39.   Before We Fall
  40.   It's Too Late
  41.   Taiyo
  42.   Let Them Wait
  43.   Sooner
  44.   Counterglow
  45.   Coming Up
  46.   Mizu Asobi
  47.   Little House of Savages
  48.   Ocean
  49.   Umi de No Jisatsu
  50.   Deep Weird Sleep
  51.   Miniature Cities
  52.   Asobi Masho
  53.   In The Sky
  54.   Stay
  55.   In My Head
  56.   Red Sea
  57.   Sing Tomorrow's Praise
  58.   Sighs
  59.   Exotic Animal Paradise
  60.   Perfectly Crystal
  61.   The Words Live Longer
  62.   Breath Into Glass
  63.   Urasai Tori
  64.   Sunshower

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